The Restored Taipei Heritage Building Megapost

First, a quick life update: I have COVID! So, depending on how that turns out, you can either expect lots of posts as I don't have much to do, or nothing because I don't feel well (right now I'm doing alright). 

Now, on to the actual post.

In recent years, Taipei has been working practically in overdrive not just to preserve the heritage architecture that remains, but (for the most part) turn these old buildings into useful or interesting public spaces. 

You surely know some of these already -- Huashan and Songyan Creative Parks, Bopiliao, Dihua Street and -- well, so many that it'd be impossible to list them all. A few are privately owned: Leputing is housed in a Japanese-era dormitory for government officials, built in the 1920s and renovated with government subsidies. Fireweeds offers more traditionally Japanese fare, in a smaller-scale building. I used to frequent Cafe Monument when I had a reason to be in that area. Nobody who knows a thing about Taiwanese history is unaware of Wistaria House (though it can be hard to get a table). 

Others have been more recently renovated. As such, they're less well-known. 

I've been spending a lot of time these past few years writing about these places (among other topics) for Taipei Magazine. That's not a plug -- the point is, I spend a lot of time visiting these places because the city government wants to get the word out. It's been an enjoyable enough series of assignments that I thought I'd summarize some of my favorites, with a few picks of my own. 

Some of the links lead back to my own writing, some to other sites -- I wanted to offer a list of my favorites (including places I've visited on assignment) rather than just hawk my own work. Not every item comes with photographs: I simply can't find all of my own pictures. I'm not sure it matters much -- I'm not the best photographer.

This is by no means a definitive list. I'm giving the places above the short shrift, and leaving out Beitou and Shezi completely. Old favorites, like the Xiahai City God Temple, Bao'an Temple and Qingshan Temple didn't make it in. There are enough Japanese-era residences around NTU and Shi-da alone to create an entire post. I didn't include the 228 Museum because I wanted to add at least one picture to that, but I don't have any (it will feature in an upcoming post on all the museums you can visit if you don't want to go to the National Palace Museum again). 

That's okay -- I can't cover everything, so let's focus on what I can do! 

Kishu An

Also called the "Literature Forest", this renovated section of a 1917 Japanese riverside banquet hall -- much of which was destroyed in a fire decades ago -- offers a calm spot for relaxation, a shop, cafe and event space. The massive banyan trees lend themselves to the 'forest' part of the site's name, and novelist Wang Wen-hsing lived here for a time, hence the connection to literature. In fact, much of the Taiwanese novel Family Catastrophe was set here.

Taiwan Literature Base and surrounding neighborhood (same link as above)

Near Huashan Creative Park, the Taiwan Literature Base is housed in a series of dormitories once occupied by Japanese civil servants, first in the Japanese era and for a period, ROC government workers as well. It was left abandoned for some time before being designated as a historic site and renovated. Qidong (Chitung) Street is much older, however: it was used as a transit route for goods headed to the port of Keelung during the Qing Dynasty and Japanese colonial era. Now, the dormitories house exhibits, spots for reading -- including one filled with books in Taiwanese and Hakka -- or just places to hang out, in a quiet complex with plenty of outdoor seating. 

There's more to this neighborhood than just the dormitories, however. Other renovated Japanese era buildings house the Taipei Qin Hall (also called Taipei Calligraphy Academy) the residence of Li Gwoh-ting. Both of these host events, exhibits and activities.

Tip: for this and Kishu An, bring bug spray. It turns out that shady banyans attract mosquitoes.

Railway Department Park

This has gotten quite a bit of press since opening in 2020, but I wanted to include it as not only a recent renovation, but also one of my favorite visits. With an Art Deco entrance, cypress from Alishan, a Beaux Arts conference room, and exhibits on railway history, there's a lot to see here. Buildings outside have a lot of history to explore as well. It's become one of my top recommendations for very hot or rainy days, if you want to get out of the house, explore a historic site, and have enough to keep you engaged for the day. 

Futai Street Mansion

Walking down Yanping Street one day, I passed this smallish historical building and found, to my surprise, that it was open to the public. This simple European-style commercial building (it was built in 1910 to house the offices of a Japanese construction company) holds a place in my memory in part because I found it on my own; no guidebook or brochure mentioned it, and I wasn't asked to go there to write about it.  Constructed of stone from Qili'an in northern Taipei with a ceiling of Taiwanese cypress, it's the only commercial building left on Yanping Road, which was once lined with them. It houses a gift shop and as of my last visit, a small cafe as well. Renovation and management was conducted by the same person who manages the Taipei Story House near the Fine Arts Museum. I appreciate the warm cypress scent that wafts through the building; you'd hardly think that this was used as accommodations for high-level ROC officials -- it looks like it was always meant to be a commercial building on a commercial street.


Nishihonganji

Built in the early 1900s, was originally a Buddhist monastery and temple that served as a Taiwan-based chapter of a Japanese Shin (or Pure Land) Buddhist order. When I first moved to Taiwan in 2006, I remember coming across it in disrepair, but in the years since it's been renovated and turned into a popular attraction. The bell tower is especially nice, though I remember it most fondly as one of the first historic sites I came across in Taiwan that was later renovated. The architectural designs are eclectic, and the head priest's residence (the rinbansho or rinbansyo)

is now a teahouse called, predictably, Rinbansyo and is built and decorated in a thoroughly traditional Japanese style. I've been, and I recommend it! 

(On a personal note, Rinbansyo holds a lot of sad and nostalgic memory for me, as the one time I went, I was with a friend who later passed away of a heart condition. It was the last time I saw her. I should go back, but I haven't yet.) 

North Gate

In my first years in Taiwan, North Gate was that incongruous little square building with the traditional-style roof that few paid attention to. Why? Because it sat right next to a massive highway ramp. When I had a class in Wugu, a student would drive me back to Taipei Main Station and I'd always notice how pretty that old Minnan-style roof looked, silhouetted by the city lights beyond. It was hard to get close to the actual gate, though, and on the ground its surroundings drained its attractiveness.

Friends began pointing out the gate's significance. As one of the only relics of the Taipei city walls (constructed just before the Sino-Japanese war in the late 1900s, and demolished very soon after by the incoming Japanese), and as the only Taipei surviving city gate retaining its original southern Chinese form. The others were renovated (retconned) into the bright red-and orange northern Chinese style buildings the KMT plonked on Taiwan to make it seem not just 'Chinese' but the specific kind of "Chinese" aesthetics they preferred. That is, not simple, elegant Southern Min brick. 

Imagine my shock when one day I walked by that intersection to see the ramp gone, and pedestrian friendly walkways allowing one to truly admire this forgotten old gate in the shadow of an overpass. But of course people hadn't forgotten; it took awhile to do the right thing and give North Gate its due.It took breaking the KMT domination of the Taipei mayorship and showing that in fact, a simple, local-style gate can be more lovely than the most firecracker-red columns you can out up to push your view of history on the people.

It's small, and takes just a moment to walk through. But you can walk through it now, and that wasn't always the case. And that's what matters.

Taipei Info Hub

Not far from Futai Street Mansion (you can walk between the two by crossing under North Gate), Taipei Info Hub is a recently-renovated warehouse building housing various exhibits on the first floor, with a second floor event space. Built in 1913 for the erstwhile Mitsui & Co (no relation to the current company), Taipei Info Hub also houses a cafe with ample seating in an area where there were once very few food and drink options. Interestingly, the semicircular gable that graces the building now isn'r original; the original was deemed too vulnerable to be left in position and is now on display inside the building.


National Center of Photography and Images

In the same article linked above, I wrote about NCPI -- the National Center of Photography and Images. In the same neighborhood as the Railway Department Park, North Gate, Futai Street Mansion and Taipei Info Hub. 

You probably know this building; very near Taipei Main Station, it was designed by architect Setsu Watanabe and built in 1937. It's certainly got Japanese influences in the roof design -- note the distinctive turret -- but was also designed to be simple and modern. Originally an office for the Osaka Mercantile Co., the turret was eventually lopped off in order to build a fourth story, during the period when it housed the Provincial Highway Bureau. During renovations, Watanabe's original intent was coaxed back into existence, with the turret replaced. 

Now, NCPI hosts rotating exhibits on photography in Taiwan's history. Not everything is subtitled in English, but enough is to enjoy yourself. While enjoying the exhibits, be sure to take in some of the other Art Deco details of the building, especially the stairway.

The first floor also houses a minimalist cafe and interesting gift shop. (I bought a Furoshiki Shiki miscellaneous goods bag, because I thought the design was cool.) 

New Culture Movement Museum

One thing I love about Taiwan: when dealing with the renovation of historic sites that evoke painful memories of colonialism and brutality, the current government has not shied away from re-imagining them as spaces to talk about Taiwan's history on its own terms, while reminding people of the original purpose of the sites. Nowhere is this more evident than in the Japanese-era police stations in Taipei and Tainan. Tainan uses its old police station as part of a fine arts museum complex, exhibiting fine artwork specifically from Taiwan which evokes the Taiwanese experience through history and today. 

In Taipei, this means using an old police building to house a New Culture Movement museum. When I went, the current COVID outbreak was just starting to become a concern, and the place was deserted. While that's probably due to the pandemic, I also worry that news of the museum's existence hasn't gotten around yet, either. That's a shame, because in addition to exhibits about the New Culture Movement (which was strongly tied to the Home Rule movement of the time), the building itself is of historic interest. From my article: 

Built in 1933, the station also served as a detention center. In the ensuing decades, the edifice was replaced with red tiles and a third story was added. Renovations began in 2014, and the choice of exhibit was intentional: Taiwan Cultural Association (台灣文化協會) founder Chiang Wei-shui (蔣渭水) had been imprisoned at the station’s former site in the 1920s. The New Cultural Movement in Taiwan encouraged understanding of Taiwanese culture and history through performances, lectures, essays and a newspaper, the Taiwan People’s News (台灣民報).

POPOP Taipei

This is another one of those city government initiatives aiming to renovate Taipei's historic sites and re-make them into usable spaces for contemporary times. POPOP was once a bottle cap factory in Nangang, a part of the city that, to be honest, doesn't have a lot going on (though if you find yourself there, the Academia Historica museum is interesting, and there's an old family mansion near the Academia Sinica). 

Unlike, say, the creative parks at Huashan and Songshan, POPOP is a fairly new project, and hasn't quite taken off yet thanks to the pandemic -- but hopefully, it will. Instead of following the old 'creative and culture park' model, POPOP was conceived as a 'maker space', with the main part of the old factory buildings turned into a single long workspace with tables, counters, outlets -- you know, a space for makers. There's not a lot going on yet, but check back in a few years.

For the casual visitor, there's also a cafe, a sake bar and an antique shop in addition to some small but pleasant outdoor spaces. 

U-mkt

From the same article above, the Shintomicho Cultural Market (U-mkt) can be found at the other end of the MRT's blue line, near Longshan Temple and Bopiliao. Built in 1935, commercial operations ceased in the unique U-shaped building in the 1990s. Xinfu Market, however, still bustles around it, and is interesting both when open and closed (as the pull-down garage doors on the shops are covered in colorful graffiti). Today, U-mkt has exhibits on the building's past, kitchen and lecture spaces and two cafes, one in the curve of the "U" and the other in the Japanese-era office just outside. 

Neihu Assembly Hall

This Art Deco building caught my eye in a book of Taipei heritage buildings. Looking one weekend day for something to do, I suggested to Brendan that we head up to Neihu just to have a look. After all, we rarely get up that way; there just isn't that much to do in Neihu if you don't live there! We weren't able to enter the building, and frankly, the façade is probably the most interesting thing about it. Built in 1930, it's one of the few Japanese-era buildings that isn't done in the "baroque" style reminiscent of British colonialism, but straight-up Art Deco, complete with 'air defense' tiles which were probably more for decoration than actual camouflage.

It's worth coming up here, though, as you can combine it with a visit to visit the Kuo ancestral shrine (below). 

Kuo Family Shrine

This gem of a building is designed more in the Japanese Baroque style that is so common in Taiwan than the Neihu Assembly Hall, and is linked with it above. Hiking up the steps to get to this hilltop mansion, you'd never know that it's right next to an MRT station. Unlike the assembly hall, the family mansion is open most days, and is pleasant to wander around. It's also the headquarters of the World Kuo Family Association, has some Tang-dynasty tablet rubbings, and features a shrine to the most famous Kuo -- Kuo Ziyi. Though he's claimed as the ancestor to all people surnamed Kuo, that's likely not the actual case. 

Sun Yat-sen Memorial House / Yixian Park / Umeyashiki

Can you imagine someone living in Taiwan for almost 15 years, and not visiting this site? Well, that was me. Next to Taipei Main Station, this was a restaurant and guesthouse during the Japanese Era, where Sun Yat-sen apparently spent a night (also, it's apparently been relocated from its original site nearby). 

After so many years of seeing the walls keeping this small park and building from the noise and traffic outside, I finally popped in one day when I had nothing else going on, and had just had lunch with a friend nearby. I ended up spending much of the afternoon just sitting and relaxing. The Japanese-style building itself houses a small exhibition related to Dr. Sun, and the garden around it is landscaped in a Chinese style. A brochure describes it as a fusion of the two styles -- Japanese and Chinese -- with some sort of metaphorical link to Taiwan and fusion of the two cultures. 

            

I don't care much for the metaphor, but it is a pleasant spot. Perhaps sit and reflect on how the "father of modern China" (or something) visited Taiwan, stayed here, and never said a thing about Taiwan being Chinese. To Sun, Taiwan was very obviously Japanese. Now consider how China views its 'claim' to Taiwan as something historic -- the evidence is apparently 'antiquity' itself. 

Does that claim seem particularly legitimate in light of what you've just learned? I hope not! 


The Lin Antai Mansion

Competing with other old family mansions such as the Banqiao Lin Family Garden in New Taipei, the Li Family House in Xinzhuang and the Wufeng Lin Mansion just outside Taichung city, the Lin Antai house is probably the best-preserved old mansion in Taipei. It took me years to visit, simply because it's not close to anything else and not particularly close to an MRT (some bus lines run up to that corner of the city, but that's about it). I enjoyed it immensely when I did, however. Fun fact: the house used to be located on what is now Dunhua South Road. I saw the original site on an old map once, and it wasn't far from MRT Technology Building -- it's surreal to think the whole thing got moved up to the riverside.

Ciyun Temple (慈雲寺)

We found this temple so many years ago that the photos I took got lost somewhere in the shuffling of files from old computers to new. I remember it though, because in a district full of flashier and more famous temples, this simple brick structure felt like a throwback, or at least a very unpretentious example of its type. The old brick arcades certainly give the area the feel of a time long past. Built in 1924 with private funds, it was on newly reclaimed land behind what is now Ximenting when first constructed. Now, the temple lives on, but seems to be bookended with hip-looking cafes. I don't mind, that, really. 

If you make your way from some of the sites around Taipei Main to Ciyun Temple, you'll find yourself walking through Ximen, which is an interesting way to spend a day regardless of your destination. There's plenty to see in the area, and if you aim your walk in the direction of Zhongshan Hall and some of the other historical sites and temples I've skipped, you'll also pass one of my favorite old houses:

 

I don't think there's anything especially historic about it, I just think it looks cool. 

In fact, although it's often labeled an unattractive city, Taipei has lots of architecture that is in fact quite interesting:

How the Tainan Museum of Archaeology challenged my approach to criticism

As you approach the Museum of Archaeology in Tainan Science Park, you might not notice its dark exterior of stacked bricks.  This unassumingly natural edifice almost seems to rise out of the grasses, bushes and flowers around it, as though they are part of it and it of them. Even the paved areas have different textures of stone, with the main entrance at the end of a long outdoor passage that cuts open at various intervals, as though giving you a glimpse of the world here, and here, and there.  Throughout the exterior, more modern elements in metal and glass bring the building into the future. 

The easy symbolism here is "melding the ancient and modern", but I think that's too simplistic. The dark, low stacked stone of the exterior recalls Rukai Indigenous stacked-slate housebuilding techniques. The cuts in the entrance hall remind you that we only view moments in history as a cutting-in, and must use our imaginations to fill in the details. 

Once inside, natural wood benches and a large atrium allow families to keep children occupied while someone stands in line for tickets. As you ascend the escalators, an interior side of the facade comes into view: the Rukai slate-house colors are still there, but now they're designed as geological layers, complete with replica fossils that come into view as you rise. 



The Archaeology Museum took quite awhile to build, having been first conceived when priceless finds were discovered when developing the science park, from Indigenous settlements dating back thousands of years. (There are some shards of modern pottery and even "figurines of foreigners" from the Dutch era, too). 

Tainan has built on its reputation as a historical and cultural capital with its Taiwan-focused museums: the Tainan Fine Art Museum, housed in two buildings, one vintage and one modern; the National Museum of Taiwan History which offers a bracing definition of "who is Taiwanese" alongside a building-size timeline of the country's history with (mostly replica) artifacts; and the Museum of Archaeology, understated and elegant, displaying the real deal -- including treasures like a carved deer antler knife handle, centuries-old dice, and millenia-old pottery, tools and jewelry. 

There is more to love about this museum, despite its distance from the city center -- there's probably a bus, but I recommend a car to get there. We went with a local friend. But first, I want to talk about a particular effect it had on me.



It's no secret that I'm not a big fan of the National Palace Museum. Sometimes when subjugationists sneer that if Taiwan wants to be independent so much, why doesn't it just give back all the treasures they carted over from China?

I usually retort: "Sure, you can have your junk back. Guaranteed freedom matter more."

I don't really mean this -- well, I would be in favor of sending most of it back across the strait, but I don't get a say. Regardless, that was never a serious proposition. Rather, I know perfectly well that it's not "junk". It's a museum in an ugly building full of priceless foreign artifacts, displayed in the most unengaging manner possible -- bland rooms of vases and scrolls, with very little context offered to tell you why each one matters in its own way. You are supposed to gape at it and agree that it matters, without getting a real feel for anything. (Some items, like the carved ivory or the colorful porcelains of the Empress Dowager Cixi do indeed stand out on their own). 

I tell visitors that it's worth going if you are specifically interested in Chinese history, but you won't learn much about Taiwan beyond a better understanding of all the loot the retreating ROC hauled over here. 

Otherwise, though, it's just kind of there, in its ugly building, expecting your admiration and thinking it owes you not one jot of engagement that you don't bring to the visit yourself. A shrine to a foreign country, a lost war, an enforced identity that couldn't even be enforced very well once Taiwanese people were actually given a say.

In other words, it's easy to take a big ol' dump on the National Palace Museum. Criticism is easy. "This thing sucks!" "I don't like that!" "Most. Uninsightful. Song-Ming Blue and White Porcelain Display. Ever!" I could do that all day. 

What's harder is offering a positive alternative: try this place instead. This is cool. This is a hidden gem. This truly captures a tiny piece of the soul of Taiwan. This other museum is small but really captures a poignant moment of Taiwanese history. 

The Tainan and Taipei Fine Arts Museums are just such museums. Do not miss the exhibit of vintage Taiwanese paintings from the Japanese era, including the original Dihua Street market scene by Kuo Hseuh-hu (郭雪湖), ending in two weeks. The Taipei Museum of Contemporary Art too, but recent scandals have soured me on it a tad. The Shunye Museum of Formosan Aborigines is across the street from the National Palace Museum and is a more edifying visit if you are actually interested in Taiwan. The Nylon Deng Memorial Museum deserves to be in this list, though it's difficult to access in English. The 228 Museum, the National Prehistory Museum (temporarily closed for renovation), Jingmei Human Rights Museum and Green Island's White Terror Memorial Park and so many more -- too many, in fact, to list -- not only offer deeper, more intimate and more local understandings of Taiwan. 

And that's just the short list. 

All of these museums utilize design concepts to offer engaging museums with experiences beyond we built this Chinese-lookin' cement thing and put all our stuff in it, people will come because of its obviously superior cultural refinement. Even the museums that were once prisons have options to discuss what you are seeing with a former inmate who'd been imprisoned there.

But again, it's easy to criticize that old dinosaur up in Shilin.

Instead, let the design elements of places like the Tainan Museum of Archaeology wash over you and perhaps spur you to think a little more deeply about the subtler elements. 

Coming here helped me remember: it's easy to criticize. It's easy to say the National Palace Museum pushes a (mostly fabricated) narrative of Chinese history "preserved" by "free China" in Taiwan.



It's difficult to offer a positive alternative. It's even harder to offer that alternative simply, for its own sake, without a specific agenda. Or rather, if there is an agenda, it's simply to get more people to go to museums about Taiwan when they visit Taiwan. 

There's a lot to like about the place: when you enter, one of the first things you come across is a timeline of who exactly lived in this part of Tainan when. 

Ya think the vast majority of Taiwanese history is Han? Think again, mofos:



Some objects (which may be replicas) are even presented in ways that show how archaeological digs actually look -- there's an entire glass-floored room where you can walk over what would be the roped-off grid on a dig. I have a friend who's an archaeologist and I came away with a fresh appreciation for how she could look at, say, a specific shape of stone and identify it as a tool rather than just an interesting rock. One floor has dioramas -- along with real artifacts found in places that might have hosted scenes like these -- of how the people who used these items lived. You access each floor by going down a gentle ramp, as though you're descending through layers of the earth. The floors themselves are often made of materials meant to mimic a semi-natural, semi-industrial look. It is in a science park, after all, and the metal beams holding up all that glass on the way to the top remind visitors of that.

As you do, square windows offer odd light from a bright yellow courtyard. They're all at different heights and sizes, seemingly sprinkled down the hall. The effect is once again of peeking through at different levels of visibility, the way a reconstructed pot or a carved knife-handle might allow you to have a peek through a tiny window about lives lived in the distant past. 




The courtyard itself is where all these windows converge, sunny-hued in even the cloudiest of weather. A single bench, a single beautiful tree, and several stories of viewpoints peering down at balanced but irregular intervals.

It's small and difficult to get to, but this is a museum worth visiting. This is a museum that incorporates its mission into its very structure, which attempts to reach out and engage you. This is a museum about Taiwan. 

So what did I learn? Don't dwell so much on what is wrong -- though you can, if it's merited. Spend perhaps even a little of that time talking about what is right.

Pictures at a Closed Exhibition

On a personal note, if it seems I haven't been giving Lao Ren Cha as much attention as before -- that is correct. I'm consumed with a couple of bigger projects that take a lot of time and attention, but I'm not willing to talk about those now. And when it comes to current affairs, Nathan Batto and Donovan Smith have covered the KMT chair election and incoherent protesting (the signs literally say "Protesting!") sufficiently; I have nothing to add. I don't even want to touch the head-scratching "Taiwan Agreement", which of course does not exist. 

Instead, I want to talk about culture. Specifically, share some photographs from a now-closed exhibition at the Tainan Fine Arts Museum, which has two buildings: the Art Deco police station across the street from the Confucius Temple, and a modern, angular building just to the east of it. For visitors, the shop is in Building 2 (the new one) and a cafe which includes outdoor seating in the courtyard in Building 1 (the police station).

That the Japanese colonial era police station (itself a work of architectural beauty) later used by the KMT colonial dictatorship and their jackboot thugs, is now an art space dedicated to Taiwanese artistic expression and history is itself a type of art, I must say. To then take that space and fill it with Taiwanese temple art the same way European museums are chock full o' Jesus is another subversive and anti-colonial act: no colonial power, from the Qing to the Japanese to the KMT, has considered Taiwanese temple art, well, art.

Paying Tribute to the Gods: The Art of Folk Belief closed months ago, but its core purpose continues to influence my thinking -- the exhibit explored the intersections of traditional religious art in Taiwan with modern society, and where design meant to facilitate worship or prayer intersects with art and design. 

The exhibition book makes some interesting points: that in Taiwan art museums shy away from including obliquely religious art from Taiwan, because that's for temples, not museums: but why should they be? In Europe the museums are packed -- packed -- with religious art. Why should the notion that religious art can still be art apply to Europe but not Taiwan? It also notes that as Taiwan was not a center of 'high culture' during either the Qing or Japanese colonial eras, and neither sought to make it so. Although artists still emerged as one might expect, many artistically inclined people expressed themselves through trade or craft training, and many of these found opportunities to offer these expressions through temple art. 

Which, when you think about it, isn't all that different from pre-modern Europe.

Finally, the exhibition notes point out that temple festivals and parades produced art themselves, through flags, banners, palanquins, paper talismans and performances (the Eight Generals, tall gods), which rendered this 'temple art' into a normal part of people's daily lives, and which offered opportunities to incorporate creative design ideas.

The exhibit aimed to express this by showing traditional art -- antique painted door gods, three-dimensional gold embroidered banners, old talismans -- with modern interpretations of it. These include paintings and multimedia canvases from different eras, a light, film and text installation, sculpture works and more.

                    

I won't bother trying to describe them to you, rather, take a look at the pictures below and enjoy these works on your own terms. If you'd like to know the creator of any given work, let me know in the comments and I'll try to look it up in the exhibition book. 

This also got me thinking about Taiwanese vs. Chinese culture in general. I still hear the refrain that Taiwan and China "have the same culture", "largely share a culture" or "have the same language" and "cultural touchstones". It's difficult to say there's no truth whatsoever in this, but it's a deliberate and problematic oversimplification.

It's problematic in that it serves the purpose of tying Taiwan closer to China, perhaps closer than it rightfully ought to be. This argument is rarely, if ever, stated as a neutral observation. The intention is almost always to push the idea that Taiwan is connected to China and cannot escape that, which then opens the door to preposterous arguments that Taiwanese should entertain China's opinion about their country as having the same validity (or almost the same) as their own.

              

There are easy defenses to this: Taiwanese whose families came over from China hundreds of years ago did bring their traditions with them, but they've evolved so much that they're now unique to Taiwan. But those traditions came from a specific part of Fujian, they didn't represent China as a whole. Good examples of this include the Green Lion and the Eight Generals: both cultural touchstones specific to the part of Fujian that most settlers came from which are now common in Taiwan, but non-existent in China.

          

To call them generally "Chinese" is to construct an idea of what it means to be "Chinese" to serve your own opinion (usually, with these types, that Taiwan is some part of China). Cultures are non-static, they all evolve. Taiwan has not meaningfully been a part of China since the 19th century, and even then China's control of Taiwan was incomplete and -- dare I say it -- half-assed. But even if it hadn't been, think of any country and imagine how its culture has changed since 1895. 

And, of course, Taiwan has been influenced by Indigenous, Japanese, Western and KMT diaspora cultures in ways that China has not, while developing its own history and identity. All the while, China was changing in an entirely different direction. 

But most importantly, in my mind, is that how one relates to their cultural touchstones is a big part of defining 'culture'. This isn't an original idea of course, but it bears a note here. Yes, China has temples just like Taiwan. Not as many, but they're there. But the way Taiwanese people relate to their temples, and how they express that through art, is an expression of culture as well. This isn't just true with religion, but everything. This is a somewhat ineffable concept, so I'll just say that every time I come across something that appears culturally 'Chinese' or 'Japanese' in Taiwan, I do find that the way people relate to it and incorporate it into their overall worldview is still uniquely Taiwanese. 

I attempted an example of this difficult-to-express observation, but it turned into something that could be its own post, so maybe I'll write about it another day. The short of it is that no, beyond some old links (much as the US, Canada and Australia have with Europe) and some aesthetics, I do not at all think that Taiwan and China have "the same culture". I've lived in both countries and honestly, it has been exactly that: the experience of living in two different cultures.

In fact, the exhibit itself is an example. China has temples too. Some are still open, some have been restored, at varying levels of quality ranging from "good" to "bathroom tiles". You can visit them, though they're no longer sites of community gathering. 

Would anyone, anywhere in China be allowed to take over an old police station to showcase works of art that offer modern interpretations of and relationships to traditional cultural and religious belief, in a blatant artistic act of anti-authoritarianism -- literally deconstructing authority -- that centers local narratives?

Doubt it. 

That, not dragons or temples or banners, is Taiwanese culture. 

So for now, enjoy some pictures.