Showing posts with label shunyi_museum. Show all posts
Showing posts with label shunyi_museum. Show all posts

Monday, November 15, 2021

How the Tainan Museum of Archaeology challenged my approach to criticism

Untitled

As you approach the Museum of Archaeology in Tainan Science Park, you might not notice its dark exterior of stacked bricks.  This unassumingly natural edifice almost seems to rise out of the grasses, bushes and flowers around it, as though they are part of it and it of them. Even the paved areas have different textures of stone, with the main entrance at the end of a long outdoor passage that cuts open at various intervals, as though giving you a glimpse of the world here, and here, and there.  Throughout the exterior, more modern elements in metal and glass bring the building into the future. 

The easy symbolism here is "melding the ancient and modern", but I think that's too simplistic. The dark, low stacked stone of the exterior recalls Rukai Indigenous stacked-slate housebuilding techniques. The cuts in the entrance hall remind you that we only view moments in history as a cutting-in, and must use our imaginations to fill in the details. 

Once inside, natural wood benches and a large atrium allow families to keep children occupied while someone stands in line for tickets. As you ascend the escalators, an interior side of the facade comes into view: the Rukai slate-house colors are still there, but now they're designed as geological layers, complete with replica fossils that come into view as you rise. 

Untitled

The Archaeology Museum took quite awhile to build, having been first conceived when priceless finds were discovered when developing the science park, from Indigenous settlements dating back thousands of years. (There are some shards of modern pottery and even "figurines of foreigners" from the Dutch era, too). 

Tainan has built on its reputation as a historical and cultural capital with its Taiwan-focused museums: the Tainan Fine Art Museum, housed in two buildings, one vintage and one modern; the National Museum of Taiwan History which offers a bracing definition of "who is Taiwanese" alongside a building-size timeline of the country's history with (mostly replica) artifacts; and the Museum of Archaeology, understated and elegant, displaying the real deal -- including treasures like a carved deer antler knife handle, centuries-old dice, and millenia-old pottery, tools and jewelry. 

There is more to love about this museum, despite its distance from the city center -- there's probably a bus, but I recommend a car to get there. We went with a local friend. But first, I want to talk about a particular effect it had on me.

Untitled

It's no secret that I'm not a big fan of the National Palace Museum. Sometimes when subjugationists sneer that if Taiwan wants to be independent so much, why doesn't it just give back all the treasures they carted over from China?

I usually retort: "Sure, you can have your junk back. Guaranteed freedom matter more."

I don't really mean this -- well, I would be in favor of sending most of it back across the strait, but I don't get a say. Regardless, that was never a serious proposition. Rather, I know perfectly well that it's not "junk". It's a museum in an ugly building full of priceless foreign artifacts, displayed in the most unengaging manner possible -- bland rooms of vases and scrolls, with very little context offered to tell you why each one matters in its own way. You are supposed to gape at it and agree that it matters, without getting a real feel for anything. (Some items, like the carved ivory or the colorful porcelains of the Empress Dowager Cixi do indeed stand out on their own). 

I tell visitors that it's worth going if you are specifically interested in Chinese history, but you won't learn much about Taiwan beyond a better understanding of all the loot the retreating ROC hauled over here. 

Otherwise, though, it's just kind of there, in its ugly building, expecting your admiration and thinking it owes you not one jot of engagement that you don't bring to the visit yourself. A shrine to a foreign country, a lost war, an enforced identity that couldn't even be enforced very well once Taiwanese people were actually given a say.

In other words, it's easy to take a big ol' dump on the National Palace Museum. Criticism is easy. "This thing sucks!" "I don't like that!" "Most. Uninsightful. Song-Ming Blue and White Porcelain Display. Ever!" I could do that all day. 

What's harder is offering a positive alternative: try this place instead. This is cool. This is a hidden gem. This truly captures a tiny piece of the soul of Taiwan. This other museum is small but really captures a poignant moment of Taiwanese history. 


The Tainan and Taipei Fine Arts Museums are just such museums. Do not miss the exhibit of vintage Taiwanese paintings from the Japanese era, including the original Dihua Street market scene by Kuo Hseuh-hu (郭雪湖), ending in two weeks. The Taipei Museum of Contemporary Art too, but recent scandals have soured me on it a tad. The Shunye Museum of Formosan Aborigines is across the street from the National Palace Museum and is a more edifying visit if you are actually interested in Taiwan. The Nylon Deng Memorial Museum deserves to be in this list, though it's difficult to access in English. The 228 Museum, the National Prehistory Museum (temporarily closed for renovation), Jingmei Human Rights Museum and Green Island's White Terror Memorial Park and so many more -- too many, in fact, to list -- not only offer deeper, more intimate and more local understandings of Taiwan. 

And that's just the short list. 


Untitled


All of these museums utilize design concepts to offer engaging museums with experiences beyond we built this Chinese-lookin' cement thing and put all our stuff in it, people will come because of its obviously superior cultural refinement. Even the museums that were once prisons have options to discuss what you are seeing with a former inmate who'd been imprisoned there.

But again, it's easy to criticize that old dinosaur up in Shilin.

Instead, let the design elements of places like the Tainan Museum of Archaeology wash over you and perhaps spur you to think a little more deeply about the subtler elements. 

Coming here helped me remember: it's easy to criticize. It's easy to say the National Palace Museum pushes a (mostly fabricated) narrative of Chinese history "preserved" by "free China" in Taiwan.

Untitled

It's difficult to offer a positive alternative. It's even harder to offer that alternative simply, for its own sake, without a specific agenda. Or rather, if there is an agenda, it's simply to get more people to go to museums about Taiwan when they visit Taiwan. 

There's a lot to like about the place: when you enter, one of the first things you come across is a timeline of who exactly lived in this part of Tainan when. 

Ya think the vast majority of Taiwanese history is Han? Think again, mofos:

Untitled

Some objects (which may be replicas) are even presented in ways that show how archaeological digs actually look -- there's an entire glass-floored room where you can walk over what would be the roped-off grid on a dig. I have a friend who's an archaeologist and I came away with a fresh appreciation for how she could look at, say, a specific shape of stone and identify it as a tool rather than just an interesting rock. One floor has dioramas -- along with real artifacts found in places that might have hosted scenes like these -- of how the people who used these items lived. You access each floor by going down a gentle ramp, as though you're descending through layers of the earth. The floors themselves are often made of materials meant to mimic a semi-natural, semi-industrial look. It is in a science park, after all, and the metal beams holding up all that glass on the way to the top remind visitors of that.

As you do, square windows offer odd light from a bright yellow courtyard. They're all at different heights and sizes, seemingly sprinkled down the hall. The effect is once again of peeking through at different levels of visibility, the way a reconstructed pot or a carved knife-handle might allow you to have a peek through a tiny window about lives lived in the distant past. 


Untitled

The courtyard itself is where all these windows converge, sunny-hued in even the cloudiest of weather. A single bench, a single beautiful tree, and several stories of viewpoints peering down at balanced but irregular intervals.

It's small and difficult to get to, but this is a museum worth visiting. This is a museum that incorporates its mission into its very structure, which attempts to reach out and engage you. This is a museum about Taiwan

So what did I learn? Don't dwell so much on what is wrong -- though you can, if it's merited. Spend perhaps even a little of that time talking about what is right.



Untitled

Sunday, December 28, 2008

Shunyi Museum of Formosan Aborigines

Brendan and I visited this museum today (Tues-Sun 9am-5pm, closed Mondays, admission NT150) and were pleasantly surprised.

I've long been interested in Taiwan's aboriginal customs and cultures, although can't claim to have more than a cursory knowledge. I'm hoping as I spend more time in Taiwan that this will change. Not only do I think it's important for Taiwan to explore, celebrate and advertise its non-Han cultural roots, but it's also just plain fascinating to learn about cultures that existed before "Han Chinese" ever became an ethnicity...cultures that, from linguistic evidence, are theorized to be the root of all Austronesian cultures and languages.

It was well-designed and aesthetically pleasing, with lots of informative plaques and wall displays in English and Chinese. With a few exceptions ("Man's Knief") the English was pretty good. The flow of the place could be improved; the men's and women's hats in the basement should be on the 3rd floor with clothing and ornaments, but that's really a small thing.

It is not a large museum, nor is it tiny. At a strolling pace, you can take in the entire museum in about 2 hours. It's a very good way to spend a cold, rainy morning or afternoon and doesn't boggle the mind and exhaust the legs the way that the National Palace Museum does - I also think the inside is better-decorated and more streamlined than Gugong, but hey).

The basement houses spiritual items and other crafts, and has the biggest exhibition space; it's worth it to start any trip here in the basement after reading wall plaques about the various recognized tribes on the 1st floor. The 2nd and 3rd floors are quite small; one has pots and other daily life utensils, and one has clothing and ornaments. Only rarely is the information only in Chinese.

The biggest pleasure of this museum, besides learning a lot about the history, festivals and culture of Taiwan's aborigines is learning how greatly each tribe differs (I experienced this firsthand when we stayed with an Atayal couple after Pasta'ay and they knew almost as little about the Saisiyat festival as we did; they just went to socialize and see the dancing). The exhibits are made with an eye to the aesthetically pleasing, so it's also a pleasure to just wander and admire the artwork; the weaving, carving, pottery, metalwork and beading of various pieces. This is what we liked about the Sanyi museum; not too much technical information, just lots and lots of beautiful things to look at, soak in and admire.

Both the ticket clerk and shop clerk seem to speak good English. Don't worry about crowds; we went on a lovely Saturday - today - and the place was almost deserted. One group was being given a tour by the director, and a few random visitors slunk through. Otherwise we had the place mostly to ourselves. The big tour groups were all at Gugong gettin' their Han heritage on.

It's worth a spin through the shop; unlike many souvenir shops, it doesn't sell irrelevant crap. many of the items are made by aboriginal artisan groups and many make good souvenirs or gifts. I picked up a few printed greeting cards to send people for birthdays.

The park across the street with stone tablets commemorating the different tribes is a good place to enjoy a picnic lunch before or after your visit.

All in all, a very pleasant trip.

To get to the Shunyi Museum of Formosan Aborigines, go to Shilin MRT and take any one of the buses heading east (right) along the road in front of the square (Zhongzheng Rd.) to the National Palace Museum...not every bus goes there. Get off at the National Palace Museum stop and cross the street, heading in the same direction along the road you came on. It's just past the terrifying kindergarten that looks like a castle on the right.