Monday, April 16, 2018

Crystal Boys (孽子): A Review

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The gray square is covering the words "First modern Asian gay novel".
I don't know why the square is there. 



I continue to be vexed by Pai Hsien-yung.

Crystal Boys (孽子 or "Sinners" in Chinese), to be sure, was an easier read than Wandering in a Garden, Waking from a Dream for someone who cares about Taiwan directly and viscerally, in ways that affect her life, and cares about China only in that fuzzy abstract way that one might be interested in foreign affairs. The sensitivity with which Pai writes about these characters is commendable - really the bottom rung of society, if not lower - mostly boys from families who were at the bottom to begin with, who have then been turned out by those families when their sexuality was discovered. Pai manages to both portray them sympathetically and not shy away from the daily indignities not only of their lives, but (in the case of protagonist A-Qing's family) the lives of the families who have kicked them out.

Other than police raids on "New Park" (now 228 Memorial Park) where the young, gay characters spent their nights, there is nothing overtly political in Crystal Boys, and what was there can be said to be more cultural than political. The protagonist characters were more sympathethic - although the Taipei that Pai describes is not the Taipei of today - the capital of the country on the cusp of being the first in Asia to legalize marriage equality - I can see its echoes in the Taiwan I know.

When I first moved to Taiwan over a decade ago, it was still common to use "228 Park" as shorthand for "hunting for gay hookups", with very little sympathy for those who may have gone there for that reason. I now recognize how homophobic such talk was, but I won't deny it was common (I haven't heard that particular reference in at least 5 years, however). The open-air gay bar culture around Ximen feels like an institution now, but it wasn't always there - I mean, Ximen's been a center of LGBT Taipei for some time, but I remember when it wasn't so out in the open. I don't know anyone who has been disowned or chased out of their home by their parents when their sexual orientation was discovered, but I do know people who have struggled when coming out to their families, or who still feel they cannot do so.

I just found myself feeling a bit put out that, with all the empathy Pai can convey when talking about the night kingdom of the 'glass community' (whose citizens were called 'glass boys' or 'crystal boys', hence the English title of the book), he doesn't seem to be able to extend this ability to write empathetically about Taiwan as Taiwan. All of the younger characters were born in Taiwan, but few of them had Taiwanese ancestral roots: to read this book, you would think that almost everyone in Taiwan who mattered either came from China or had parents who did. This...vexes me. Taiwan is more than the sum of people who came from China, but you wouldn't know that to read this otherwise exquisite book.

Pai focuses most of the story on the denizens of "New Park" - homeless or nearly-homeless men and boys who, while not the "hustlers" of Three Rivers Street (as Pai calls them), are essentially prostitutes. If one reads it without knowing Taipei or a sense of what it may be like to live as a gay man - and I specifically mean gay man because there are no Ls, Bs or Ts in this story, only Gs - one might get the impression that all gay men in Taipei are sex workers, which of course is not the case. A few of the characters are not sex workers, but they are involved in the sex trade, e.g. acting as patrons to the boys (or, to use baser term, as sugar daddies). Only through glimpses - cracks in the storyline really - do we see a Gay Taipei that is not centered on prostitution: the college students who timidly come to the park seeking their own, the patrons of the Cozy Nest bar. That's not a criticism of the book so much as a description, but there is a criticism to be made: I could well see someone recommending this book thinking it will open the mind of a potential ally who's on the fence, and having it backfire, because the reader finishes it with the (unfair and inaccurate) impression that "gay = prostitute". This isn't helped by the implication that all of the boys who are 'out', whether they want to be or not, are so because they were discovered in flagrante delicto with another man - which probably is how most closeted gay men were discovered at that time, but still, upon reading Crystal Boys, an unfair stereotype might be confirmed in the mind of the non-discerning reader that gay men are highly sexually promiscuous.

That said, there isn't as much of a plot, per se, as a typical Western reader might expect. It's more of a series of moody set-pieces in which the characters do move forward with their lives, but not a lot...happens really. Yes, (spoiler alerts) a bar gets opened, then closed. One characterachieves his dream of going to Japan. There's a penultimate reckoning between young gay man and stand-in father figure (not his actual father). There's a long-ago New Park love story that ended in tragedy which gets hashed out. But if you're looking for an action-packed storyline, you won't find it. Personally, I'm fine with the slower, more contemplative pace. I appreciated the deep exploration of the loyalties the Crystal Boys had to each other - they formed their own family and community among a society that had kicked them aside.

Otherwise, there are both personal and political threads running through Crystal Boys - although I could find no direct reference to Pai himself being gay, it seems to be generally known that he is, and the scene where Wang Kuilong (the "Dragon Prince") has an angry - and yet sincere and caring - discussion with Papa Fu, retired ROC military officer and benefactor of the boys of New Park and whose own son committed suicide after his homosexuality was revealed - can't be read as anything other than Pai's literary rendering of a real or imagined confrontation with his own father, in which he attempts to see things from his father's perspective. Of course, the perspective can only be read with any degree of sympathy in its own era: the idea that there is any merit to feeling shame because you have a gay son only works if you buy into 'product of his time'-ism. Reading it now, it comes across as trying to defend or find sympathy for, say, a father who is so ashamed that he turns his son out on the street for the crime of being a bit short or maybe a redhead. Pai does explore the ways in which society is kinder to orphans and people born with disabilities or bodily deformities than to gay men, implying that it's unfair to feel charitably towards the former but not the latter, but never quite comes around to making it clear that sexuality is not something you choose.

Politically, Crystal Boys has been read as an allegory of Taiwan as fatherless and adrift at sea - turned out by its father (China) and now skulking about in the twilight of international affairs - a 'sinner', 'monster' or 'bastard son' as the Chinese title implies. Even A-Qing's father comes into this: losing the war, leaving China, being kicked out of the military for having been taken prisoner, he sits in stasis in Taiwan, growing old and rotted: a similar metaphor for the ROC on Taiwan as was employed in Wandering from a Garden, Waking from a Dream. Taiwan (the ROC to Pai) as a 'sinner' adrift in a world that's turned it out on the street is even more notable given that it was published in the early 1980s, when the sting of shifting recognition to the People's Republic of China was still biting. Before Taiwan woke up and realized it didn't actually want to be recognized as 'the true China', but rather simply for what it was: Taiwan.

Some try to find both local (e.g. Taiwanese) and international (e.g. ROC vs. the world) strains of political ideas in it - I have to say, I don't really see that. I do see how Wang Kuilong's and Little Jade's different experiences abroad: one cynical and tragic, the other optimistic and bright, relates to the future (from the book's perspective) of gay life and LGBT activism in Taiwan, and how that was impacted by international cultural forces. However, I do see a surface-level exploration of Taiwan's cultural love affair with former colonial master Japan in Little Jade's quest to go there and find his birth father - Little Jade being the smooth-talking 'bastard' son of an overseas Chinese with a Japanese name, life and family. It's hard not to see colonial allegories in that sub-plot.

But Pai's exploration of this always turns its gaze back to China - Taiwan, the bastard son of China, an international pariah (another way one might translate 孽子). Never just Taiwan as Taiwan, its own mother and father, its own identity and its own family. The Crystal Boys form their own little kingdom and support each other just as the Chinese diaspora in Taiwan did (and does) - but this story of pain, shiftlessness and support is a metaphor with its sights locked firmly on China, not Taiwan.

So - I loved it, but reader, I am vexed.

Tuesday, April 10, 2018

Culture x Water

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My last paper of the term is done, and I took the Tomb Sweeping holiday to travel around in southern Taiwan simply enjoying time with Brendan and meeting up with some friends. I read Crystal Boys (review coming soon), didn't write anything, generally relaxed and re-learned what it was like to be able to take a nice short trip without academia weighing on my mind.

I sent in that final paper at 6pm on Wednesday. The next morning, we hopped on the HSR to Zuoying, arranging a pickup from the HSR station to the ferry terminal in Donggang (NT600 for the trip - not bad). Little Liuqiu (小琉球), where we spent two nights and, on account of my being thoroughly exhausted from the previous day's push to get my paper in, still didn't manage to see everything. After this we spent the final two days of the long weekend in Kaohsiung and Tainan.




I enjoyed the island's rural sights and did not feel the crowds visiting them were overwhelming. Baishawei, the island's main town, was a different story. I suspect Baishawei is a fine little town to relax in on a non-holiday weekday; over the long weekend, though, it was horrible. Really horrible! I understand getting on a scooter to go out of town - there is a bus that circles the island and you can ride it fairly easily to get anywhere you might want to go - but to get on a scooter to go around Baishawei, whose streets are narrow and made for pedestrians, and the sights within walking distance of it? Come on. I get that it will be crowded, but if people realized that and used their scooters more judiciously, it wouldn't be so bad.


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Beyond that, a thought struck me while navigating around Baishawei, which I shared over drinks with a friend who happened to also be on the island - a thought about water, and our orientation to it, and what that means for Taiwanese identity.

People explain away Taiwan's less-than-ideal beach infrastructure and general lack of well-maintained beaches, and the fact that many Taiwanese don't know how to swim despite living on an island, by pointing out that Chinese culture isn't a water-oriented one (leaving aside the fact that historically, Chinese fishermen, explorers, traders, pirates and seafarers have absolutely been an integral part of Chinese culture.) They point out that China doesn't have great beaches - I've been to the one in Qingdao and yeah...not great, and I haven't heard great things about Hainan. Or they mention that Chinese cities tend to be built "with their back to the sea", or generally thinking of the sea as the end of China and not an integral part of their lives. As that same friend pointed out, for a large portion of not-too-distant Chinese history, access to the coastlines was banned (which of course didn't work at all as intended).


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You can see that in Taiwan - for a long time, despite being an island, the coastal waters were off-limits and people "were living more like residents of a landlocked country." In terms of specific beaches, Wai'ao could be a really nice destination, except it's just off a strip of noisy road, backed by ugly buildings and an entertainment complex that is both uninviting and behind a parking area, not actually on the beach. Kenting...I don't like Kenting, let me count the ways. Baishawan allows 10,000 people to churn the water in approximately half a square meter of a long, gorgeous beach. Fulong has that hideous bridge (yes, it needs a bridge, but couldn't it be nicer?) and ugly hotel and is flanked by a lagoon to one side that smells, as one friend who worked in health care put it, "like my sick elderly patients' pee." And that's just to name a few. (Some of the outlying islands fare better.) Taiwan doesn't have a lot of gorgeous, sandy beaches, but what it does have could be better than they are.

I mean, in Taipei we live an MRT ride from the ocean and hardly ever go, because the infrastructure needed to make the beaches really nice places to swim and relax just isn't there. Taiwan's cities do indeed feel as though they are built with their backs to the sea.

But, in Little Liuqiu, I got the sense that it could be different. More kids in the younger generation are learning to swim, Taiwanese Millenials go to the beach and hang out in a way that feels distinctly familiar to me as a coastal American. On Little Liuqiu, I dare say that, while not a "great beach" (too many rocks and coral to cut your feet) Baishawei's beach was a pleasant place to hang out, and other rocky beaches have good snorkeling - and people were taking advantage of that. People were going in the water and enjoying themselves in ways I just didn't see in China (though I haven't been to Hainan).

Note how all of the cultural attitudes towards the sea that I mentioned above are in relation to Chinese culture. But Taiwan is not China - it doesn't have to be this way. Taiwanese history is rooted in Austronesian indigenous culture, and who are seafarers if not Austronesians? Taiwan's deepest history is tied to the sea. It doesn't need to hold to Chinese notions of how the sea fits into their lives, and in fact such an attitude doesn't suit it. Taiwan isn't like China, not least in terms of geography. So why have a Chinese attitude to the ocean?


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Taiwan can - and I'd argue should - grow its existing beach/sea/ocean culture as a way to not only acknowledge that it is not only a subtropical/tropical set of islands and it makes sense for warm-water island nations to be sea-oriented, but also as a way to differentiate Taiwanese culture from Chinese culture. China can turn its back to the sea - we can turn to face it. It can be a barrier for them, the "end of civilization". On our beautiful ball of mud, we can do things differently.

Taiwan doesn't need to be defined by ideas central to Chinese culture. It has its own culture and can define itself accordingly. Just because something is culturally Chinese doesn't mean it needs to be applied to Taiwan.

And that will be one small, but notable, nail in the coffin of this "Taiwanese and Chinese culture are exactly the same! They have the same history and think and act in the same way!" nonsense bandied about by people who don't know what they're talking about. It's not true, but it's hard to see that if you're just passing through (or are just some Internet bloviator). We need it to be more demonstrably untrue, and a country where the beaches are both lovely and popular would help in its own small way.

This isn't a crazy outsider idea. I'm not trying to push my foreigner thoughts on a local culture - Taiwan is already going down this path and already has more of a historical and current orientation to the ocean than China. So there is no reason why Taiwan can't [continue to] cultivate a sea-facing, sea-loving, ocean-integrated culture that is well-suited to its geography and actual non-Chinese history. Improvements need to be made, but it would be unfair to say we're not on our way.

Anyway, enjoy a few more shots of Little Liuqiu:

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If you are wondering whether my feet are dirty or just dyed by my sandals, the answer is...they were really cheap sandals.


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Sunday, April 1, 2018

Book Review: From Far Formosa

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Loyal readers of Lao Ren Cha might think it impossible that I would have had the time to read From Far Formosa while I've been working on my final paper for my first term at Exeter. These astute fans are correct! However, I would like to share a few impressions of George Mackay's classic of writings about Taiwan, in which he describes life, people and missionary work in Taiwan from his experience living there for over twenty years. First published in 1896, it is one of the most fascinating accounts of what life was like in Formosa at the very end of Qing colonial rule in Taiwan, and my 2002 SMC edition includes a number of interesting photographs and maps. Unfortunately, the pleasure of reading it is somewhat hampered by Mackay's failure to mention the most pivotal Taiwanese cultural institution of his - and our - time.

That said, From Far Formosa is a brilliant read - I was especially struck by the way Mackay describes his "first views of Formosa" and how they were later echoed by Janet Montgomery McGovern in Among The Headhunters of Formosa about two decades later, when the island was firmly under Japanese control. Mackay writes:


Beautiful indeed was that first view of North Formosa, as seen from the deck of the steamer in the harbor at Tamsui. We all stood and gazed, deeply impressed. In the evening we wandered out over the broad table-land and the downs toward the sea. The fine large fir-trees, not found near Ta-kow, attracted Richie's eye and reminded him of his Scottish home. But when he saw the situation of Tamsui, standing over against a solitary mountain peak that rose seventeen hundred feet, and backed on the east and south by range after range climbing two thousand, three thousand, and four thousand feet high, his soul was stirred to its depth, and sweeping the horizon with his hand he exclaimed: 
"Mackay, this is your parish."


A stirring way to introduce Taiwan - anyone who has come to understand why this is called Ilha Formosa (the beautiful island) will understand how that moment must have felt. This is why it's befuddling that this heartfelt rendering of the first views doesn't include his first impression of what must have been a visceral, soul-illuminating experience. What I'm trying to say is - how could Mackay not have written about the toilet restaurant in From Far Formosa? What could be his motivations for such a glaring error?

In fact, how can anyone claim to have visited Taiwan if they never went to the toilet restaurant?

So, while I enjoyed the book, this was the one thing I just couldn't shake - how is it that Mackay catalogued everything he had learned about Taiwan in such meticulous and loving detail, and yet never once mentioned the most distinctive feature on the island, the one thing any visitor to Taiwan would immediately become aware of and be drawn to? The one thing that wave after wave of foreigners who once came to Taiwan by boat and now arrive by plane have been compelled to write about?

Was his omission deliberate, perhaps a consideration brought about by his religious faith? I considered this as I read on, not believing that he'd leave such a crucial facet of traditional Formosan culture out of his masterwork. That didn't make a lot of sense, though: as far as I'm aware, Christians have massive and inexplicable hangups about sex, gender and sexual orientation, but aren't particularly bothered by bowel movements. What about a toilet restaurant might be such a taboo for them - after all, surely even Jesus relieved himself in the usual way (though perhaps not in a Modern Toilet as we envision them). However, although I was raised Christian, I was never particularly interested in it as a belief system or philosophy, and as such don't know much about it beyond some core beliefs of the church I was raised in. Scripture and catechism and all other matters ecumenical are not my purview - perhaps someone better-versed in these areas can weigh on in the late 19th century view of Mackay's particular strain of Christian faith on this matter.

What is further confounding is that Mackay declines to mention the toilet restaurant when talking about both Formosans of Chinese and indigenous descent (this is true across all tribes discussed in the book). When it comes to Chinese, he neglects entirely to discuss the careful placement of toilet bowl seats according to the ancient precepts of feng shui, or to compare Taiwanese toilet-restaurant seating feng shui to its slightly different accepted interpretation in China at the time - in China, toilet seats made of plastic with embedded glitter were typically placed facing the till, in order to facilitate the flow of money according to the movement of qi around the restaurant. In Taiwanese feng shui, rules about glitter or non-glitter plastic toilet seat covers are not stressed as much, but the north-south placement of miniature squat-toilet bowls filled with spirals of chocolate ice cream when served to customers is of the utmost importance. After more than twenty years in Taiwan, surely Mackay - who observed religious customs closely - noticed this small but important difference.

Mackay's toilet-restaurant-related blind spots are no better when discussing his travels among the indigenous. One memorable passage, he describes a trek into the mountains with a group of "savages" (in a chapter titled "Savage Life and Customs"), writing:


Higher and higher we wound and cut and climbed. Far up we reached a little open space among the tangle, and could see that the next day would take us to the topmost peak. Below could be seen all the ranges, with their intervening valleys, All around was the wild luxuriance of cypress and camphor, orange, plum and apple, chestnut, oak and palm, while the umbrella-like tree fern rose majestically some thirty feet high, with its spreading fronds fully twenty feet long.


After such a luxurious description of wild mountain nature in late 19th-century Taiwan, how was Mackay not immediately inspired to compare the natural wonders around him with the man-made wonders of the toilet restaurant? The two bring to mind a dichotomy of images so similar that it is difficult to comprehend how an astute observer such as Mackay would not have made the connection. He continues, describing the trek being unexpectedly pinched off before it was completed:


But after that night of ecstasy came the morning of disappointment. With the snow-capped heights of Sylvia almost within reach, the chief announced his decision to return to the "Huts." He had been out interviewing the birds, and their flight warned him back. There was nothing for it but to fall into line and retrace our steps. Reluctantly, bit with much more rapidity, the descent was made, and we arrived at the village in time for the braves to participate in the devilish jubilation over a head brought in during our absence. One ugly old chief, wild with the excitement of the dance, put his arm around my neck and pressed me to drink with him from his bamboo, mouth to mouth. I refused, stepped back, looked him sternly square in the face, and he was cowed and made apologies. When we left then they were urgent in their invitations to their "black-bearded kinsman" to visit them again.


While I find it a bit unsettling that Mackay was so openly rude to a tribal elder - intoxicated or not - I am even more flummoxed by his complete failure to mention the importance to indigenous Formosan societies of the toilet restaurant. A traditional sharing from the urinal-shaped glass out of which Taiwan Beer is sold can help make amends for any social gaffes that occur, and Mackay and the chief might have entertained themselves more amicable in this fashion. (A portable urine container also filled with Taiwan Beer is a second acceptable option among most indigenous tribes, but not all - a visitor to these areas is well-advised to note the differences in local customs.)

All in all, From Far Formosa is an interesting read and valuable time capsule. However, it doesn't escape the flaws of other books about specific periods in Taiwanese history in its baffling omission of the toilet restaurant as central to Taiwanese culture. Some observant writers are wise to include this critical cultural touchstone: in Lost Colony, Tonio Andrade, for example, is wise to include the importance of the toilet restaurant in the series of events that led to Koxinga's taking Taiwan from the Dutch, and George H. Kerr notably discusses the pivotal role the toilet restaurant played at length when describing the horrors of the aftermath of the 228 Incident in Formosa Betrayed. Manthorpe only includes six paragraphs on the toilet restaurant in Forbidden Nation, but his brevity on the subject can be forgiven, considering the sheer amount of Taiwanese history he covers. From Far Formosa, too, would have benefited from the understanding of the key cultural role of the toilet restaurant in Taiwanese history and modern political economy that these other writers have displayed.

Monday, March 19, 2018

Carry On, My Wayward Sun

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Took me awhile to realize this: the choice of a light sea green for many pieces of pro-Taiwan merchandise wasn't made for merely aesthetic reasons. It was chosen because the color is associated with the old window and door frames as well as Datong electric fans that were once common in Taiwan and can still be seen occasionally today. The color has a deeper association with Taiwan than many people realize. 


The other day, I walked to the nearby general store to replace my dying external battery. I didn't know external batteries could just stop working like that - turns out, much like American democracy, they can. Many of the choices were already decorated, but I noticed the only ones with Taiwan-themed covers were slathered in the Republic of China flag. This of course means they all prominently featured the KMT 'white sun on a blue field'. Many also had "I love Taiwan!" or "Taiwan" printed on them.

There was no option to buy a Taiwan-themed battery that had any other design on it. It was the ROC flag or nothing. I bought a plain battery.

As I thought more about this, it didn't bug me that as a consumer, I couldn't get a pro-Taiwan design that I liked, or made sense to me, or was even pro-Taiwan to begin with (there is nothing pro-Taiwan about the KMT's history, and nothing pro-Taiwan about allowing one party's symbol to dominate the national flag of a country whose official name doesn't even contain the word 'Taiwan'.) It bugged me that the ROC flag, in many instances, is still the default symbol of Taiwanese identity.

When we complain that Taiwan can't even show its national flag at certain events, we are not complaining about the "Taiwanese" flag. That doesn't officially exist, although concepts abound. We are complaining about not being able to wave the Republic of China flag, which I have already written about. When a pop star is abused by Chinese trolls for waving her country's flag, they're not mad about a Taiwanese flag, they're mad about a Chinese flag that they don't like.

The problem here is that when waving the ROC flag is the default show of support, it pushes the idea of waving any other, more pro-Taiwan flag (really any one of the designs will do) into the realm of what some would call "extremism". When it's "sensitive", causes a kerfuffle or is an open act of protest to wave that sun - although still within the bounds of moderate discourse - you suddenly become a crazy extremist nutbag for saying "hey that flag actually sucks", and are left to choose from an array of not-quite-national-symbol designs, which further cement your status as a nutbag. In this worldview, nutbags reject officially approved symbols of "protest" - the ROC flag - and design their own (more extreme) symbols instead.

When the international media writes about people like Chou Tzuyu getting in trouble for waving the ROC flag, imagine what they'd write if she'd been abused for waving a flag that was actually Taiwanese.

This annoys me to the point that I can't even make a good meme about it without feeling all sorts of angst over my choices. Do I go with what's clear to international audiences, or do I get rid of that damn glaring sun the way I want to?


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HOW TO EVEN MEME??

Further to that, when international discourse mainly recognizes two narratives - the CCP one and the KMT one, as evidenced by the dueling flags - to say both of them are riddled with problems becomes an 'extreme' position. Perhaps not in Taiwan so much anymore, but certainly on an international scale. At Exeter last year, I felt that arguing a pro-Taiwan position as 'not a part of China' was taking something of a controversial stance, without even getting into the ROC compared to Taiwan. Going further and arguing that not only was Taiwan not a part of China, it was not in fact Chinese (that is, that not even the ROC was legitimate) felt like arguing an extreme view.

Like, oh, you support the ROC? Hold up there bucko, that's a sensitive issue! Okay, but just remember, it's a sensitive and complex situation...

...wait, what? You support the Republic of Taiwan? You don't even think Taiwan is fundamentally Chinese? You don't even want to wave the ROC flag - that's not enough for you? That doesn't fit in with the framework I've adopted, which was written for me by the CCP, the KMT and media reporting on the issue! Therefore it must be extreme! 


This is especially troubling, as being pro-ROC at least in the US is (usually) a conservative stance. Being sympathetic to China is generally a liberal one. Moving beyond the ROC to support Taiwan, then, must be an extreme conservative view - even though in Taiwan it is very much a view espoused by most (though not all) of the left. Not even the extreme left. These days, just the normal, albeit young, left.

Nevermind of course that these days being pro-ROC is at least being nominally pro-democracy if you don't really understand the history of the ROC, and being sympathetic to China is being pro-dictatorship, when in the West the right-wingers are the ones who have a more authoritarian bent. The left assuages its guilt for being sympathetic to a brutal dictatorship by reassuring itself that "well they do things differently in other countries and we have to respect that, so we can't hold it against them or criticize them for not giving their people the basic human rights we demand for ourselves. Democracy is great for us but they don't need or want it because they're...Asian or something."

This bothers me because arguing a pro-Taiwan stance is not an extreme position. It's actually quite moderate. It's reasonable.

It's the position that reflects a desire to recognize what is already true.

It is a stance that recognizes the full breadth of Taiwanese history, simply from having read it. It is the stance that respects the will of 23.5 million people who are already self-governing in a liberal democratic system. It is the stance that understands the nature of the ROC's coming to Taiwan, their past crimes here, and how the label of being "Chinese" has been externally imposed rather than organically grown. It is the stance that understands how little support the last, wheezing scions of the old ROC order have as they face the short march to their inevitable sunset. It is the stance that is pro-democracy and understands that the ROC is a formerly authoritarian government which is only now democratic because the people of Taiwan insisted on it. It is the stance of someone who actually believes in liberal democratic values and is willing to apply that to global situations. It is the stance of understanding that doing so is not cultural imperialism when the people you are applying it to agree with you.

In a post-Sunflower world, it is the stance that reflects reality.

I don't even think it's terribly extreme to say that Dead Dictator Memorial Hall should go. Certainly the grounds are pretty and we can preserve them (without the dead dictator), but it's not insane to want to burn the whole thing to the ground. After all, it rhapsodizes the murderous rule of a horrible foreign dictator, turning him into a personality cult icon. Why shouldn't it go? How does this not make sense?

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"Masquerading as a man with a reason
My charade is the event of the season
And if I claim to be a wise man,
it surely means that I don't know"


In fact, I'd say being sympathetic to China is the extreme position, being pro-ROC is only slightly less extreme, and being pro-Taiwan is the normal choice. I can't even begin to assign 'right' or 'left' labels to this, though, because the original framework has been so skewed that it doesn't make sense in this dimension. It doesn't fit in with our laws of nature.

And yet the rest of the world only knows Taiwan's story through the media they consume. The vast majority have never been here and never will. The media reports the CCP and KMT narratives, and when they bother to include pro-Taiwan narratives, marginalize them so much that they're easily dismissed as the ramblings of a group of crazy ethno-nationalists who won't face the reality that Taiwan is fundamentally Chinese, or that it "shouldn't matter". Why "shouldn't it matter"? Because the left especially has grown so anti-nationalist/separatist that any attempt to assert sovereignty, even sovereignty a group already has, is seen as "extreme". The media isn't reflecting reality, it is helping to create reality. What scares me is I'm not even sure they realize it.

I'll leave you with this: when I was at Exeter, if the topic came up, I would argue a pro-Taiwan stance. I do not suffer the foolishness of the ROC. People listened, certainly they were too thoughtful to dismiss it out of hand. And yet more than once, a comment slipped out among my professors and cohort that made it clear that they still saw Taiwan as fundamentally Chinese (e.g. "Taiwan and the rest of China", or "we have a few Chinese students" when in fact we had only one, from Macau. The other identifies as Taiwanese.)

If that was their default, what did they make of my pro-Taiwan views?

Do they take for 'extreme' what I see as - what I know to be - merely normal?

In other words, get out of here, wayward sun.
There will be peace when you are done

Saturday, March 17, 2018

In defense of Taiwanese food

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Braised meat rice with shredded chicken, tender bamboo and tea egg with pickled radish. It was very good, and doesn't get more Taiwanese than this.  

Look, I know a lot is going on and I could write all about it now. Warmongering jerk and friend of Taiwan (guh) John Bolton is about to be promoted to National Security Advisor and...guh. Maybe I'll say something about it later. The Taiwan Travel Act is now law. Yay! The Daybreak Project is cool (although I have a low-key pet peeve about using the word 'project' to describe these sorts of things and I don't even know why, it's still cool and I won't hold that against it and you should check it out). I have been growing more annoyed in recent weeks with equating displaying the ROC flag with 'supporting Taiwan' and would like to say something about that.

I can and will write about some of these things, but I'm TIRED. My last paper of the term is due soon and I really need a montage. So, instead I want to write about food.

The Michelin guide for Taiwan came out and...eh.

I'm not even going to bother writing much about what made it in and what didn't, because maybe I'm too Anthony Bourdainy about this but...what is considered when awarding a star - what those guys think makes food great - is not what I think goes into food that is actually great. I never intentionally eat anywhere with a star, and am more than likely to avoid starred restaurants because they'll be pricey and crowded and frankly, I think the food is probably better in some local stall or market. Sorry, but between some Fancy Thing for NT$1500 from a restaurant that's been around for maybe a decade, or A-ma who has made onion pastries or gua bao for 50 years out of the same little stall...A-ma probably does a damn good job, quite possibly a better one, for a tiny fraction of the cost.

But I will say this - some people are upset that Taiwanese food didn't get more recognition from Michelin. The top-rated restaurants seemed to be in hotels, and tended to be either Chinese (not Taiwanese), Japanese or Western/innovative (I think there was one Taiwanese restaurant on there). And I get it - loving Taiwan means maybe hoping its food gets some international fine dining recognition. Some people reading this might even be thinking "why does Taiwanese food need to be defended?"

It has certainly been said before that there's a sad history in Taiwan of elevating cuisines from China to 'gourmet' status while treating Taiwanese food as a poor, not-as-good provincial cousin.

It's also been said that despite Taiwanese loving to rhapsodize about their excellent food, that it's actually...not that great. Basically, that maybe more Taiwanese restaurants didn't get Michelin stars because they didn't deserve them.

I'm going to take a middle road here.

I think Taiwanese food is great, and I also acknowledge it lacks the complexity and rarefied quality of some other cuisines (such as certain cuisines of China, most Southeast Asian food). And I'm fine with that.

When I say that I'd rather eat A-ma's onion cake or at some random market stall or just a good bowl of braised meat rice, and I think that food is fantastic, what I mean is that to me great food doesn't always come from a delicate kitchen genie spinning rare and expensive ingredients into improbably complicated food sculptures that melt in your mouth. While it's true that some expensive ingredients require expertise to work with - don't cast your fig balsamic or fleur de sel or even workaday lemon zest before swine because a thoughtless chef will destroy what is wonderful about these things - it's also true that okay chefs can make better food with better ingredients.

What really warms me inside is everyday ingredients made into something really tasty and satisfying. That takes a great chef. That takes A-ma who's been at it for half a century. Anyone can learn to make a good quality steak taste great.

But only real talent coupled with many years of practice can take gross old pork scraps and some soy sauce and whatever and make a freaking delicious braised meat rice. That is talent I admire.

It's also not the talent that bags Michelin stars (it might bag a Bib Gourmand note, but that's not the same thing) and I am totally okay with that.

And yet, I admit that Taiwanese cuisine lacks the vivacity of other foods - it doesn't have that deep, delicious tastes that Indian gravies are known for, or the marriage of tart, sweet, spicy and salty (and creamy, from the coconut milk) found in, say, Thai food.

I'm still okay with that - to me, Taiwanese food is what it is because of Taiwanese history. This is a country that was once described as having a "history of agonies". Even if you won't sign off on that description, it's a history of cohesive identity denied or actively suppressed, a history of being treated like a backwater or second-class colonial holding, of (until recently) poverty and agriculture and immigrants and refugees trying to carve out a better life - while, it should be said - making life harder for those already here, on this "ball of mud beyond the pale of civilization".

That - and not a great history as a self-ruled kingdom with all of the trappings of king and court like Thailand or Vietnam, or following the same imperial-dynasty based cultural and political evolution of China - is what made Taiwanese food what it is. We have taro rice vermicelli and sweet potato balls and a variety of single-bowl rice and noodle dishes because that's the food of Taiwan's past. We didn't have a royal palace where great chefs could practice their craft for state banquets. We didn't have the same number of rich or noble families eating rare and expensive delicacies from fine porcelain plates. We just...didn't (or we had much less of it).

When your recorded history is entirely made up of an interplay between indigenous groups, farmers and foreign colonizers (yes, this includes China, which has absolutely been a foreign colonizer twice over) living on "the edge of civilization", what you get as a "national cuisine" is down-home farmer food, gross pig scraps and soy sauce made tasty by talented grandmas, the same onion cakes for 50 years. That is just what you get.

And that's fine. Every time I eat a good braised meat rice or something like it, I don't think "well, this tastes good but it's cheap and uses boring or mediocre-quality ingredients and is a bit blander than other cuisines". I think - if I am inclined to think rather than just stuff my face - that this is the food that speaks to the history of an island nation I care about, and you can all pipe down already because I like it quite a bit.

If it doesn't pull down Michelin stars, then the Michelin folks just don't get what makes some food great, and frankly I'm fine to have more of it to myself.

Yes, it's farmer food. But you know what? Farmer food is good. 

In fact, as a friend noted after I posted this on Facebook:

I actually think you don't go far enough... I'd say Taiwanese food may lack the complex flavors of South or Southeast Asian food, but instead emphasizes less flashy virtues like appreciating fresh ingredients' unadorned flavor. Sichuanese food is poor farmer food- you need the spiciness to cover possible rot. Taiwanese food is rich farmer's food.

And as another friend said:

Much of Taiwanese food is hearty and rustic, almost reminiscent of southern US cuisine.

Yup. I'll raise my chopsticks to that.

If Michelin doesn't think this merits stars, I'm going to offer up the opinion that the problem in terms of knowing good food is not Taiwan, but Michelin.

Wednesday, March 14, 2018

Strap in kids, we're headed to Jurassic Park

In gratitude to our valued guests for choosing Jurassic Park as your premier vacation destination, please enjoy these select quotes -  with my commentary -  from some sack of fossils which originally published a big ol' heap of garbage in the Liberty Times.

(I actually don't know who wrote it, I don't see a byline. But it just screams "old rich dude" so I'm going with that because I live dangerously.)


Nearly 50 percent of the respondents said that the Labor Standards Act (勞基法) is still not flexible enough, and about 90 percent agreed that the terms of the act should be relaxed to allow managers and professionals to work under a responsibility system instead of being restricted by rigid clauses regarding working hours.

Hmm, OK. I am sure that if we implement this guy's idea for "no real labor regulations at all", that things will work perfectly because bosses will totally respect their employees' needs, limits and personal time so that everyone will happily work a reasonable number of hours in a day and be paid generous overtime out of the kindness of the bosses' hearts. If any employee feels they are being required to work overly long hours, are paid insufficiently, are not paid overtime, are pressured not to take vacations, or all three, they will be able to have a civil and forthright discussion with their boss and have the situation resolved to their satisfaction immediately.

That's how it works, right?


Nearly 60 percent said that the government does not pay sufficient attention to the needs of business when setting relevant policies.

Oh, I see. Obviously, when looking at Taiwan's policies, laws and regulations, you can see how heavily skewed they are in favor of labor. I mean it's a regular old Sweden up in here! That's why workers are so highly paid and enjoy generous leave and benefits with a high level of job security and never worry that they are being exploited, overworked or underpaid.


Asked about taxation issues, 56 percent of respondents said that the individual income tax rate is too high, which they say is not favorable to doing business in Taiwan

Oh definitely! A tax rate that is generally lower than most European countries and the United States (with a maximum individual tax rate that is the same or lower than most Western countries) is just too high. I guess to make it lower so Taiwan will be better for business we can spend less on something. Certainly Taiwan doesn't need defense (what threats do we face anyway?) or, like, health care. Countries without national health care systems do JUST GREAT. What's important is that companies make more money. Corporations are people, my friend!


and more than 70 percent said that tax deductions are more important than government subsidies.

I am sure it is a mere coincidence that tax deductions tend to favor the wealthy (data for the US but pertinent to Taiwan), who have things to deduct, whereas subsidies seem better poised to actually help the needy. Certainly that couldn't have anything to do with it, oh no. I just could not imagine that the person who wrote this is rich and wants more for themselves, it couldn't be that, that would be unconscionable and we know the rich are always good. They are the best people with no exceptions.



AmCham’s annual reports nearly always raise questions about Taiwan’s investment environment. Last year’s report drew much attention for its strong criticism of the Labor Standards Act. This year’s report is still critical of the act, but the criticisms are a little milder.

Well I am sure AmCham, which represents business interests and not labor interests, is unbiased and politically neutral and would not promote a conservative, pro-wealth, pro-boss, neoliberal ideology. That would never happen, no sir. So we can totally believe what they say and take their reports at face value.


Of concern are the main reasons for Taiwan’s economic stagnation in recent years: insufficient investment and a lack of confidence, along with a pervasive sentiment that is not supportive of businesses.

This is definitely true, especially as labor doesn't have any needs. Workers in Taiwan sip champagne after swimming in pools of gold coins and any laws pertaining to them (not that there need to be any for these veritable Lord Fauntleroys of the workforce who have been raised up so highly by their good fortune of being employed by overly generous Taiwanese bosses) are swiftly enforced, but those poor companies...

...well, I guess economic stagnation is not related in any way to all those people who say that they are worried about the future because they don't make enough, that the most talented are leaving Taiwan because the salaries here are so low or that they aren't spending because they simply can't afford to. They must be just hoarding their NT$22,000 or whatever garbage scraps you throw at them for their 10-hour workdays rather than spending it on the goods and services they work all the time - literally all the time with no free time at all - to produce like good capitalists the way you want them to.


Other problems include excessively strict environmental protection laws

Oh I see. THAT'S why Taiwan's air is crystal clear and perfectly clean every day and the rivers are so sparkling and clean you can drink from them. I didn't know before. But now I do, thanks to you. Let's celebrate Taiwan's excessively strict environmental protection laws with a brisk dip in the Keelung River! You go first.


and overcautious tax reforms

Hmm, if the tax reforms are overcautious there can't possibly be a problem with wealthy people dodging their tax obligations to the country that helped them become rich, can there?


while a lot of legal regulations do not meet the needs of start-ups

Oh that's too bad, I guess when the Global Entrepreneurship Development Institute ranked Taiwan 18th in the world in 2017 (the top ten slots going to Western countries, and Taiwan ranking first in Asia), that's just another way of saying "Taiwan is crap for start-ups"...or something.

It certainly doesn't translate to "I am rich but I want more money so I'm going to decorate my greed with some sort of fake concern for "startups". NoooooOOOooOoOooo.


There was a time when Taiwan enjoyed double-digit annual growth rates and was No. 1 among the “four Asian Tigers,” but in recent years maintaining just 2 percent growth has become a cause for celebration and a political achievement worth boasting about.

There couldn't possibly be any reasons for this OTHER than the fact that companies and bosses are systematically mistreated by the government whilst workers are carried around on gold palanquins by their bosses, enjoying the perfect, unspoilt air and fresh green vistas of Taiwan's landscape due to its excessive environmental regulations. Certainly there are no other political issues and threats both external and internal or global trends that contribute to this in any way. Certainly outdated reliance on certain types of industry or active attempts at interference by some mythical hostile foreign power couldn't POSSIBLY have anything to do with it.

Also, double digit economic growth must continue unabated without stopping or slowing for any reason, forever and in perpetuity, otherwise WE WILL ALL EXPLODE AND DIE. There can be no other considerations at all. Not the environment, not health, not human rights, not any sort of global issues which don't exist anyway because I say so, certainly not the needs of those dirty, dirty (but overpaid and spoiled) workers.

If we don't expand like marshmallows in a microwave, we will perish.


Compared with the flourishing economies of other countries in the region

There are definitely no downsides at all to the economic successes of other countries in Asia. None whatsoever. Not one. None. If you say there is one, you are wrong, because there are none.

Also, it is clearly a sign of Armageddon that a country ranked 23rd in population in Asia has the 7th largest Asian economy (and 15th largest world economy), far outranks its size by global standards in GDP and PPP and is considered a high-income country. 


Taiwan’s economy, regrettably, is declining with each passing day.

I guess "expanding" is a synonym for "declining" now, because some old Brachiosaur wants more fucking money. And I guess "fastest expansion in three years" is now another way of saying "regrettably" and "not flourishing".


When comparing nations, China is no doubt the one that makes Taiwan feel most threatened. Some years ago, China started making counterfeit goods and stealing intellectual property and a lot of those dubious goods were made by little factories scattered nationwide. A good example would be Geely Auto, which, when it started, was widely mocked for copying Mercedes-Benz and Toyota vehicle models.

However, Geely has now grown and developed to the point of acquiring Sweden’s Volvo Cars and has become the biggest shareholder in Mercedes-Benz’s parent company, Daimler AG. 


There could not possibly be any downsides to that at all and there are no reasons whatsoever why China would have other factors going on that Taiwan does not or could not. Certainly they are not pursuing an active strategy of taking advantage of Taiwan's low wages to lure away our talent. They wouldn't do thaaaaaat.


China has formed a “national semiconductor team,” which, backed by state funding, has been hunting the world for companies to take over. Its voracious appetite has caused anxiety in Europe, North America and Japan, which have established strict investment review mechanisms to keep China in check.

...and you are telling us this why? You want Taiwan to emulate that? It sounds terrifying and horrible, much like you.  You don't think having the highest-ranked semiconductor foundry in the industry, with a business ethos set on expansion and continued competitiveness, is good enough for a country a fraction of China's size?


Nonetheless, China is still scoring gains with its strategy of using its market as a lure in exchange for technological know-how.

Again, there are no downsides to this whatsoever. After all, you can't eat democracy.


Aside from China, the economies of Southeast Asia are also on the rise. Singapore joined the ranks of the world’s developed economies long ago. Thailand and Malaysia are catching up with Taiwan. The Philippines, Vietnam and Indonesia all have fast-growing economies and could potentially be the stars of tomorrow. Even poor and backward nations such as Cambodia and Myanmar have opened their doors and are working hard to attract foreign investment.

Sooooooo....Taiwan is in such dire straits that we should be afraid of "backward" (your word not mine, racist bro) countries like Myanmar? Ring the bells of terror! If you aren't scared, this dude might make less money!!

Ahem. Anyway. I suppose you haven't heard of the New Southbound Policy. It's fine if you want to critique it but I am reasonably sure you have truly never heard of it. After all, it was conceptualized sometime after the Triassic Era.


These are Taiwan’s strengths, which can help its economy to rise again, so there is no need to put then nation down, but government officials must not allow themselves to be restricted by minority populist voices.

Minority who now?

Who won the election?

You do know how elections work, don't you?


The government needs to thoroughly improve the investment environment

People will invest more if they earn more, but you don't seem to think that's an issue. Or do you mean rich Chinese investors who will then try to make politically-charged demands of the businesses they buy into?


boost public confidence

Making enough money to make it worthwhile to stay in Taiwan would be a damn start.


take the interests of the majority as the foundation of its policies

AGAIN THIS IS HOW ELECTIONS WORK AND I'M SORRY THAT YOUR GUY LOST BUT...


Translated by Julian Clegg

I am really sorry you had to translate this steaming pile of crap, Mr. Clegg. It makes us all dumber. If I ever meet you I will buy you a beer for having to do this horrible work. Unless you actually agree with this in which case no beer for you.

Monday, March 12, 2018

Amma's Kitchen and other Indian food updates

Over the past few weeks, I've been slowly chipping away at the list of Indian restaurants I have or had not been to so as to keep my Indian food in Taipei list as personally vetted as possible. With that in mind, I went out of my way to eat at Amma's KitchenJai Ho (Tianmu - by the owners of the erstwhile Fusion Asia) and Masala Art (Maji Maji in Yuanshan).

I've also added Moksha and Azeez Indian to the master list, although I haven't been to either.

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Masala dosa from Amma's Kitchen


I especially want to plug Amma's Kitchen, so here's my review copied from my main review page fro your convenience:

Amma's Kitchen

#2 Lane 357 Heping East Road Sec. 2, Da'an District Taipei 106
106台北市大安區和平東路二段357巷2號
MRT Technology Building 

Update: Amma's has moved! 

Amma's new address is above, in a small lane off Heping East Road, a short walk from MRT Technology Building (the closest bus stops would be National Taipei University of Education or Wolong Street). 

The new Amma's is larger, and no longer a single long room in a decrepit building but a street-level restaurant. It's all-around nicer, with more tables and is already popular. 

Amma still excels at South Indian tiffin and indeed is one of the few places in Taiwan where it is available. It might be the only place in Taiwan where you can get pongal (a ghee, curry leaf, pepper and ginger flavored mound of cooked moong daal and rice) - if you call ahead. The Thali (below) has dosa but I honestly don't think even they would do pongal.

Their dosas are delicious and their podi idli is still one of my favorite items. It's still South Indian-run and still has the look, smell and flavor of a restaurant in Tamil Nadu. I love that the coffee is served in South Indian-style tumblers with bowls, a style of coffee drinking I came to love while living in Madurai. 

There is a 'but', however. 

Amma used to also serve excellent curries, including the only good (perhaps the only) Chettinad chicken and Chicken 65 available in Taiwan. Having recently been to Chettinad and having lived in Tamil Nadu before, I know Chettinad chicken when I eat it. It's a distinctively pungent, spicy chicken curry. 

Now, sadly, the spice and distinctiveness of the non-tiffin curries (North Indian staples like aloo gobi) are gone. We visited twice shortly after they opened in their new location, once for tiffin - which again, was excellent - and once for more regular curries. While the lemon rice was still amazing, it seemed as though every curry had the same sauce. Granted, the sauce was delicious (though not very spicy), but it was the same sauce on everything, including the aloo gobi, which is supposed to be more of a dry fried curry, not sitting in a gravy. That exact same sauce appeared with the Chettinad chicken, which simply wasn't Chettinad chicken. The coconut chutney, too, lacked flavor - it was really just wet coconut, no curry leaf, mustard seed or anything else you'd put in a proper South Indian coconut chutney. The masala vadai were similarly less flavorful, though the texture was perfect. 

We were told that Taiwanese apparently prefer the less spicy curry - okay, but the same sauce, delicious as it is, on everything? - and that if we wanted real Chettinad chicken we would have to ask in advance or ask for "spicy". 

Okay, but honestly, I shouldn't have to ask. It would be much better to make it properly as a default and ask customers if they want it dumbed down. Don't make the dumbed-down kind and act surprised when people expected something authentic. In any case, unless I call ahead, it's not possible to change a bog-standard gravy into Chettinad chicken. By the time I've sat down and ordered, the damage is already done and adding chili powder won't fix it.



I want these guys to succeed, so I do encourage everyone to patronize their restaurant. I love the idea of idli and dosa just a short walk from my home! Just stick to tiffin or call in advance to let them know you want the real deal. 

* * *


That aside, recently I've been struggling with the Indian food writers' dilemma of late - namely, do I tell them the level of heat I want in my food or do I see what they bring me without special instructions, to find out how they envision their own food? 


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The old Amma's Kitchen

As you know - and if you don't know stop reading my blog right now and go jump in a well - different Indian dishes have different levels of spice that are appropriate for the gravy and whatever's been cooked in it. A vindaloo should be so hot it gets you high, with a nice vinegary kick. Channa masala has an afterburn created by a mash of hot green chilis at its base. Butter chicken should be warming but not too hot, balanced with creamy sweetness and tomatoey..ness. Almost like you caramelized the tomatoes before adding the cream. Any sort of methi-based curry (methi paneer, aloo methi) should have appropriate heat to balance out the strong flavor of methi leaves. Actually anything with potato must be good and hot - a good aloo gobi is a bit dry, just a nice coating with the potatoes just giving you a mouth-gasm because they've been fried in ghee, and the cauliflower not too crunchy, but cooked and maybe a bit charred hear and there. Just enough spicy gravy to have something to sop up with rice or naan. A good shahi paneer or malai kofta is warm and creamy and nutty, not too hot. My personal favorite home curry - a Bengali concoction of coconut milk, mustard seed, mustard oil, fried green chilis and heaps of coriander - heats you up from several sources of spice.

Every curry is different, but you should always leave an Indian meal with the feeling that you've been warmed to your bones. 


So, the question remains - do I ask for that, or do I see what they bring me? Do they understand? Do they have The Knowledge? I used to go with the latter - seeing what came - because I want to know what the chef is thinking when she or he creates. It's a great window into how seriously they take their craft. But recently I've been going with the former and being explicit about what I want, because I feel I ought to give any place I review the chance to do as well as possible. Bias for best and all that. If a place can deliver based on instructions you give them, that's good enough. Anyway, I simply must accept that I live in a country where - whether true or just a long-standing urban legend - people simply do not like their Indian food spicy.

Restaurants can and will tone it down for the local market, so I have to be extremely clear that I am not the local market, don't feed me that. That won't warm you. That's just normal food with like a few extra flavors in it. It won't make you understand.

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The (very good) samosas at Masala Art

With that in mind, I have to say that while both Jai Ho and Masala Art are fine...the food was well-made, they have great stuff on the menu like paan kulfi and homemade gulab jamun (at Jai Ho) and falooda (at Masala Art - which is good because they don't have beer) - the food is just not spicy enough.

I'm sorry, it's just not. The flavors are balanced. The ingredients are quality. Whoever is back there knows what he or she is doing. But it's not spicy enough. 


I wouldn't be bothered about this, except I specifically asked them to make it good and hot for me. Told them I used to live in India (I studied abroad there - close enough). Told them everyone at the table could handle real heat. We'd all been to India and liked it at that spice level (which won't burn your tongue off, contrary to popular myth. As above - every gravy is different.) Told them not to hold back.

In both cases...it just didn't get there.

I don't know about Masala Art - if anything, the butter chicken was hotter than the channa masala, which is odd, and the butter chicken was great. The samosas were too. Big fan of the falooda. The channa masala was the only thing lacking (well - and the garlic naan was made with garlic powder, not fresh garlic, but I liked that it was thin). But at Jai Ho I said something about it, and the waitress admitted she'd just put in our orders for "medium spicy" (which by Taiwan standards means "not freakin' spicy at all"). Which would have been an excusable mistake, except I'd very clearly specified that that was not what I wanted.

I think the chefs at both restaurants know how to make a good curry. I just...

...well, I hope they listen to me next time. And yes, there will be a next time.

If you're reading this, Jai Ho and Masala Art - when we say hot, we mean it. You probably didn't know this when I ate at your establishments, but I can quite likely match your own chefs curry for curry from my own kitchen. I don't mean "oh I can make a daal", I mean I see your butter chicken and raise you a Hyderabadi mutton biryani. I see your aloo gobi and raise you pumpkin in tamarind-sambar gravy. I see your channa masala and raise you a Bengali shorshe murgi. I only go out for Indian so I can keep that master list updated - think of it as a community service - and so I don't have to do it myself if I'm feeling lazy. If I say hot, I mean hot.

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Paan kulfi at Jai Ho

Make it appropriately hot for the dish - that's how you get to the top of the list. (Mayur is at the top because he and his chefs do a good job with this.)

(But seriously I really liked the desserts at both places. Keep it up.)



IMG_0913
Onion uthappam at Amma's Kitchen