Showing posts with label taiwanese_buildings. Show all posts
Showing posts with label taiwanese_buildings. Show all posts

Wednesday, July 20, 2022

The Restored Taipei Heritage Building Megapost

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First, a quick life update: I have COVID! So, depending on how that turns out, you can either expect lots of posts as I don't have much to do, or nothing because I don't feel well (right now I'm doing alright). 

Now, on to the actual post.

In recent years, Taipei has been working practically in overdrive not just to preserve the heritage architecture that remains, but (for the most part) turn these old buildings into useful or interesting public spaces. 

You surely know some of these already -- Huashan and Songyan Creative Parks, Bopiliao, Dihua Street and -- well, so many that it'd be impossible to list them all. A few are privately owned: Leputing is housed in a Japanese-era dormitory for government officials, built in the 1920s and renovated with government subsidies. Fireweeds offers more traditionally Japanese fare, in a smaller-scale building. I used to frequent Cafe Monument when I had a reason to be in that area. Nobody who knows a thing about Taiwanese history is unaware of Wistaria House (though it can be hard to get a table). 


Others have been more recently renovated. As such, they're less well-known. 

I've been spending a lot of time these past few years writing about these places (among other topics) for Taipei Magazine. That's not a plug -- the point is, I spend a lot of time visiting these places because the city government wants to get the word out. It's been an enjoyable enough series of assignments that I thought I'd summarize some of my favorites, with a few picks of my own. 

Some of the links lead back to my own writing, some to other sites -- I wanted to offer a list of my favorites (including places I've visited on assignment) rather than just hawk my own work. Not every item comes with photographs: I simply can't find all of my own pictures. I'm not sure it matters much -- I'm not the best photographer.

This is by no means a definitive list. I'm giving the places above the short shrift, and leaving out Beitou and Shezi completely. Old favorites, like the Xiahai City God Temple, Bao'an Temple and Qingshan Temple didn't make it in. There are enough Japanese-era residences around NTU and Shi-da alone to create an entire post. I didn't include the 228 Museum because I wanted to add at least one picture to that, but I don't have any (it will feature in an upcoming post on all the museums you can visit if you don't want to go to the National Palace Museum again). 

That's okay -- I can't cover everything, so let's focus on what I can do! 


Kishu An

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Also called the "Literature Forest", this renovated section of a 1917 Japanese riverside banquet hall -- much of which was destroyed in a fire decades ago -- offers a calm spot for relaxation, a shop, cafe and event space. The massive banyan trees lend themselves to the 'forest' part of the site's name, and novelist Wang Wen-hsing lived here for a time, hence the connection to literature. In fact, much of the Taiwanese novel Family Catastrophe was set here.

Taiwan Literature Base and surrounding neighborhood (same link as above)

Near Huashan Creative Park, the Taiwan Literature Base is housed in a series of dormitories once occupied by Japanese civil servants, first in the Japanese era and for a period, ROC government workers as well. It was left abandoned for some time before being designated as a historic site and renovated. Qidong (Chitung) Street is much older, however: it was used as a transit route for goods headed to the port of Keelung during the Qing Dynasty and Japanese colonial era. Now, the dormitories house exhibits, spots for reading -- including one filled with books in Taiwanese and Hakka -- or just places to hang out, in a quiet complex with plenty of outdoor seating. 

There's more to this neighborhood than just the dormitories, however. Other renovated Japanese era buildings house the Taipei Qin Hall (also called Taipei Calligraphy Academy) the residence of Li Gwoh-ting. Both of these host events, exhibits and activities.

Tip: for this and Kishu An, bring bug spray. It turns out that shady banyans attract mosquitoes.


Railway Department Park

This has gotten quite a bit of press since opening in 2020, but I wanted to include it as not only a recent renovation, but also one of my favorite visits. With an Art Deco entrance, cypress from Alishan, a Beaux Arts conference room, and exhibits on railway history, there's a lot to see here. Buildings outside have a lot of history to explore as well. It's become one of my top recommendations for very hot or rainy days, if you want to get out of the house, explore a historic site, and have enough to keep you engaged for the day. 

Futai Street Mansion

Walking down Yanping Street one day, I passed this smallish historical building and found, to my surprise, that it was open to the public. This simple European-style commercial building (it was built in 1910 to house the offices of a Japanese construction company) holds a place in my memory in part because I found it on my own; no guidebook or brochure mentioned it, and I wasn't asked to go there to write about it.  Constructed of stone from Qili'an in northern Taipei with a ceiling of Taiwanese cypress, it's the only commercial building left on Yanping Road, which was once lined with them. It houses a gift shop and as of my last visit, a small cafe as well. Renovation and management was conducted by the same person who manages the Taipei Story House near the Fine Arts Museum. I appreciate the warm cypress scent that wafts through the building; you'd hardly think that this was used as accommodations for high-level ROC officials -- it looks like it was always meant to be a commercial building on a commercial street.


Nishihonganji

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Built in the early 1900s, was originally a Buddhist monastery and temple that served as a Taiwan-based chapter of a Japanese Shin (or Pure Land) Buddhist order. When I first moved to Taiwan in 2006, I remember coming across it in disrepair, but in the years since it's been renovated and turned into a popular attraction. The bell tower is especially nice, though I remember it most fondly as one of the first historic sites I came across in Taiwan that was later renovated. The architectural designs are eclectic, and the head priest's residence (the rinbansho or rinbansyo)

is now a teahouse called, predictably, Rinbansyo and is built and decorated in a thoroughly traditional Japanese style. I've been, and I recommend it

(On a personal note, Rinbansyo holds a lot of sad and nostalgic memory for me, as the one time I went, I was with a friend who later passed away of a heart condition. It was the last time I saw her. I should go back, but I haven't yet.) 


North Gate

In my first years in Taiwan, North Gate was that incongruous little square building with the traditional-style roof that few paid attention to. Why? Because it sat right next to a massive highway ramp. When I had a class in Wugu, a student would drive me back to Taipei Main Station and I'd always notice how pretty that old Minnan-style roof looked, silhouetted by the city lights beyond. It was hard to get close to the actual gate, though, and on the ground its surroundings drained its attractiveness.

Friends began pointing out the gate's significance. As one of the only relics of the Taipei city walls (constructed just before the Sino-Japanese war in the late 1900s, and demolished very soon after by the incoming Japanese), and as the only Taipei surviving city gate retaining its original southern Chinese form. The others were renovated (retconned) into the bright red-and orange northern Chinese style buildings the KMT plonked on Taiwan to make it seem not just 'Chinese' but the specific kind of "Chinese" aesthetics they preferred. That is, not simple, elegant Southern Min brick. 

Imagine my shock when one day I walked by that intersection to see the ramp gone, and pedestrian friendly walkways allowing one to truly admire this forgotten old gate in the shadow of an overpass. But of course people hadn't forgotten; it took awhile to do the right thing and give North Gate its due.It took breaking the KMT domination of the Taipei mayorship and showing that in fact, a simple, local-style gate can be more lovely than the most firecracker-red columns you can out up to push your view of history on the people.

It's small, and takes just a moment to walk through. But you can walk through it now, and that wasn't always the case. And that's what matters.


Taipei Info Hub

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Not far from Futai Street Mansion (you can walk between the two by crossing under North Gate), Taipei Info Hub is a recently-renovated warehouse building housing various exhibits on the first floor, with a second floor event space. Built in 1913 for the erstwhile Mitsui & Co (no relation to the current company), Taipei Info Hub also houses a cafe with ample seating in an area where there were once very few food and drink options. Interestingly, the semicircular gable that graces the building now isn'r original; the original was deemed too vulnerable to be left in position and is now on display inside the building.


National Center of Photography and Images


In the same article linked above, I wrote about NCPI -- the National Center of Photography and Images. In the same neighborhood as the Railway Department Park, North Gate, Futai Street Mansion and Taipei Info Hub. 

You probably know this building; very near Taipei Main Station, it was designed by architect Setsu Watanabe and built in 1937. It's certainly got Japanese influences in the roof design -- note the distinctive turret -- but was also designed to be simple and modern. Originally an office for the Osaka Mercantile Co., the turret was eventually lopped off in order to build a fourth story, during the period when it housed the Provincial Highway Bureau. During renovations, Watanabe's original intent was coaxed back into existence, with the turret replaced. 

Now, NCPI hosts rotating exhibits on photography in Taiwan's history. Not everything is subtitled in English, but enough is to enjoy yourself. While enjoying the exhibits, be sure to take in some of the other Art Deco details of the building, especially the stairway.

The first floor also houses a minimalist cafe and interesting gift shop. (I bought a Furoshiki Shiki miscellaneous goods bag, because I thought the design was cool.) 


New Culture Movement Museum



One thing I love about Taiwan: when dealing with the renovation of historic sites that evoke painful memories of colonialism and brutality, the current government has not shied away from re-imagining them as spaces to talk about Taiwan's history on its own terms, while reminding people of the original purpose of the sites. Nowhere is this more evident than in the Japanese-era police stations in Taipei and Tainan. Tainan uses its old police station as part of a fine arts museum complex, exhibiting fine artwork specifically from Taiwan which evokes the Taiwanese experience through history and today. 

In Taipei, this means using an old police building to house a New Culture Movement museum. When I went, the current COVID outbreak was just starting to become a concern, and the place was deserted. While that's probably due to the pandemic, I also worry that news of the museum's existence hasn't gotten around yet, either. That's a shame, because in addition to exhibits about the New Culture Movement (which was strongly tied to the Home Rule movement of the time), the building itself is of historic interest. From my article

Built in 1933, the station also served as a detention center. In the ensuing decades, the edifice was replaced with red tiles and a third story was added. Renovations began in 2014, and the choice of exhibit was intentional: Taiwan Cultural Association (台灣文化協會) founder Chiang Wei-shui (蔣渭水) had been imprisoned at the station’s former site in the 1920s. The New Cultural Movement in Taiwan encouraged understanding of Taiwanese culture and history through performances, lectures, essays and a newspaper, the Taiwan People’s News (台灣民報).


POPOP Taipei

This is another one of those city government initiatives aiming to renovate Taipei's historic sites and re-make them into usable spaces for contemporary times. POPOP was once a bottle cap factory in Nangang, a part of the city that, to be honest, doesn't have a lot going on (though if you find yourself there, the Academia Historica museum is interesting, and there's an old family mansion near the Academia Sinica). 

Unlike, say, the creative parks at Huashan and Songshan, POPOP is a fairly new project, and hasn't quite taken off yet thanks to the pandemic -- but hopefully, it will. Instead of following the old 'creative and culture park' model, POPOP was conceived as a 'maker space', with the main part of the old factory buildings turned into a single long workspace with tables, counters, outlets -- you know, a space for makers. There's not a lot going on yet, but check back in a few years.

For the casual visitor, there's also a cafe, a sake bar and an antique shop in addition to some small but pleasant outdoor spaces. 

U-mkt

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From the same article above, the Shintomicho Cultural Market (U-mkt) can be found at the other end of the MRT's blue line, near Longshan Temple and Bopiliao. Built in 1935, commercial operations ceased in the unique U-shaped building in the 1990s. Xinfu Market, however, still bustles around it, and is interesting both when open and closed (as the pull-down garage doors on the shops are covered in colorful graffiti). Today, U-mkt has exhibits on the building's past, kitchen and lecture spaces and two cafes, one in the curve of the "U" and the other in the Japanese-era office just outside. 

Neihu Assembly Hall


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This Art Deco building caught my eye in a book of Taipei heritage buildings. Looking one weekend day for something to do, I suggested to Brendan that we head up to Neihu just to have a look. After all, we rarely get up that way; there just isn't that much to do in Neihu if you don't live there! We weren't able to enter the building, and frankly, the façade is probably the most interesting thing about it. Built in 1930, it's one of the few Japanese-era buildings that isn't done in the "baroque" style reminiscent of British colonialism, but straight-up Art Deco, complete with 'air defense' tiles which were probably more for decoration than actual camouflage.

It's worth coming up here, though, as you can combine it with a visit to visit the Kuo ancestral shrine (below). 


Kuo Family Shrine

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This gem of a building is designed more in the Japanese Baroque style that is so common in Taiwan than the Neihu Assembly Hall, and is linked with it above. Hiking up the steps to get to this hilltop mansion, you'd never know that it's right next to an MRT station. Unlike the assembly hall, the family mansion is open most days, and is pleasant to wander around. It's also the headquarters of the World Kuo Family Association, has some Tang-dynasty tablet rubbings, and features a shrine to the most famous Kuo -- Kuo Ziyi. Though he's claimed as the ancestor to all people surnamed Kuo, that's likely not the actual case. 

Sun Yat-sen Memorial House / Yixian Park / Umeyashiki


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Can you imagine someone living in Taiwan for almost 15 years, and not visiting this site? Well, that was me. Next to Taipei Main Station, this was a restaurant and guesthouse during the Japanese Era, where Sun Yat-sen apparently spent a night (also, it's apparently been relocated from its original site nearby). 

After so many years of seeing the walls keeping this small park and building from the noise and traffic outside, I finally popped in one day when I had nothing else going on, and had just had lunch with a friend nearby. I ended up spending much of the afternoon just sitting and relaxing. The Japanese-style building itself houses a small exhibition related to Dr. Sun, and the garden around it is landscaped in a Chinese style. A brochure describes it as a fusion of the two styles -- Japanese and Chinese -- with some sort of metaphorical link to Taiwan and fusion of the two cultures. 

            

I don't care much for the metaphor, but it is a pleasant spot. Perhaps sit and reflect on how the "father of modern China" (or something) visited Taiwan, stayed here, and never said a thing about Taiwan being Chinese. To Sun, Taiwan was very obviously Japanese. Now consider how China views its 'claim' to Taiwan as something historic -- the evidence is apparently 'antiquity' itself. 

Does that claim seem particularly legitimate in light of what you've just learned? I hope not! 


The Lin Antai Mansion

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Competing with other old family mansions such as the Banqiao Lin Family Garden in New Taipei, the Li Family House in Xinzhuang and the Wufeng Lin Mansion just outside Taichung city, the Lin Antai house is probably the best-preserved old mansion in Taipei. It took me years to visit, simply because it's not close to anything else and not particularly close to an MRT (some bus lines run up to that corner of the city, but that's about it). I enjoyed it immensely when I did, however. Fun fact: the house used to be located on what is now Dunhua South Road. I saw the original site on an old map once, and it wasn't far from MRT Technology Building -- it's surreal to think the whole thing got moved up to the riverside.

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Ciyun Temple (慈雲寺)

We found this temple so many years ago that the photos I took got lost somewhere in the shuffling of files from old computers to new. I remember it though, because in a district full of flashier and more famous temples, this simple brick structure felt like a throwback, or at least a very unpretentious example of its type. The old brick arcades certainly give the area the feel of a time long past. Built in 1924 with private funds, it was on newly reclaimed land behind what is now Ximenting when first constructed. Now, the temple lives on, but seems to be bookended with hip-looking cafes. I don't mind, that, really. 

If you make your way from some of the sites around Taipei Main to Ciyun Temple, you'll find yourself walking through Ximen, which is an interesting way to spend a day regardless of your destination. There's plenty to see in the area, and if you aim your walk in the direction of Zhongshan Hall and some of the other historical sites and temples I've skipped, you'll also pass one of my favorite old houses:

 




I don't think there's anything especially historic about it, I just think it looks cool. 

In fact, although it's often labeled an unattractive city, Taipei has lots of architecture that is in fact quite interesting:




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Tuesday, July 9, 2019

An Incomplete Taiwanese History of Cyan

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Perimeter wall of the Jingmei Human Rights Museum

Several months ago, I went to the Jingmei Human Rights Museum and noticed that a cyan or light teal color featured prominently on many of the buildings, especially on doors, bars and outdoor perimeter walls. I've seen this color frequently in Taiwan and if it hadn't been so predominant, I might not have even noticed it here. But it was everywhere, in a place meant to be a prison toward the end of the White Terror era.

I asked a few people who worked there, who said it was just a popular (and therefore possibly inexpensive) color at the time, and the builders perhaps wanted to bring a little bit of a 'sky' color to otherwise dank, gray, unforgiving cell blocks. I found the desire to make living quarters nicer suspicious - after all, the guards would engage in soul-crushing cruelties in other ways, so why would they care about the cells looking brighter? But that the paint was perhaps inexpensive and readily available made more sense.



I find it hard to believe that the people who built and ran this hellhole would care one bit about
making the inmates feel more comfortable by painting some things bright colors. 

Another worker there told me that one name for this color, which I would call 藍綠色 lán lǜsè or 青色 qīngsè (though you have to clarify which 青 you mean, as it just denotes 'nature's color' - think new plants, a view across blue mountains, that sort of thing - and is also a way to describe rice liquor) was 防空色 fángkōng sè, or "air defense camouflage". Googling that, however, I found most things labeled 防空色 were brown, khaki or dun-colored, meant to blend into the earth from the sky. I suppose you'd really only use a bright teal or cyan as 'air defense camouflage' if the thing you were trying to obscure stuck out into the sky - but that's just conjecture.









I wanted to know more, but being both busy with graduate school and not exactly a great investigative reporter, I didn't get very far. Tatung (大同) famously made electric fans in that color - fans which have become one of the traditional products that form a sort of iconography or semiotic imagery of Taiwanese history and identity, alongside rice cookers from the same company, small Taiwan Beer glasses, those three-color plastic shopping bags and more. They still make those fans: I would know - I have one. The color is even called "classic green". 

I hate calling people, so I dropped Tatung a Facebook message to ask why these fans were traditionally that green-blue color (it seems like it might be possible to email through their website but the only avenue seemed to require a lot of information about the product purchased, meaning it's probably not the best avenue for finding out what I want to know). I haven't received a response but I'll update here if they ever reply.

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My own Tatung retro fan in "classic green"

At that point I considered that these fans had been around since the mid-20th century, and that turquoisey greeny blue was quite popular in the 1950s in the US, which was the country that Taiwan was most looking toward as it cut off contact with China and was a strong ally to the United States. Maybe it was just, well, popular. Popular things tend to be easy to come by, and cheap, so that might be a simple explanation that goes a long way.

In any case, I Googled "air defense camouflage" in Chinese and came up with this fascinating article on the use of color and tile on Taiwanese buildings during the Japanese era (link in Chinese, by a professor at NTU).

It's a lot to sift through, but essentially there is no specific color called "air defense camouflage",  and the term has been typically used for all of the yellowy browns, cement, dirt and khaki colors you might imagine. In fact, a quick look at this traditional Japanese color chart lists a bland dun-yellow-brown as "national defense color" (國防色 guófáng sè). That said, according to Horigome in the Chinese-language link above, "light green", "bright blue green" and "green-green", are colors described as 'air defense camouflage' by a the Kaohsiung City Museum and Kaohsiung City Culture Bureau. He then goes on to note that it's not at all clear that the purpose of such colors was actually to help camouflage buildings from aerial assault, but that such colors might simply have been considered pleasing or fashionable and might have been chosen for a number of reasons: performatively (to display how patriotic one was by using national defense colors); aesthetically (they just liked it), or because it was thought to fit in with the surrounding area or other colors. 



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A building in Kinmen, Taiwan (Kinmen was never Japanese so I doubt it would have become popular here as a result
of Japanese influence)

Looking more at that color chart again, the colors most similar to the cyans and teals seen in Taiwan seem to be either 'new bridge' or "Shinbashi" color (新橋色), clear blue-green (青綠色), fresh bamboo (青竹色), celadon (青磁色), 'ancient' green-blue (青色). Of all of these, I think 'new bridge' is the closest match, and this helpful website in Japanese explains that it was a popular color in the late Meiji era, especially among the geishas of the Shinbashi neighborhood of Tokyo. 

The late Meiji is right around the time that Japan was consolidating its rule of Taiwan, so if the popularity of teal came from that...cool. Though it seems like quite a stretch to say that a color popular in Japan during the colonial era would influence, say, the color that prison bars were painted during the White Terror, or the color of electric fans in the mid-twentieth century. 



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The history of "Shinbashi" blue


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The color remains popular in Japan


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A Japanese-era wooden building in Chiayi city
(Yeah, I went to Chiayi for a bit and never told y'all)

My guess is that perhaps the color may have become widely used in Taiwan during the Japanese era, possibly for 'air defense' reasons or possibly simply because it was also popular in Japan. It sure does appear on the window frames and casements of a lot of Japanese-era buildings, especially brick or wood ones. Then I'd guess it simply stayed popular because it's a nice color and offers a striking and pleasing contrast with the brick and dun shades of Taiwanese buildings.

Another pet theory that I can't prove at all is that it's a popular color for window casements and bars because it is similar to sky blue - with blue window bars, you might be able to look outside on a clear day and feel like the bars (which are unsightly but considered "necessary" for safety reasons) were perhaps not there at all. 


That brings us to the modern era - the color has seen a bit of a resurgence in political activism. All of those "I support Taiwanese independence" stickers, flags, towels and t-shirts use it. It's been around since at least 2014 and the Sunflower Movement, and (so I was told anyway) a well-known activist who runs a coffeeshop in Taichung designed the current popular crop of designs.



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A screenshot of the designs popular today
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Even I have the t-shirt! 


I asked around - including the person who I was told had created the designs (who wasn't too forthcoming) and didn't get any clear answers. One activist friend said he'd heard the use of the color was meant to symbolize "the mixing of green and blue, because we are all Taiwanese regardless", but expressed doubt that that was the actual intent behind the color choice. I noted the historical roots of the color, but neither of us is sure if that plays any role. Perhaps it was chosen simply because it is an attractive color that happens to be popular right now, but color symbolism in Taiwanese politics is far too complex and just inextricably intertwined with parties, ideas and movements here that I do believe it was chosen for a reason. However, I'm still unsure of what that reason is.

You might also notice that many candidates of another political party have been using that same color - the DPP. Were they using it to try and identify more closely with social movement activists? Were they trying to tap into it as a historically symbolic color of Taiwan? Why was it popping up everywhere in DPP campaigns too, as late as this last spate of elections in 2018?




See? (Lime green is popular too now)


I asked a friend of mine who campaigned in 2018 (and won!) and who had used this color in his campaign and his answer was much more pragmatic: first, he (and perhaps other) DPP candidates felt that the party's traditional deep green was too old-fashioned - "very 1980s". The other was that since everyone was using it, it was cheaper to order campaign materials in that color.

Well, so much for trying to tie current political trends to historic notions of Taiwanese identity through color symbolism - avoiding the usual suspects of red, blue and green. Perhaps someday I'll get to the bottom of teal/cyan/"new bridge color"/"air defense camouflage", and I'll keep you updated if so.

Whether or not the color just happened to be popular in the past, there's no question that its use in political imagery is somehow intentional. It was chosen for a reason; I just don't know what that reason is. For DPP candidates, it may just be that it's inexpensive and popular but also modern, and doesn't scream "old guard DPP" while still retaining a callback to the party's traditional colors. (You'll notice that in an attempt at feminization, some female KMT candidates have been using shades of pink - this seems less popular among the DPP.)



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Another building in Chiayi city, probably built in the 1940s (?), but that paint is pretty new.
It must be a contemporary and purposeful choice. 




If you were wondering, by the way, whether my choice to use a color very similar to this on Lao Ren Cha was intentional...it was. I've associated this color with modern Taiwan and Taiwanese identity for years. It also happens to be one of my favorite colors.