Showing posts with label taiwanese_history. Show all posts
Showing posts with label taiwanese_history. Show all posts

Sunday, June 30, 2019

Book Review: The Astonishing Color of After

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The Astonishing Color of After
Emily X.R. Pan


I like to situate my book reviews in the real world - whatever is going on in my life, I try if possible to relate it to what I've read. I do this because I'm not a professional book reviewer, and I want to offer something more unique than a bog-standard review you might read in a newspaper.

As it so happens, I read The Astonishing Color of After - which deals with depression and suicide - during a time when I was (am?) coping with anxiety, mostly related to graduate school. I don't have depression - anxiety is not the same thing - but what drew me in was a line towards the beginning of the novel - the colors around me were all wrong. I was lucky, if only because I was able to see that something was wrong in time to seek professional advice (it turns out that my case is mild and I don't really need anti-anxiety medication if I make a few lifestyle changes - breathing exercises, no social media before bed, that sort of thing). But what really helped me connect with this novel was realizing that while I'd always known intellectually that sometimes brains just don't work the way they're supposed to, I hadn't really understood personally - viscerally - what that could be like, even mildly. Now I do.

The Astonishing Color of After is, theoretically, YA (Young Adult) literature. The writing style is fairly straightforward, the first-person viewpoint character is a teenager dealing with teenage issues and it fits nicely alongside other YA classics. Because of this - and despite it being quite fat - it's a quick read for adults. I didn't realize that when I picked it up, but I'm happy things shook out that way - I'd just finished my dissertation proposal and needed some mental rest with easier prose. It surprises me that it doesn't seem as though this novel has gotten a lot of press among English-speaking Taiwan bibliophiles. I knew when Green Island, Lord of Formosa, My Enemy's Cherry Tree and Wedding in Autumn all came out, but hadn't heard of this book until I came across a copy at eslite. It's a shame, too - YA literature about Taiwan that can be enjoyed by anyone, even if they have no connection to Taiwan, is a niche that needs filling. That kind of soft power helps.

That said, because the narrator is a 15-year-old girl, the prose is written a bit too...muchly. There's explicitness where something might be implied, melodrama where subtlety and implication would suffice. It works, though - the story is told as a 15-year-old might tell it. You can almost envision what the journal entries of the narrator would be like.

Without spoiling too much, the story follows Leigh Chen Sanders, 15-year-old American-raised daughter of Dory Chen and Brian Sanders. When her mother, Dory, commits suicide, Leigh is convinced she's turned into a huge red bird, and eventually seeks answers to her mother's family history in Taiwan. Leigh not only grapples with her mother's death, family secrets and feeling lost in an unfamiliar country, but a father who can barely cope himself as well as a very common teen issue: wanting to do something creative with your life as one of your parents pushes you down a practical path that you are entirely unsuited for.

This struck home for me too. I'm not a teenager anymore, and I'm not in a 'creative' profession (writing is a hobby, not a consistent income source). But along with my dissertation, I've been grappling with exactly why I chose to become a teacher when I don't feel the money I earn really justifies my choice (and don't always feel appreciated in a professional capacity either). I know people think foreign teachers out-earn other professions here, but that's really only true early on. When you hit your thirties, gain experience and professional development and credentials, you start to notice that if you'd gone to work for some corporate machine you'd be earning more by now. But, as with art or music, there are other reasons to choose teaching.

Taipei is rendered as accurately - if generically - as post-smartphone suburban America, and the story is deeply engaging. Pan does a great job of narrating the difficulties Leigh has with Mandarin - a language she is familiar with but doesn't really speak and can't read at all - and Taiwanese, which is incomprehensible to her. The flourish of her Taiwanese mother not really wanting to return to Asia despite her American father being keen do to so - and that same American father speaking and writing fluent Mandarin as his Taiwanese wife avoids her native language - presents a flourish to the story that upends stereotypes readers may have. Frankly speaking, it's a circumstance I've seen play out in real life, and it was interesting seeing it depicted in fiction. It reminded me of how my own grandfather, himself not a native speaker of English, purposefully never taught any of his children Western Armenian. As a result, I never learned it either.

I'm of two minds about Pan's depiction of Taipei. Everything was accurate - the alleys, the doors, the weather, the parks, the house slippers, the apartment shrines, the shops and temples. The depiction of supernatural events fits fairly well within Taiwanese religious beliefs, and the touch that Leigh's mother would visit both a Taoist and a Buddhist temple and not see any problem with that sort of syncretic belief (a fairly common thing to do in Taiwan) was a thoughtful flourish. Leigh's grandparents could be any number of older couples in Taipei city.

But...but. I wish she'd been more specific. Which street with brick arches did she reference? Was it Dihua Street? If so, the temple she described looks nothing like the most famous temple on that street. Was it Longshan Temple? It could have been. But if so, what street? What neighborhood did the Chens live in? Which spot on the North Coast did they actually go to? (Jiufen is referenced but then not much more is said about it or what the scenery is like.) One thing I love when reading novels that take place partly or entirely in Taipei is reading about the author's description of very specific places that I can go visit, if I like. When Pai Hsien-yung talks about Longjiang Road and a park which is obviously 228, I have specific mental images I can conjure up to give life to the story. There's something to be said for referencing a generic residential lane, a generic neighborhood park - the Chens could be anyone and there's literary merit to that - but I like my fictional Taipei to be grounded in a reality that I can personally reference.

I was intrigued by the very common Taiwanese family story of the Chens - a grandmother born in Taiwan and growing up in poverty, and a grandfather who came with the ROC military from China. Leigh's grandmother speaks Mandarin and Taiwanese (her grandfather's linguistic background is less clear). When we start to see flashbacks of Leigh's mother's life in Taiwan, one reference concerns her marrying someone "Chinese" (me: not Taiwanese?) but later that's references as "Chinese or Taiwanese". Which...huh.

There's a lot of digging that could be done into family political dynamics there, a lot of engagement in that particular issue that Pan - and by extension Leigh - could have pursued. But it's left there; there's no further discussion of issues of Taiwanese linguistic, historical or cultural identity. I suppose that'd be a bit much for a YA novel not necessarily marketed only to readers familiar with Taiwan, but it would have been interesting to explore.

Where the novel does a little better is discussing Taiwanese religious beliefs and superstitions, especially regarding ghosts and the afterlife, and Ghost Month in particular. Although I wish the novel had actually gone to Keelung for Ghost Month after explicitly referencing it, beliefs about ghosts roaming the earth and burning items for them to use in the afterlife, I think foreign readers will find these descriptions interesting.

All in all I'm happy I read The Astonishing Color of After, especially when I did. Its ideas and plot threads came through at a time when they could resonate especially strongly for me, and its clear prose was an inviting fictional place for my mind to escape to when it very much needed an escape.

Even better? I think you can still buy it at eslite!

Sunday, June 2, 2019

The ROC is erasing the history of comfort women's sexual slavery by romanticizing it

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I am reasonably sure that not one of these women is real


Once a year or so, we go to Kinmen for work and then plan an extra day to relax, drive around and do whatever, usually booking a traditional 洋樓 (yánglóu, or 'foreign style mansion', though they don't look terribly 'foreign') for a few nights.

This year, our first stop was the Military Brothel Exhibition Hall in Jinhu township along Qiongjing Road (瓊徑路) - if you want to go there, it's easiest to just plug it into Google Maps. I've been aware of ROC military comfort women for some time (yes, quite a bit like comfort women forced to service the Japanese military in World War II), and that the practice was particularly predominant on Kinmen as it was a major military outpost.

Having felt for some time that the issue of Japanese comfort women, while also important, has been given priority over ROC comfort women with the issue manipulated for political purposes, I wanted to see how this museum portrayed the issue. Did it get anywhere near actually tell the story of women forced into prostitution to 'meet the needs' of ROC soldiers?



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No.

I learned more about the soldiers who went to the brothels, and how the brothels operated on a bureaucratic level, than the women who actually worked in them.

The exhibit, which is in English and Mandarin, hemorrhaged copious reams of verbiage justifying the 'needs' of the soldiers (as above - and this wasn't the only culprit). A huge percentage of the words on the wallboards attempted to convince visitors that these 'teahouses' were necessities of war, because how could our boys on the front line continue to fight without getting their sexual requirements met?

I don't really need convincing that any given group of people (except ace folks) spend a large percentage of their time thinking about, wanting to and trying to get nasty. That's just human. Just about everyone likes to bone down. Fine. And I don't need convincing that sex work is important or necessary - I'm in favor of legalized prostitution, in a system in which the sex workers themselves have power over their work - not a pimp and certainly not a government.

But the exhibit also spent a great deal of time telling you about the different 'tea houses' all over Kinmen and why they existed or how successful they were. You even got to learn about the quality of 'service' at each one and what 'grade' each teahouse was given (which...let me tell you. Forget wanting to work at a 'Grade D' brothel - can you imagine how insulting - and terrifying - it would be for a woman to be assigned to one?)



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Every single thing gets its moment in this exhibit - except for the women. The men and their needs are centered, and there's a lot of description of the humdrum bureaucracy of the brothels. You get to see a replica of the tickets that servicemen were issued, and the rules and regulations they had to follow. There are a lot of pink and purple shades and soft floral patterns - you know, because it's women's stuff - which is an attempt to soften the truth, and was hardly the reality of the matter. The attempted romanticization is more than a little off-putting.

You heard about the women's health checks and other rules concerning their lives - including that they weren't allowed to leave, yeesh - and that they were 'recruited' as 'waiters', are expected to get the impression from this that they chose to ply their trade in Kinmen and that the military took good care of them. You could read - briefly - about how 'bitter' and miserable their lives were in Taiwan proper, trying to convince you yet again that this was a good thing for the women, and everyone was consenting. After reading that, you'll learn how often the women had pap smears, but still nothing at all about who they were as people.

The very brief text that actually discusses the women and their lives uses the phrase 'finding their way to the frontline', as though they journeyed to Kinmen of their own volition.

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Of course, they did not.

In the famous case that caused the 'teahouses' of Kinmen to finally close in the late 1980s, an underaged woman (16) was tricked/forced to go to Kinmen and then, after refusing to engage in sex work, was told she had to do so for several months before she could return to Taiwan (link in Chinese).

I also have it on good authority (and the Taipei Times backs up) that most of these comfort women were not consenting and not taken care of well. Most of them were prostitutes working illegally  (only 'municipal brothel' prostitution was legal) who were caught and essentially forced to work in these 'teahouses', often - as the link above mentions - made to have sex with 60-70 soldiers a day. As I highly doubt they agreed to that many clients, that essentially means they were raped 60-70 times a day.

And someone on the committee that designed this exhibit is aware of this, as you can see:


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Sure, the women were not forced into prostitution as a trade, but if you write 'nor did they willingly go to support one side in a war', you are implicitly sending the message that someone forced them to do so.

That's not consenting - it doesn't matter that they were prostitutes before. You can't force someone to work for you, even if you pay them. That's slavery. The government can't knock on my door and tell me I must teach in a particular government school and then frog-march me to a classroom. This is no different just because it's sex work.

And yet, that one line in one (rather terrible) poem is the only clue that these women were essentially forced to be raped by soldiers six days a week. What's worse, the NewTalk link above describes the attempts of Kinmen-born writer (and I guess politician? It's not clear) Chen Changqing to retcon the history of military prostitution into a consensual industry in which the women were well-cared for despite the preponderance of historical evidence to the contrary.

Beyond that, the exhibition hall does not tell the stories of any of the individual women who worked as military prostitutes, even though many are still alive. One could easily ask them, and many of them would likely want their stories told.

You don't even see pictures - just stylized anime-like airbrushed cartoons of generic beautiful women. They don't actually exist. Even though surely photos of the actual women who worked in these teahouses could be found, and photographs of still-living ones could be taken. I'm sure some of them (though surely not all) would give consent for their images to be used, if exhibited as a part of a well-designed and impactful exhibit. But, of course, nobody asked them.

Much easier to write a few platitudes about 'bitter lives' and place them next to soft-focus cartoon women than to face what your government did to real, actual women.



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I have to wonder why they did it this way. Was it because whoever was in charge of this didn't want to make the ROC government look bad (especially on Kinmen, where the KMT remain popular)? Was it because they - though possibly not the women themselves, given the activism of the women who worked in municipal brothels in Taipei - regard the actual work of such women so shameful that they felt they were doing these women a favor by romanticizing it while keeping the women's actual stories quiet? Was it because the moment you tell the truth of what the government did to these women, it raises the question of compensation? Or was it straight up sexism: did whoever was put in charge of designing this just not even consider that the women's stories mattered?

The government has been much more forthright about the work of Japanese-era comfort women from Taiwan. A museum was created for them, while quietly trying to squash the attempts of ROC-era comfort women to do the same thing, as the links above show. Is this because the Japanese era is in the more distant past, and most of those women have died? Is it because it allows them to blame  Japan, not themselves - blame which can be strategically trotted out for political purposes? Don't forget that the previous administration made a point of souring Taiwan's relations with Japan as much as possible, in order to garner favor with China. Is it because the women forced into sex work in the Japanese era often weren't prostitutes to begin with, so it's less 'shameful'? Or is it perhaps all of these?

In the end, it bothers me not just that this story was told badly, but that politics seems to determine who gets their stories told at all - and it never seems to actually be about the women.




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I want to be pleased that the government isn't trying to pretend this part of Taiwan's history never happened. I want to rejoice that they're not trying to bury it as so many governments do to the more unsavory stories of their past.

But I can't - I just can't believe someone thought it was a good idea to set up a 'military brothel exhibition hall' and then spend the whole time justifying the brothels' existence, without even trying to tell any of the honest, true, detailed, human stories of the actual women who worked there.

If nobody is willing to have their story included - which is possible, but I doubt would be the case - then you can at least tell the absolute truth of how the women came to work there and what their lives were actually like beyond a list of 'rules and regulations'.

If there's one thing this exhibit can learn from museums cataloguing horrible things which exist around the world, it's that you don't need to justify the past. You're not fooling anyone. We know that romanticization is just one step removed from erasure. 

It happened, and what matters now is that we look at it squarely and honestly, and whenever possible we try to make it right. The Military Brothel Exhibition Hall does not do that, and all I can suggest is that they take a good, hard look at their first attempt and try to do better. 



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Saturday, February 16, 2019

Taiwan needs more strikes!

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As you've no doubt heard if you follow Taiwan news at all, Taiwan ugh China Airlines pilots were on strike until very recently. Notably, while part of the negotiations to end the strike included an annual bonus (de rigueur in most Taiwanese workplaces, so I was surprised to learn that apparently pilots did not receive one? Huh), overall the strike was not about higher pay, better 'perks' or other 'benefits' not related to health and safety.

At the core of their demands were that more pilots be assigned to longer flights, so that total working hours for pilots could be brought down to a reasonable standard that would not leave them overworked and overtired. It also prioritized hiring Taiwanese pilots (including foreign pilots residing in Taiwan) over foreign pilots.

I have no particular opinion about the latter demand, but the former is simply reasonable. Nobody wants an overworked pilot; that's how disasters happen, and let's not forget that until very recently China Airlines had a poor safety record (in recent years things seem to have improved). Although China Airlines says its safety and working hour policies are within international standards, considering said safety record and how overtired pilots can be a factor in plane crashes, I question this.

Besides, it's simply not that culturally ingrained in Taiwan to strike at a particularly busy time for your employer (the strike began over Lunar New Year, one of the busiest travel times in Asia), especially if better compensation is not the employees' core demand. To take an action like this, the pilots themselves must have known that overwork and lack of sufficient cockpit crew was a major issue. The only real rebuttals to these demands were, essentially, "but that would cost money!" (yeah, a safe work and customer environment usually does) and "but we'll lose passengers!" (yup, but you'll lose more if there's a major crash and people will die), which underscores how strong a case the pilots made.

The thing is, this kind of strike has been a fairly rare phenomenon in Taiwan, especially in earlier decades. Up through the 1980s, generally pro-business, anti-labor laws governing collective action made strikes difficult if not impossible (not surprising given the repressive Martial Law political atmosphere more generally), and even in the 1990s, despite some strikes taking place, "legitimate union strikes" were still rare, and difficult to legally carry through. Although strikes have become more politically possible since then, they're still fairly rare, with an exception being the China Airlines flight attendant strike in 2016. (That the ground zero for highly-publicized strikes seems to be China Airlines also points to an anti-labor bent to their workplace culture).

The lack of strikes in previous decades wasn't just about anti-worker labor laws - there is an overall lack of a strong labor movement in Taiwan for a number of reasons. There are surely some cultural reasons for this (think of stereotypical "East Asian" work culture which values hierarchy and collectivism; there's a kernel of truth to it, although Taiwan is certainly more chilled-out than South Korea or Japan in this way).

But, more importantly, it's the result of an intentional political attempt to keep labor from organizing so as to advocate for its own needs. This has been done in a very devious way: not by union-busting or trying to dissuade workers from organizing, but by preemptively creating worker "unions" and "trade associations" that employees in a company or industry may belong to, so as to create the veneer of organized labor, but which is ultimately controlled by the companies or government, not the workers themselves. Such organizations have typically represented the best interests not of the workers but of management (or the government) and did not necessarily take on labor advocacy at all. In fact, what "management" and "the government" might want were not always different, given the history of nationalized industries / state-owned enterprises in Taiwan and how government control of industry and labor was used as a tool for political repression.

Of course, as independent labor movements coalesced, these came into conflict with the old-style "unions", there were disagreements on whether to improve the lot of labor overall or to address specific needs of specific groups of workers and...it's all very complex but essentially, that's the reason why not every political party, group and organization which claims to represent the interests of "labor" is on the same page, or even gets along. For more on this point I recommend Yubin Chiu's chapter on trade union movements in Taiwan's Social Movements under Ma Ying-jeou (I'm sorry that it will probably cost you $50 to buy the book if you wish to do so, though that's better than the earlier price of $150 - and although Chiu obviously comes from a Marxist viewpoint on labor issues, he's good at explaining the fundamentals and historical complexities of trade unionism in Taiwan).

Under such conditions, it's not surprising that the labor movement has not been particularly robust and strikes have been fairly rare in Taiwan.

Anyway, taking all of this together, Taiwan simply needs more strikes.

First, because the typical Westerner's idea of a "strike" seems to involve the workers demanding better compensation. An anti-union libertarian friend of mine has even said that he imagines that only mediocre workers support collective bargaining, because the most talented employees have a strong position from which to negotiate better remuneration - it's only the employees who are not particularly distinguished who need to rely on collective action to improve pay and benefits.

That's wrong for a number of reasons, most notably that it assumes that all collective bargaining is aimed at better compensation for each individual rather than improved working conditions for everyone as a collective whole (it also assumes that more valuable workers don't care about whether their less-highly-performing coworkers are compensated fairly, which isn't always true.) But the flight attendants' and pilots' strikes show that this simply isn't that common a motivation in Taiwan: although compensation played a minor role in these actions, the crux of what the workers in both cases were demanding had to do with overwork and general working conditions.

Although I also support strikes for better collective compensation, there's a moral high ground to striking so that you can do your job better, not just to get more "stuff". Salaries in Taiwan are quite low and organized labor has not made any strong moves to push for better pay overall. There are a lot of hurdles for labor to jump simply in terms of social awareness of this issue: it's still taken as normal that one cannot challenge one's boss; changing jobs more often to garner wage increases rather than asking for a raise at one's current job is still seen as a good strategy; and it's still quite common for workers to defend long hours in the office because they prioritize making more money over having more personal time (even though one could argue that workers deserve both reasonable pay and reasonable hours, the rejoinder is that if management won't even give workers one of these two things, it's unrealistic to expect both).

 Of all the good reasons to strike, strikes in Taiwan seem to happen for the best possible reasons. So, more strikes please.


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What's more, modern labor movements in Taiwan tend to be tied to other important social issues -
this labor protest attendee is marching to "end overwork", and also showing his support
for marriage equality


Second, given the cultural and historical reasons outlined above, there's no reason to believe that Taiwan's economy or infrastructure will grind to a halt (as seems to happen regularly in France) due to a large number of strikes. Despite the two prominent China Airlines strikes, they are still seen as a last-ditch strategy by labor unions that have only fairly recently coalesced outside of management control. Without a strong history of striking, it's unlikely to become a popular or even particularly common strategy. I don't foresee any sort of slippery slope here where there's a strike every few weeks over every little issue.

And if workers feel that their complaints are valid enough, and their conditions urgent enough, that this 'last ditch' strategy is necessary, there's probably a good reason for that. More strikes please!

Even if there were a slide into strikes taking place over a greater variety of issues - pay, sex discrimination in the workplace or the gender pay gap (still real problems in Taiwan), long hours - this would overall be a good thing for Taiwan. These are intractable issues that have been allowed to fester. Employers in Taiwan have taken the attitude that "I hired you and pay you, so you have to do everything I ask of you exactly when I ask for it, even if I take up all of your free time and I will take it as a personal affront and loss of face if you challenge me in any way on this or even attempt to discuss your working conditions" for too long. Labor standards are a joke. If strikes are what it takes for management to wake up to the fact that their employees are not their chattel, then more strikes please!

Working conditions, culture and compensation have been problems entrenched in Taiwanese society for far too long, and have arguably hindered Taiwan's economic development overall, as it loses its Millenial generation to better career opportunities, pay and working conditions overseas. Greater labor organization that is not under management control will become easier to attain as workers take stronger collective action, and will be the final step to eradicating the old government/management collusion which has been both historically politically repressive and anti-worker. It has the potential to bring various social movements together (see the image above).

Yet strikes are not likely to become yet another entrenched problem in Taiwanese society given how they are already typically viewed as an action that ought not to be commonly taken.


To put it simply, Taiwan needs more strikes.

Sunday, February 3, 2019

Typical American: a book that isn't about Taiwan, or is it?


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This wasn't meant to be my next book review. It was supposed to be Social Movements Under Ma Ying-jeou, but I finished that the day before flying out for Lunar New Year, and didn't bring it with me. Being highly academic, it's the sort of book you need to refer to as you write about it, so that'll have to wait until I return to Taiwan. 

Instead, let me tell you about a book that's not about Taiwan at all, except that I think it sorta kinda is. I brought only fiction on this trip, including a book I'd picked up secondhand years ago, but never read: Gish Jen's Typical American. Having already read its sequel, Mona in the Promised Land, some years ago, as well as several of her other works and knew her to be an engaging author, so it was a solid beach read choice. 

(Contains spoilers - for a book written in 1991, so you can just deal.)

Typical American begins in 1947 in a small town outside Shanghai, and ends in upstate New York not far from where I grew up. The son and daughter of a scholar and former government official are sent to the US under very different circumstances (because, of course, sons are so often treated better than daughters). Theresa, the cleverer of the two, accompanies the daughter of wealthy Shanghai friends, whereas Ralph is sent to graduate school for engineering. Then the Chinese Civil War takes a turn for the worse, their parents disappear, Ralph marries Theresa's companion, Helen. They meet wealthy yet ultimately deceptive Grover Ding and staid, old fashioned Old Chao. They live together, then apart, then together again. 

Taiwan isn't mentioned once (though the Nationalists are; of course the Nationalists and Taiwan are not the same things). But, in a way, it was. 

I don't know if this was Jen's intent, and it was written too long ago - 1991 - for me to feel anything but awkward about asking her. But I can't help but see an allegory well beyond "family from China finds its way in post-War America and has its own experience with the American Dream". But reading some of the language used, which could not have been unintentionally chosen, I have to wonder. 

Think of Old Chao as, well, the well-worn traditions of "ancient China" (his name basically means "Old Dynasty", or is at least a sort of homonym of it, as I don't know what the character would have been.) Now see Grover as everything corrupting about US influence (in terms of culture and family life, but also, perhaps, in terms of international relations). Theresa, a woman born "outside of her time", represents the Republic of China and the hopes leaders had for the Republican era in China. Helen is everything dainty and refined - but also resourceful and plucky - about early twentieth-century urban China (Jen all but says so explicitly on this point). I'm not sure what that makes Ralph, or Old Chao's wife Janis. But I have to say, Ralph's Chinese name - Yi-feng or "strive for the peak" - can not only represent struggling to attain the American Dream but also echoes a lot of language choices of Communist China. 

Okay, so what? Well, Ralph, Helen and Theresa live together at first somewhat peacefully. They are friendly with Old Chao, then Grover Ding throws a wrench in their lives. Theresa moves out angrily - Jen even calls it "exile". When she moves back in with Ralph and Helen - a "reunification", and calls it the hope of all Chinese people (though she doesn't entirely use those  words, "reunification" is straight from the text. This cannot be a coincidence.) At several points in the text, ideas like "once a Chang, always a Chang" and the custom of Chinese families to live together in sprawling compounds are referenced, as how difficult it is for families to splinter and then reunite. That things change and cannot go back to anything like they used to be after a "reunification" (both sides change) also whizzes by readers who lack contextual knowledge. In between, various characters get involved with, then extricated from, then re-involved with Old Chao and Grover. Ralph abuses Helen, Old Chao seemed associated with Ralph but turns out to be most closely tied to Theresa. Ralph either proclaims the house they live in is "his" - he's the "father" (you know, like Confucius) - but at one point realizes it is actually Theresa's (don't ask why; read the book). 

Do you not see it?

Maybe I'm insane, but I see it. 

I don't like it. 

Don't get me wrong, I loved the book. Read straight as a coming-to-America tale and how cultures collide when immigrants chase a foreign dream, it is engaging, thoughtful and mesmerisingly written. The prose draws you in and is elegant both in sound and how it falls on the page. Structures - houses, restaurants - serve as visual symbols for the state of the family. Old books in Chinese make an appearance, as does the game of 'bridge', a loveseat (you know, where love sits) and more. And, for fans of Chinese idioms, the moon makes several appearances in the narrative. You know, in America. A foreign moon. The moon is sometimes big and round as the idiom suggests, sometimes a sliver of a nail.

But...that other narrative, the one I might have just spun out of my own Taiwan-evangelism. 

That one? It glorifies the Nationalists (I assume Jen is aware of their treatment of Taiwan - the theft of Taiwan's wealth, the White Terror, the oppressive and murderous military dictatorship that differed from Mao's mostly in scale). If you read the symbolic elements as I did, it treats the US's severing of recognition of the ROC as a tragedy, not unlike being attacked by a dog and hit by a car. (It was a tragedy, but for reasons nobody realizes; the way Chiang Kai-shek screwed Taiwan out of United Nations membership, the way US foreign policy at the time made sense, but in the decades following did not adequately address Taiwan's democratization and more open recognition of its own unique cultural identity). 

It assumes that there are two sides in this conflict only: the Nationalists and the Communists - that Taiwan as a unique place that had a unique population long before Chiang started crowing about "retrocession" let alone before his government took the island, or he himself set foot on it - simply doesn't exist, or matter. That there is no unique Taiwanese cultural, historical and political identity distinct from China's. 

That "reunification" can not happen - because the two sides that would supposedly 'reunify' had never actually been together (Qing imperialism should not count.) It assumes that Chineseness will mean that, while there might be conflict and a future very different from the past, that these differences have some hope of being bridged. After all, they're all part of one sprawling household, aren't they?

Except they're not. For that take on things to work, both sides have to agree that they are more alike than different, that there is some ineffable "Chineseness" that ought to bind them. 

Forget what politicians have to say to avert a war. Those are words stated at first under a dictatorship, at the tail end of Martial Law, by a government the Taiwanese people had never asked for. Now, they are words not denied under threat, nothing more, though that slowly seems to be changing. Finally.

Do not think that the people of Taiwan believe this. They haven't, for awhile. If you are going to reify 'one Chinese family' as a cultural structure, then everyone in the family has to agree they are in it, and want for that family to be 'reunited'. 

But they don't. They haven't, for who knows how long (pre-democratization public opinion polls are suspect at best; remember what kind of education everyone got. It's very difficult indeed to grow beyond what one has been told all their lives. It's a miracle and a credit to Taiwan that they have done so as quickly as they have.)

In this sense I have to hope that Jen did not intend Typical American to be read this way; that I'm adding all of this in because I'm just nuts. After all, the story is not that different from Jen's parents', just as Mona in the Promised Land is clearly heavily influenced by her own formative years. It could be as simple as that. But Jen produces smart, layered work - so it's possible. If she did, it might represent a nostalgic view from a Chinese perspective, but it belies a lack of understanding of Taiwan. 

If true, this isn't terribly surprising, and isn't Jen's fault. She's not from Taiwan; she was born in the US to Chinese parents. I have not heard that she has spent any meaningful amount of time here. Why would she have insight into the Taiwanese collective psyche? What's more, Typical American was written just before Taiwan's first true - though tentative - steps towards democratization. Nobody without a connection to Taiwan was talking about Taiwanese identity then. So, it's hardly surprising that she focused on history more immediately familiar. 

So where does this land me? Hoping that a book is less deep, not more? Enjoying it for what is immediately clear on the surface, and hoping there are no weeds or sharp rocks lurking below on which my feet and her story might become entangled or scraped?

I guess it does. 



Thursday, November 29, 2018

Misery Loves Company: a review of "Ghost Month"

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Ghost Month

Taiwan, you monsoon-pissed on yam of the Pacific Rim! How many nations have sought and fought to possess you in a game of hot sweet potato! The Republic of China, the diplomatically shunned nation of my birth! You seismically challenged tiny leaf trembling at the real China's doorstep!

This is the first half of the absurdly angry screed that Jing-nan, the protagonist of Ed Lin's Ghost Month, published in his high school yearbook. The tone is perfect: high-school-aged Jing-nan's contempt for his homeland is real, and yet also absurd in the way only angsty high-schoolers can get away with.

This comes several chapters after Jing-nan admires the country the Taiwanese have managed to build in the face of every obstacle facing them, not least of all an angry China, but several chapters before he admits to having called the place "stupid Taiwan". In between, he reckons with his views on religion (also stupid according to him, but maybe it's not great to be in everyone's face about how dumb their beliefs are all the time?), muses on everything from architecture to rule of law, and compares Taipei during the day and at night (he prefers night). An image of the Tamsui River at night cuts across these metaphors: looking at it late at night, conflicting currents render the water as slow black sludge trudging in one direction, and colorful vibrancy swooshing in another.

I found this to be the perfect novel to read while I recovered from a particularly severe head cold: literally, but also metaphorically. I picked it up two days after 2018 midterm elections here, where the moving currents of my own feelings about Taiwan were in the greatest conflict they'd been in years. They still are. (And I'm still recovering from the head cold.)

To be blunt, Jing-nan doesn't like Taiwan very much. He doesn't seem to hate everything about it, but he's clearly far from happy with his own existence here. He's trapped carrying on the family business (in more ways than one), and feels hemmed in by the superstitious beliefs of people around him. He feels assaulted by bad Asian pop music (his own musical tastes, specifically for Joy Division, play an important atmospheric and symbolic role in the book) and cornered by soulless office buildings and high-rises on one side, and hideous illegal shanties on the other.

His malaise runs deep - though he does eventually come to terms with it - whereas my own was a season of ridiculous optimism capped with a feeling of being absolutely, devastastingly crushed. This past weekend I had hoped the people would not vote to remain a 'trembling leaf' at China's doorstep, but to continue to stand up for themselves. Instead, newly-elected KMT mayors are talking about doing an end-run around the national government and recognizing the 1992 Consensus on their own. (These elections were not a referendum on how Taiwan feels about China, but try telling the rest of the world that.) I had hoped they'd recognize stupidity for what it was: either by those pink-shirted anti-gay jerks or Kaohsiung mayor-elect and guy who beats people up for no reason, Han Kuo-yu. Instead they voted for hate and idiocy.

This country really has accomplished so much despite every obstacle set against it, from geography to military dictatorship to diplomatic isolation. After the anti-gay referendums passed, there was an outpouring of not only grief over what their fellow citizens had done, but also support and love for LGBT friends from almost every Taiwanese person I know. I know Taiwan is capable of better than this, but it can be hard to feel it through the greasy stink of homophobia and populism. There's all that vibrancy and color moving in one direction, but it's hemmed in by turgid black sludge.

In short, Ghost Month is a moody piece of Taipei Noir that more or less perfectly aligned with how I've been feeling about the place myself these days.

There's a story, too. An interesting, fast-moving one. I'm not writing about it because while it intersects with Taiwanese culture in ways that set it apart from typical thriller/murder mystery novels in the West, at the end it's...a story. Don't get me wrong - it's a good story. It kept me up until 3am reading and drives the book nicely without feeling tacked-on. I won't describe it here - you can read a plot synopsis on Amazon. The Taipei Noir aspects of the book are what drew me in, but they couldn't exist without the story, and the story couldn't exist without them.

Lin more or less perfectly captures the vibe of Taipei - the layout of the city, its neighborhoods, communities and haunts (and I don't just mean in geographic terms). It gives a solid, accurate survey of Taiwan's cultural landscape to readers who may not be aware, and very clearly moves away from the overly-Sinicized "Republic of Chhhiiiinnnnaaa!" view of Taiwan that a lot of people who don't actually know this country are happy to ignorantly embrace. It is very clear that Taiwan is Taiwan, and China is China, and those who would sell Taiwan out to China are traitors, without being overly sympathetic to a misty-eyed 黃昏故鄉 view of the place (in fact, problems from shoddy law enforcement to political corruption to sexism are laid bare without making Taiwan seem like a horrible place, and Lin does a great job creating complex characters that defy stereotypes.)

Because it captures Taiwan this well, the tiny ways in which I knew Ghost Month to be inaccurate got to me, even though I know they shouldn't matter. From a reference to a 50-kuai banknote (!! Those have existed but aren't exactly a normal thing) to entering the Taipei 101 office tower without needing an access card (not possible) to references to being sunburned after some time in Taipei (how? it's basically always cloudy) to the notion that Taipei is blanketed by Western tourists (there are tourists, but honestly if you're a Westerner here I basically assume you either live here or are visiting someone who does), I found myself nitpicking in ways I wasn't proud of. None of these details matters, and yet, because I live here and am fiercely protective of the place, they matter to me.

I also found myself thinking "Jing-nan's charming, has interesting tastes and an independent mindset, and is obviously meant to be pretty good-looking, but he's not that bright, is he?" Of course, as a first-person narrator, he admits this, saying his (dead) love interest had been far more intelligent than he was. For example, when a betel nut girl is killed on the job, you can be pretty sure gangs are involved. And if gangs are involved, you can be damn sure the police won't be much help. And if you know that, why the hell are you going to the police as though you can talk to them like some Big Man? I'm not even from here, my dude, and I know that's not how it works! And don't even get me started about Ah-Tien and the scooter. You just don't know when to listen, do ya?

In the end, I was grateful to come out the other end of my post-election funk (and head cold) with the end-of-novel reckoning Jing-nan experiences. To be honest, everything he feels about Taiwan, I could say about the US, just in a different way (excuse me sir, do you have a few minutes to talk about how we should fuck the police?) I won't say too much about this, as you should read the book instead of my ramblings about it. But, by the end, you come to realize that it's possible to care about a place, even love it, while not always liking it very much.

Which, as I wait to see what happens now that the people of Taiwan have rejected the basic humanity and right to equality of their LGBT brethren, is pretty much exactly how I feel about the place. I consider this superstitious, parochial and weak - it is not the Taiwan I have come to know and love. It hurts to find out there is a lot I either didn't know or have been ignoring about this country.

In other words, I have been miserable these past few days, but at least I had some good company.


Wednesday, October 31, 2018

Come for the nudity, stay for the underpants: a book review of Lost Colony

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Come for the nudity. Stay for the underpants.


Drunken German traitors. Bum-waving Swiss farmers releasing streams of foul expletives. A missionary in dirty underpants. Naked swimmers, a Chinese general who (probably) had syphilis, slaps, mad rages, racist colonial caricatures getting all up in each others' grills, a two-timing translator/con-man, fire ships and booby traps (no actual boobies it seems, though). A war whose outcome may have been decided on the relative discipline and adaptability of each side's leaders, or on what technology and food supplies they had...or maybe it was just the weather.

These are the colorful details that illustrate Tonio Andrade's meticulous historical account of the defeat of the Dutch colony in Formosa by another kind of colonizer - Zheng Chenggong (Koxinga). Well, sort of - calling it "a meticulous historical account" is actually doing Lost Colony a disservice, although it could easily pass muster as an assigned text in an academic setting. It's also a rollicking good read.

Don't let that lull you into a belief that it's a light read, though. The book explores some heavy themes, ultimately challenging the old and, to be frank, kind of racist assertion that Western colonial powers won wars because they were more disciplined or had a technological or perhaps tactical edge. (Andrade doesn't call it racist; I'm calling it racist.) The central question is worth asking: if Western powers really had all of these advantages, and that's why they conquered so much of the world, how is it that they lost Taiwan?

Through the story, Andrade discusses and compares the relative merits of Dutch and Chinese warships, military technology (including artillery, weaponry and fortifications) and military strategy. He discusses the evolution of those ships, too, based on weather conditions sailing in the Atlantic and around Africa as opposed to Asia, with its monsoons. Don't think this means that Lost Colony is a boring military history though. It's got military elements - it kind of has to - but they don't slow down the story. Hell, I loved this book, and I'm just not that into military history.

This isn't because I'm a girl who doesn't like Big Manly Weapons because they're So Big and Manly, by the way. I grew up around guns and books on military history and have a healthy respect for firepower used intelligently.

Naw, it's because I'd rather we didn't need militaries at all. Too bad we don't live in that world. Anyway.



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I like...big...guns and I cannot lie
(me & a howitzer from our trip to the Matsu islands)



It's no wonder that writer Joyce Bergvelt chose to novelize it in Lord of Formosa (although Lost Colony was not available to her as a source when she did). I called that fictionalized account "cinematic in scope", and frankly, for a work of non-fiction, so is Lost Colony. Count me among those who say that this story should be made into a film as a way of exporting Taiwanese soft power abroad.

That's all well and good, you're saying, and I love a good story about conniving translator-businessmen and foul-mouthed bum-slappers, but how is historical account about something that happened in the 1600s relevant to my life? 

Well, it's a well-worn adage among those who know Taiwan that the coming-to-Taiwan stories of Koxinga and Chiang Kai-shek share many parallels, which invites consideration of the present day seeing as the Republic of China has still unfortunately not given way to the Republic of Taiwan. I'm not going to talk about that, though, because everyone does. I'm more interested in how Andrade's telling of what happened when the military apparatus of a Western country met an Eastern one, and what that has to tell us about Taiwan's biggest foe. 


The Art of War figures heavily in the narrative as well - and in fact, when hearing about the various axioms Koxinga was known to employ in practice, I could not help but think of the current tactics of the Chinese Communist Party in trying to convince the West that it is not an ideological foe - when it absolutely is - and bring Taiwan to heel. 

By the time I got to the end, Andrade seemed to agree with me:



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"Today, a Chinese regime rules Taiwan"...I think I officially have an intellectual crush on Tonio Andrade.
Freddy's still my guy in the end, though. 


After all, as Andrade notes, just because we think the West as a military advantage over China in terms of both technology and numbers - the US spends several times more on its military than China does - that doesn't necessarily mean we will win a potential future war. Frederick Coyet (the last colonial governor of Dutch Formosa who lost the war with Koxinga) had plenty of advantages - Renaissance fort architecture, big ships carrying heavy artillery that could sail at a closer tack against the wind than Chinese war junks, a potential alliance with Koxinga's enemy, the nascent Qing dynasty, and advice from Chinese defectors. For several potential reasons explored in the book, including a false belief in the superior discipline of his troops and his failure to listen and adapt, he lost anyway. We might too, and it's more than just Taiwan at stake.

Lost Colony tells its story with a remarkably clear-eyed look on the past. In much of Taiwan and parts of China, when Koxinga's conquest of Taiwan is discussed, there's an undertow of a sort of ethnic pride that one of their own (I suppose) kicked out the red-haired foreign colonizers. 


The Dutch are no longer hated in Taiwan, per se - their colonial rule was so short-lived, involved such a small slice of Taiwan, and happened so long ago that it would be odd if they were - but Koxinga is seen by many as a hero. To be frank, it's a way of thinking I also find common to the Western left: of course someone like Koxinga would be the "good guy", relatively speaking. He was Chinese, Taiwan is Chinese (it's in Asia, anyway - same diff to a lot of Westerners), and Western imperialists were, and are, evil.

Western imperialism was and is evil, of course. Imperialism sucks. But this doesn't make Koxinga a comparatively "good guy" or a "hero". He was a warlord too - a colorful, brilliant warlord, to be sure - but still a conquering colonizer. The Chinese in Taiwan at the time were immigrants, not native inhabitants, and Taiwan subsequently became a settler state. Of course, your average Westerner probably has no idea who Koxinga was, but the big-picture implications of this kind of thinking are troublesome. Andrade understands this, I wish more Westerners (and Asians) did, too. He tells the story without picking sides. He made a case that we shouldn't dismiss the history of Asian military technology, training and strategy, while pointing out objectively who seemed to have advantages in what areas. 


Andrade ends on an ominous note: the seventeenth century, when all of this took place, was one of the most tumultuous in human history, in part because of a spate of climate change that started wars, decimated populations and caused governments to be overthrown.

The climate change facing us in the twenty-first century, he notes, is likely to be several orders of magnitude worse than that. How will we face it? 


Don't let all that doom-and-gloom scare you off, though.

There's also the aforementioned cursing Swiss bum-shakers, drunkenness, nudity, a fair number of references to testicles (one person got a cannon-ball shot straight through his) and a missionary in dirty underpants. There was a surprisingly detailed account of exactly how and when the Dutch, holed up in Fort Zeelandia, could go to the bathroom, and how often body parts got blown off by enemy fire in the process.

Read it because it's serious, but also read it because it's fun. 

Wednesday, October 3, 2018

The left finally notices Taiwan - super late to the game

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Come on, give Taiwan a chance.


A truly excellent piece of writing and overall backgrounder on Taiwan and why the Western left should care about it appeared in Dissent Magazine recently.

I'm elated. I have nothing bad to say about the piece. My only disappointment is that not enough mainstream Western lefties read Dissent, and its online access is blocked by a paywall (frankly, the reason for the former is certainly, in part, the latter). So a lot of people who should read this piece, won't.

Because you probably don't have access to read the full article, and I do (don't ask how, but I have my sorceress ways), I'm basically going to quote relevant bits here without going full-on copyright infringement, and hope that this will make the ideas therein a bit more accessible to those who so desperately need to hear them.

Here's how it starts: 



Imagine a small, peaceful, progressive island in Asia about the size of Mary- land. Ruled until the Cold War’s very end by a military dictatorship, it is now a robust democracy, although it endures incessant hostility from its giant neighbor. Its people treasure their hard-fought equality, free press, and vibrant civil society.


The rest of the introduction is free to read, so I'll be taking the rest from the parts that are not accessible to non-subscribers. In any case, this is the country I call home. And, with some exceptions, it basically lives up to this promise as well as any democratic nation can.


Boasting the world’s largest standing army and an expansionist outlook, the People’s Republic of China deems Taiwan a “renegade province” that must be “reunified” in due course. And because the Chinese claim the island as part of their territory, they go out of their way to block its international participation. Essentially, they have made befriending Taiwan a zero-sum game for anyone who dares to do so, and the rules are simple: Engage with us and we will reward you; engage with them and we will punish you. It is fierce dollar diplomacy Beijing insists on waging, and Taipei can’t win.


Exactly, and thank you to this writer for putting "renegade province" and "reunified" in the scare quotes they always needed. Why can't mainstream media outlets do that? It's simple, easy and more accurate than what they do print (which is similar copy without the quotation marks, implying the claims have merit.) That the West doesn't see the game China is playing here, or doesn't care and is willing to sacrifice 23.5 million people who currently live free is terrifying to me. If you say you have values, live up to them, damn it.


In a recent poll that asked whether unification is an option if China democratizes (itself a long shot), just 24 percent of respondents aged thirty-nine or below said yes, while 73 percent said no. Since 2009, according to another survey, a majority of the island’s population has consistently self-identified as taiwanese— not as Chinese, nor as both—a sign that they have long assumed their de facto independence.


Yup. This idea that "both sides of the Strait" think of themselves or identify as "Chinese" is basically complete trash-in-the-dumpster bollocks. It's not true and hasn't been true for some time. Why the rest of the world is willing to force an identity on Taiwan - "but they're officially the Republic of China so they think they are Chinese too!", which is an oversimplification that leads to a dead-wrong conclusion - is beyond me. Everyone else gets to identify as they wish with liberal support - why not Taiwanese?

Keep in mind that Taiwan cannot change its official name from the Republic of China because doing so would precipitate a war that nobody wants, especially not the Taiwanese who, above all else, want peace. It wasn't a country name chosen by the Taiwanese - it was decided by the Nationalist government in China, without ever asking any Taiwanese what they thought about it. In essence, it is colonial. So it's a bit of a jerk's game of Catch-22 to then say this attempt to maintain peace means they "are Chinese".


As a diverse, tolerant country with a leader who has shattered the ultimate glass ceiling for Asian women, there is every reason to expect that tai- wan’s most faithful allies in the U.S. are on the left. Except that is not the case at all: American progressives tend to view it as either a reactionary state or one of no importance.


I think I need to change my pants. 

This is so true it hurts, and what is worse, it's so painfully wrong. It calls to mind, forcefully, a "conversation" (more like an ignorant rant-fest on his part that I very much wanted to end) between a friend-of-a-friend on social media, in which he went on and on (and on and on), basically Dunning-Krugering himself into a tizzy about how it would be "better" and we should "hope" that Taiwan takes over China, because apparently this worked in Hong Kong (I don't think he's ever asked any Hong Kongers what they think about that, or read about how that's actually gone down, because that's not the answer I think many would give) and anyway, they're the same people with the same culture and history, so why not?

That 23.5 million people don't think they are the same people with the same culture and history, and who have already built the sort of democracy with a healthy respect for civil society that Western liberals can only wet dream about (just try occupying Congress in the United States - you'd be dead), didn't seem to factor in.


John Bolton, who would later become Trump’s national security advisor, electrified conservatives when he declared on Fox & Friends: “Nobody in Beijing gets to dictate who we talk to.”

But then came the partisan backlash. It just so perfectly fit the anti- trump narrative: a buffoon elected president who was already, before taking office, eroding well-established “norms” because he was either too reckless or too ignorant. “that’s how wars start,” tweeted Senator Chris Murphy. trump’s “flippant calls” were “threatening to create diplomatic crises,” Vanity Fair asserted in the same article that compared tsai with other controversial world leaders with whom trump had also spoken, like Rodrigo Duterte of the Philippines and Nursultan Nazarbayev of Kazakhstan, as if she, too, was a notorious human rights abuser.




Somebody please get me a towel, because it's getting hot in here. 

Anyway, yeah, all this. Tsai is a moderate - if anything, too careful and too conservative - democratically-elected leader. Like all elected leaders, she is imperfect, but damn, she ain't Duterte. Likewise, Taiwan's democracy is imperfect. Some people who ought to be protected, aren't. But it ain't Turkey. 

This echoes what the rest of the world writes about Taiwan and China - as though Tsai were somehow the one "causing tensions", or her fairly mild "we won't take any crap from China but we won't make waves either" stance (exactly the right attitude to take when facing a bully) was some sort of "hardliner" rant.

But since Horrible Death Walrus John Bolton said it - despite the fact that this one (and only) time, he was right - the left flipped the hell out.

And I thought our side was better at evaluating the merit of the idea rather than dismissing it based on its source. Hmm. Maybe we're not as smart as I thought.




Absent from the mainstream media discourse were the views of ordinary taiwanese, most of whom do not remotely share trump’s politics but were delighted to learn of their country’s long overdue acceptance and validation on the international stage. One commentator called it “the happiest thing” for Taiwan since the Jimmy Carter years.


HOO BOY HOSE ME DOWN.

Seriously, we have been trying to tell the West this for years. Why is it that the views of China and the CCP are always given center stage in the media and general pundit commentariat, and nobody ever seems to ask what the Taiwanese think about all this?

The article goes on to reflect on some of the ideas of this piece, which you should also read. 



So, as late as the waning days of 1986, this was the scenario Washington faced: neither side could accept coexistence as they each claimed to be the sole, rightful owner of China and Taiwan combined. to keep gambling on Beijing—which first began with Richard Nixon’s famous visit in 1972 and formalized when Carter severed diplomatic ties in 1979 with Taipei—seemed sensible enough.

It was not at all imaginable that Taiwan would be the one to emerge as Asia’s beacon of freedom so soon while China would backslide.


Exactly. In 1979 the Western reaction to Taiwan made more sense - Taiwan was still a dictatorship, ruled by people not from Taiwan, who never asked the Taiwan if they wanted to be ruled. You know, like a colony.

And yeah, that dictatorship (which, again, was not Taiwanese) claimed to be the sole legitimate government of China. That sucks, but it's not Taiwan's fault and certainly doesn't reflect the views of the Taiwanese today. These guys did not even come from Taiwan and their dictatorship is over (though the party still, unfortunately, exists).

The idea that the legitimate government of China is currently in Taiwan is ludicrous, and almost all Taiwanese would agree with this. Those that don't tend to be in their 90s and were not born in Taiwan. And sure, maybe it's too bad that Grandpa lost the war, but things have changed.

So why doesn't the West get this too?  Because, like, hey libs. It's not 1979 anymore. The king is dead! Long live the democratically elected leader of one of the freest countries in Asia!

There's a bit more history there, but I'm getting a little quote-happy. Just be aware that it was the 90s, and the first George Bush's actions after Tiananmen Square, that led to neo-conservatives taking up the cause of Taiwan (called the "Blue Team" - though Taiwan isn't exactly 'blue' anymore, it was then). Of course, what neo-cons champion, those liberals - well, the ones who don't think or don't know better - reflexively hate. Cue Clinton's tepid views on Taiwan, which set the stage for a general liberal ignoring of a quickly democratizing and liberalizing nation.

Some more recent history for you:



Simultaneously in Washington, the Blue team became ever more influential with Congress, think tanks, and even the incoming president’s inner circle. But while George W. Bush and his neoconservative allies were keen to confront Beijing early in his first term, they soon found themselves need- ing crucial Chinese cooperation in North Korea and especially the Middle East after 9/11; this compelled Bush to speak out against taiwanese independence in December 2003. the “One China” policy hence survived as a cornerstone of American foreign policy. Obama’s “pivot to Asia” did not alter that either, as he kept Taiwan out of the Trans-Pacific Partnership negotiations, although the free-trade pact was itself designed to counterbalance China’s regional clout.


You may hate the TPP, but if its more noble goals were ever achievable, it was just stupid to leave Taiwan out. A sign of liberal shortsightedness.


Today in Ttrump’s America, the staunchest supporters of Taiwan have been the same band of Republican hawks, from heavyweights such as Bob Dole and the late John McCain to Senators Marco Rubio and Ted Cruz, who are descendants of the Blue team. Because of this interconnection, the issue continues to be perceived as a right-wing cause with which progressives are reluctant to be associated.


Weeeeeelllll...here's where I begin to disagree. Pro-Taiwan lobbying groups and associations talk to Republicans and Lizard People like Ted Cruz because they have power now, and they'll take whatever help they can get (you may not like that, but it is a pragmatic approach. Yeah, it makes my skin crawl too. I know.)

But pro-Taiwan bills have recently had unanimous support, and Taiwan generally does have bipartisan support. As for why the left doesn't speak out for Taiwan as much as the right, I have no idea. I suspect it's because they're not as smart as they think they are, and as smart as I always wanted them to be that they don't see a natural ally in Asia staring them right in the face. A shame. Taiwan is super hawt and needn't be the nerdy virgin in this story, hoping to get the guy. 




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The Guy

(from here - I've talked to them about permission to post their work generally - they are great and you should check them out)


The rejection of Chiang’s memory reflects an undeniable reality: the old assumption that both Taiwan and China long to unite as one nation-state but disagree on which regime has legitimacy is simply not accurate any- more. Beijing’s failure to uphold the promise of autonomy in Hong Kong and Macau only makes unification with Taiwan even more far-fetched. For Americans in this day and age to still defend Kissinger’s “One China” policy—a shameful, self-serving lie to please the Chinese—is to pretend otherwise; the passive strategy aims to do the bare minimum to maintain the status quo, a status quo that is inherently unjust.



If you take one thing away from my quote-fest here, liberals, let it be that. And this:


It is high time for the political left to rethink taiwan. Progressives’ silence—whether because they are oblivious to the island’s changing politi- cal landscape or disinclined to anger Beijing—does a grave disservice to the taiwanese people who have come such a long way.



I SCREAM THIS AT PEOPLE IN MY DREAMS.


But where the island struggles most has always been on the world stage. When the SARS epidemic was killing hundreds of victims in neigh- boring Hong Kong and China back in 2003, Taiwanese epidemiologists had to combat the disease alone after the WHO denied them access to samples and information. Few things have changed over the years. the International Olympic Committee returned a verdict this May that forced Team Taiwan to keep playing under the awkward “Chinese Taipei” designation in the forth- coming Tokyo 2020 Games. Even with the deck stacked against it, however, Taiwan has not stopped fighting for respect and recognition.


The island merits them; it has never exploited its diplomatic alienation 
to act out. Rather, it has proven time and again to be a responsible, if minor, power. At a time when many Western countries are turning inward, Tsai has called immigrants “an infusion of new strength and a force for cultural diversity.”

 

Well, I'd like to see all those nice words on immigration translate into a shot at dual nationality without having to fit into some Special Magic Foreigner box, but cool. Some laws have been relaxed, and I appreciate that. I think she means what she says, and I think the generally pan-green or anti-KMT/pro-Taiwan side finally believes this while fighting conservatives in their ranks.

In any case, when it comes to Taiwan, this is dead on. Taiwan has done nothing to make waves - if anything, it accepts more humiliation than it ought to (it shouldn't have to accept any) to keep the peace. It has been nothing but stable and calm in the face of an increasingly screamy, angry, irrational China.

And yet, Taiwan is painted as the bad guy - raising "tensions", full of "hardliners", who need to make "concessions" because what China thinks about Taiwan is apparently more important than what Taiwan thinks about itself.

Let's bring it home with a hit right to the liberal sweet spot: 


If the American left is serious about opposing a reactionary foreign pol- icy that preserves unequal power relations, it should speak up for Taiwan. Its enlightened views on gender, ethnicity, and class have translated into a social structure that’s reminiscent, in certain ways, of Northern Europe’s. Its capability and readiness to tackle the greatest challenges of our time, from terrorism to climate change, make it a well-deserved member of the international community. Its unlikely historical trajectory shows that bringing genuine progress to a part of the world where individual liberties are more often threatened than cherished is possible.


OH YEAH.