Taiwancore is the new Japandi

A touch of vintage wood, some plants, some funky ceramics and a concrete wall all add up to a tiny Taiwancore moment

Here's something you didn't know about me but might have been able to guess: I have many hobbies, but when I really need to de-stress by hiding in my home curled up on the couch, I binge-watch interior design Youtube. 

Sometimes it's fantastic -- it's given me DIY and space arrangement ideas I would have never thought of on my own. I've learned that the "pop of red" is a bona fide Thing in design right now, and how it can look good.

Taiwancore includes plants and natural materials but can incorporate mid-century modern design (or imitations of it), smooth hard materials such as terrazzo and even faux leather

It's not all worthwhile, however. Even the more engaging creators pore over the same advice about, say, lighting plans, rug size and curtain length. A lot of it boils down to "elevating your space" by simply spending more money. Do you want furniture and floors that look good and will last? Spend more money on floors and furniture! 

The oeuvre does one thing right, however: I've absorbed quite a bit about different design styles and how to approach them. Take "Japandi" for example. It's a made-up word but accurately describes a warm, minimalist, organic style that finds a connection between the clean lines and pared-down aesthetic that is popular in both traditional Japanese and Scandinavian (Scandi) styles. Both rely on neutral colors and an edited look -- that is, having less stuff -- but can be cozy or incorporate a bit of funkiness, whether that's an unexpected color or, say, twisted tree branches or a big weird vase. 

You know Scandi, you know Japandi, but do you know Taiwancore?

The term describes fairly well the style that many upwardly mobile Taiwanese aspire to: perhaps recently free of the clutter of their parents' homes, which may be stuffed glass-fronted wall units full of things nobody uses, boxes in the corner and plastic where plastic simply shouldn't be, so many people I know in Taiwan want light woods, warm neutrals and fewer possessions. 

Take this popular sofa from the Taiwanese maker AJ2, which I happen to be lusting over. When I talk interior design with students and friends, this commercial seems to capture their dreams. I get AJ2 ads that offer "city living, beige vibes". I'm the least beige decorator I know -- my home office is electric purple and fire engine red -- and yet I want their damn sofa. Which means that their ads are good, and capitalism is inescapable.

AJ2 seems to take a lot of style cues from Muji, which is quintessentially minimalist Japanese and also popular in Taiwan. I don't want to talk much about Muji, however, due to allegations of forced labor in their supply chain. 

Or consider this tour of celebrity Chen Zijian/Retina's (視網膜)'s home. It doesn't just scream Japandi -- it's straight-up Japan. Not everyone wants such a literal interpretation, but incorporating overtly Japanese elements into design is very popular in Taiwan, for both historical and contemporary reasons. 

Taiwancore is fundamentally Japanese, but can include a touch of the weird or out-of-context

Japanese design also suits the Taiwanese environment, not only because there are still many old Japanese-era houses to take as reference points, but because high-quality durable natural materials do well in this climate, whereas thick rugs and particle board don't. There's a reason why maintained or restored Japanese buildings, despite being decades older, can remain lovely and even inhabitable, whereas the junk built by the newly-arrived KMT is falling apart and looks like crap no matter how much work you put into it. 

Taiwancore does not require Chinese design elements, but vintage Japanese and early 20th century elements are major reference points

There's another style in Taiwan, though, that is popular across commercial spaces, from boutique hotels to twee cafes. I would like nothing more than to see it creep into residential design, and perhaps it already is. 

Taken from the recent popularity of interior design buzzwords like cluttercore, Barbiecore and carnivalcore -- as well as their antecedents, such as normcore and cottagecore -- I would like to officially dub this particular style Taiwancore.

But what is Taiwancore? When I posted about it on social media, not everyone shared my vision of what is and is not part of this style. It's not the same as "your grandma's house", because while I can't speak for Gen Z, the Millenians and Gen X Taiwanese I know aren't at all interested in their homes looking like Sunday at Auntie Chen's in Yunlin. 

It's something a bit more than that. More modern, more pared-down, more relaxing and aesthetically pleasing.

What I'm about to say is of course just my opinion about the design elements behind Taiwancore, which is a term I made up, not a real thing in any official sense. I'm not a designer, and I don't speak for all of Taiwan (or any of it, really). I speak for me. 

Perfect Taiwancore: terrazzo, wood-frame furniture, milk and textured glass, big windows, white walls, vintage lamps, plants and a shoe rack. From Sunnyday House homestay in Hualien.

Taiwancore may draw its base inspiration from Japanese design, but it doesn't stop there. I'd argue it's just a bit more cluttered, more reliant on the use of plants, and quite a bit more colorful. 

I would say Tainan is both the spiritual and literal home of Taiwancore, and has the biggest concentration of it. All those creatives who decided Taipei was too dour, expensive, and full of old people with crappy opinions who moved to Tainan to do their thing have really contributed to this. That said, you can find examples of it across Taiwan. For instance, here are several fun cafes and restaurants in Miaoli -- yes, Miaoli -- that embrace the style. (The post is pre-pandemic so I can't guarantee they're all still open).

Taiwancore is more than just a way of decorating that happens to have originated in Taiwan, which can be used to describe the interiors of many popular cafes and restaurants. I'd call it a design style for two reasons: first, it's recognizable and cohesive. There are principles, and you can design according to them. 

Wood, woven materials, concrete, terrazzo, vintage amber glass and a dog: classic Taiwancore, and each has its cultural place.

Secondly, it's tied to Taiwanese culture and identity. After successive waves of colonization over the centuries, from the Dutch to the Qing to Japan to the ROC, and decades of the KMT telling Taiwanese they are merely a subset of some Great Chinese Nation and do not have their own culture, a Taiwan that has discovered itself, taken note of its distinct culture evolved from multiple roots -- which include but are not limited to Chinese cultural heritage -- design elements that may not seem meaningful at first glance actually do carry some weight. 

Tile and polished concrete are such common building materials that of course they'd have an impact on the style. The climate helps the whole plant-based element. That bright cyan color can be traced to its heavy use in the 1950s. Design icons, from blue and white sandals to blue, green and red shopping bags to mullet roe and milkfish, have turned into totems or even shibboleths (in that they are also items in past and current use) distinguishing Taiwan as a cultural entity. 

And, of course, when one looks back on Taiwanese colonial history, and Japan -- as horrible as the Japanese empire was -- seems to have been a better deal than what the KMT pushed on Taiwan -- of course the reasons for the heavy Japanese influence become apparent. Or perhaps Japan left behind so much infrastructure that it's made its way into contemporary design style just as concrete and tile have.

At Daddy & Mommy in Houlong, Miaoli, you ring a temple demon bell to get the boss's attention -- a more intentional connection between design and culture.

Yes, this is culture. Culture is so often too narrowly defined by just a few of its aspects, such as literature, traditional dress, cuisine and music. Those things matter, but culture is better defined as how a group of people make sense of the world in identifiably similar (though perhaps not exactly the same) ways. That includes things like how climate impacts your daily life, how you relate to your living space and objects that immediately convey a sense of 'home' or 'daily life' to those who recognize and use them. It includes how history impacts lives today.

Interior design is an outgrowth of culture -- which you can see in all sorts of styles, from Scandinavian to Japanese to Early American (which in its worst form might be called Coloniawful) to Mediterranean to, yes, British design. How houses are built is part of culture. That American houses tend to use wood frames but Asia has gone all in on concrete is part of culture. That Mediterranean style leans on blue and white but India prefers a rainbow of Dayglo colors is culture. What we put in our homes and why is culture. Intentionally repurposing and restoring old spaces after decades of tearing them down is culture. Taiwancore is culture.

The restored aesthetic at Sun Hong Ho in Tainan, complete with colored glass eight-sided window.

 

Polished concrete walls, textured glass, a pop of blue-green, plants and even a Taiwan map: not your mother's house, but excellent contemporary Taiwancore at Reinstatement in Houlong, Miaoli

It is very vintage-inspired and relies on heavy use of bamboo, wood and woven materials, which in a sense gives it elements of boho style (or, as that word has been called offensive as it comes from "bohemian" meaning Romani-inspired, "global eclectic"). 

This is perhaps a bit too literal (and literally old) for Taiwancore, but the reference points are there

This doesn't mean grandma's deeply uncomfortable cherrywood sofa with the thin, scratchy cushions; nothing can make that look good. But it does mean wood-framed and rattan furniture, old bookcases and curated antique items. Nothing screams Taiwancore more than a vintage or vintage-inspired chair on a terrazzo floor, next to a big window looking out on a slightly wild green garden. On a side table or the windowsill, perhaps there are a few interesting books and a textured ceramic vase.

Pops of color (although colored walls are unusual), terrazzo, wood and a touch of clutter: excellent Taiwancore from Bar Home in Tainan

Other popular materials include terrazzo, preferably authentic or original to the space and polished concrete. The old-style textured glass with bougainvillea or star patterns is prized rather than thrown out (and as a result the cost of secondhand windows has gone from "almost nothing" to "surprisingly expensive").

Polished concrete, even on walls, lends an industrial element to some Taiwancore.

There are other vintage elements that are either key to the style, or could be. Older iron window grilles are very much a part of this style, but I haven't seen those old-style terracotta tiles coming back, but I think they should. The same goes for vintage Majolica tiles, although they sell well in the collectors' Facebook groups I'm in. Majolica-inlaid stools and side tables would work perfectly with this style. Less expensive patterned tiles, however, have seen a resurgence -- commercial spaces, at least, seem at least somewhat more interested in preserving them than tearing them out.

Old style tiles and a Taiwan Independence flag at Chan Shifan, a popular Taipei eatery

Neutrals are a big part of the style, especially considering the use of wood, bamboo, rattan and polished concrete. Linens and undyed canvas are right at home in this style, and can even be paired with, say, faux leather.

That said, Taiwancore can and does include more color than you'd expect. Taiwancore is very good at the "pop of red" and incorporation of blue and white, given the Chinese influence. Green comes in through the profusion of plants, if not in the house, then just outside it. The bright aqua or cyan color I once wrote about is a part of the style, especially when paired with red, but actually seems to be on its way out a little bit: a few years ago, every new cafe seemed to have a false wall made of reclaimed wood or windowpanes, and parts of it inevitably included the cyan color one sees everywhere, especially on old window casements. They're less popular now, but I'd love to see cyan come back in other ways -- paired with red for a more traditional look and eye-catching contrast, or in a more unexpected place, such as textiles. 

Textured glass, pops of color such as red and cyan and window grilles are key elements of Taiwancore

Wood, textured glass, window grille, natural materials in the blinds, and a pop of red: Taiwancore at its finest

In fact, textiles are already a popular way to add color, from vintage '70s knits that use hot pink, green, yellow, orange and brown to contemporary patterns by Taiwan-based companies like inBlooom and Gimgoanheng. While inBlooom tends to feature traditionally Taiwanese designs with a more muted or pastel palate, Gimgoanheng dives straight into color, including a blue/green/red shopping-bag inspired pattern that I absolutely love. Those shopping bags are making a comeback, and I especially like seeing the color palate in new contexts.

The only place where color doesn't often make an appearance is on walls: whitewashed, polished cement or wood paneled walls can all be found in Taiwancore, but not so much walls painted a color. While I'd like to see that change (remember, I'm a "let's paint it electric purple" type of person), I suppose this allows brighter colors in textiles and tiles to be more of a focal point.

Plants are indispensable to Taiwancore, even if they're outside

One could say that Taiwancore is a confluence of traditional Japanese and Chinese design, and in a way it is. I'd argue, however, that you can take the Chinese influence out of Taiwancore -- lean less on, say, the reds, golds and the plants in mismatched blue and white ceramic pots -- but removing the Japanese influence is simply not possible. That Japaneseness can be paired with other things, like furniture that leans more mid-century (in fact, Mid-Century Modern chairs and tables work very well), or accessories that reference Art Deco and the Jazz Age, or a more organic-hippie look (think baskets and creamy canvas reusable shopping bags). It cannot, however, be ignored. '

Taiwancore can include elements of Chinese design, but the vintage elements and emphasis on plants are more central.

Taiwancore embraces vintage dishware, deep jewel hues and unusual or curved shapes -- it's not all Japanese neutrals and light woods

Speaking of the 1920s, I've actually seen more Art Deco elements enter the style in recent years, which might be due to the Japanese influence present in Taiwan in that era, or because Art Deco is regaining popularity now. Some of my favorite restaurants and cafes in Tainan have been leaning hard into brass curves and jewel tones, perhaps through an unexpected pop of peacock blue, or inspired by the green glaze of traditional ventilation tiles.  

A pop of blue, a funky shape, ceramic -- all elements of Taiwancore even in the smallest accessories, like this soap dish.

If you want to break up the neutrals, grass, lime, bottle green or green glaze are all good choices for Taiwancore colors. Any green or blue will do, though.

Again, notice that this isn't exactly the same as simply old-school Taiwanese interiors that you might see at someone's parents' house. You know what I mean: the cherrywood, overstuffed faux leather sofas, scratchy white lace antimacassars, "bunch of stuff" on the coffee table, including some candy and a box of tissues. The heavy beige curtains with floral patterns and perhaps edged with fringe or little puffballs. The tile floors and perhaps even tile walls, even in the living room. I suppose the tiles are easier to clean, especially when the refrigerator is also in the living room.

That is perhaps another, older version of Taiwancore, and elements can be taken from it. Artfully placed blue and white plastic sandals on your (non-tile) floor. A touch of faux leather, but not quite so worn out and overstuffed, and certainly not blue. Perhaps your parents' slightly ugly side table, but without the Bunch of Stuff. Just a touch of clutter: we're not going for perfect minimalism here. Shoe rack by the door -- after all, that's functional. But the decor pieces are more likely to come from grandparents' farm than your parents' place that they decorated in 1982 and never changed.

This advertisement featuring a pun referencing buckwheat milk and boobs is both funky and fundamentally Taiwancore -- not for the pun, but for the art style

Organic shapes are also an under-appreciated element of Taiwancore. Plant shapes are present in the style, from the patterns in bougainvillea glass to the leaves and waves popular in Japanese design. Curves matter too, whether from mid-century style chairs or, for those who lean hard into old-school furniture, tree trunk tea tables, tea trays and wooden baskets.

If you're lucky enough to have a round or otherwise interestingly-shaped window, all the better. If not, embracing geometry also works: a vintage hexagon or octagon window is a nice touch, if you can get it. Stuck with squares and rectangles? I've been seeing hexagon and octagon coasters and trays, too. The hexagon is probably a global trend -- Millenials loved it. Octagons are perhaps more of a nod to eight-sided bagua (八卦) from Chinese culture.

Rattan lends itself well to this; nothing brings in curves quite like a vintage bentwood rocking chair. One of my favorite Tainan hotels has a room that features such a chair. I covet it.

All this to say, Taiwancore is unique, and its underlying design principles -- organic and plant-based elements, vintage furniture, Japanese roots and less fear of color than some design styles -- are identifiable and worth consideration. And while the decor elements one more immediately associates with Taiwanese homes, such as uncomfortable wooden furniture, plastic-topped tables, white tile floors and heavy beige curtains. 

Taiwancore is your grandparents' vintage, not your parents

Unlike those outdated living spaces, Taiwancore embraces color, wood, cool and smooth materials, funky shapes and patterns, connections to the outdoors thanks to big windows and lots of plants, and a reference point that dates from long before heavy beige curtains became a thing.

A colorful antimacassar, faux leather sofa, bamboo blinds and plants at Tainan's Chung Fu Inn (also note the false wall made of white abacuses, because Taiwancore embraces funky elements)

Not modern Taiwancore, but the tiles, plants and Mt. Fuji window grille are all popular elements

A reclaimed wood built-in at Good Food Good Times in downtown Miaoli

Unadorned white walls and neutral woods allow the patterned vintage tiles to stand out, and note the plants visible from the windows at Cafe Kokoni in Tainan

Lime green, old brick and concrete, bentwood chairs, hanging vintage-inspired lamps at Cheng Kang Noodle Bar in Hualien

Don't forget the heaps of plants and the pops of color -- at La Belle Maison in Anping, Tainan

A bit literal for contemporary Taiwancore, but the brich, tile and funky shapes -- from the peaches to the wood elements -- are all part of the style.

Big windows, plants, terrazzo and wood at Daddy&Mommy in Houlong, Miaoli

Brick, plants, wood, ceramic and pops of color in blue, green and red

Red tiles -- I'm telling you, that pop of red -- plants, concrete and an eight-sided door at Reinstatement in Houlong, Miaoli

A big window, plants, vintage chairs and a touch of industrial chic at Follow Green in Tainan

Vintage chairs, wood, old glass, a big door, pops of red and green with a little clutter and a touch of Chinese decor at Cafe Bar in Tainan

Not being racist is free, but some companies still insist on skirting the law

 

Update: very soon after the original post, Wistron changed their policy and now, they only lock employees in their dorms most of the time, rather than almost all the time! The new notice is above. It's not a big improvement. Do better, Wistron.

The original notice and post are below.

Over two weeks ago, the Ministry of Labor announced that companies who restrict the freedom of movement of their employees (such as factory workers in a company dormitory) are in violation of the law, and any such restrictions will be "regarded as a serious matter".

While in theory this applies to all employees, it's common knowledge in Taiwan that the dormitory residents are almost entirely (if not entirely) foreign workers from Southeast Asia, and their rights are the ones being restricted. In fact, the MOL pointed out that this is also specifically a violation of laws pertaining to hiring foreign workers, and that the company could see its permit to employ such workers, and the quota they are able to employ revoked. The UDN article above also mentions possible prison terms.

That doesn't seem to have stopped some companies, however. I knew something was amiss when I heard that some workers were being allowed out for just 45 minutes a day.  This is despite Miaoli County (the worst offender, but not the only one) being "reminded" by the central government to follow the law, and the county government subsequently ending the restrictions on foreign workers' movements. 

The government never said anything about 45 minutes a day that I could find, but it turns out these are restrictions coming from the companies. Other than a tweet from a friend that this was the news going around, I couldn't prove it until now, however. 

It seems Wistron -- a company I have worked with before, so I hope a few of my former contacts are reading this -- is one such company, restricting dormitory residents to leaving the dorms in at least one location for no longer than 60 minutes a day. You can read the notice yourself up above. It's dated July 13, so well after they would have received notification that they cannot restrict workers' freedom of movement.

Upon hearing that it was illegal to lock foreign workers in dormitories, apparently some companies are trying to skirt the law by allowing them to leave in very restricted time frames. I suspect this might still be illegal, as according to UDN the law requires "freedom of movement" and treating all workers the same regardless of nationality (which would also imply that it's illegal to restrict workers residing in dorms over ones who have their own accommodation). As most if not all dorm residents are foreign workers, it amounts to treating foreign workers differently, and still is a restriction on "freedom of movement", just a less harsh one. 

There's a good legal case to be made here that these companies are still acting illegally, and should be held accountable. (I am not a lawyer, but it certainly does seem like there's something here to go on). 

At the very least, companies like Wistron are violating the spirit of the law, if not the letter of it, and I must hope that that's not enough of a loophole to keep them out of trouble. 

It's still frustrating that there isn't much the rest of us can do about this. However, if you would like to donate to organizations fighting this sort of discrimination, you can do so here (one of the choices works with migrant workers) with a credit or debit card. This site makes it easy to do in English. If you are in Taiwan, you can make a bank transfer donation to TIWA here (TIWA is the Taiwan International Workers' Association). There's also a monthly donation option but it's a bit more complicated.

BREAKING NEWS: Racism Still Racist

Except it's not just Miaoli, is it?

Now with updates! Don't worry, the updates are still about how racism is racist.

Yesterday, news broke that Miaoli County was ending the forced containment of blue-collar migrant workers (quoted at length because Focus Taiwan makes their archives inaccessible after a few months):

A controversial stay-at-home order imposed by the Miaoli County government on migrant workers earlier this month will end Tuesday, as the number of new COVID-19 cases recorded among the group has fallen.

In a statement, the county government said that while some migrant workers continue to test positive for the disease in Miaoli, they have all been in quarantine because they were contacts of previously confirmed patients....

The Miaoli County government banned migrant workers from going outside, with the exception of traveling to and from work, on June 7....On June 10, the order was partially relaxed to allow migrant social welfare workers, such as caregivers and domestic helpers who usually live with their employers, to go out when necessary, such as buying basic necessities.

I refuse to call it a "stay at home order" as Focus Taiwan does. Honestly, these were closer to internment camp conditions as the dormitories where many factory workers live are overcrowded, poorly ventilated and frankly, perfect sites for fast viral spread. 

Update: it's unclear that the order was indeed fully rescinded. Some reports indicate that it was merely relaxed:

Yesterday the restrictions on Miaoli cluster dorms were "lifted". Now they are allowed out... for 45 mins.

— michaelturton (@michaelturton) June 29, 2021

Focus Taiwan: if this is indeed the case, your reporting leaves something to be desired.

Before you say "but I only go out for 45 minutes a day!" or whatever, remember that nobody is forcing you to do that. Besides, you almost certainly live in better conditions than most foreign blue-collar workers. You probably don't live in a cramped hellhole where 6 people share a room meant for perhaps 2.

Despite human rights groups rightly calling the order discriminatory (or in my words, racist), Miaoli County Magistrate and Racist Clown said...well, here's the quote:

In response to the criticism, Miaoli Magistrate Hsu Yao-chang (徐耀昌) said the county government was forced to issue the order to curb the spread of COVID-19 in migrant worker clusters and to prevent a transmission of the virus in communities.

"If new cases, more deaths are reported, how can human rights protection be possible?" Hsu argued at the time.

In other words, he refused to admit that the racist thing he did was racist. And it was racist, as the people forced to stay in their accommodations were decided based on national origin (that is, they are not Taiwanese), and Taiwanese coworkers of the affected groups were not subject to the same order. Foriegn white-collar workers in Miaoli were not subject to the order, or we'd be hearing about cram school teachers in Nanzhuang forced to stay in their apartments.

The forced internment of these workers was not due to contact history with infected individuals, and the Miaoli county government was not "forced" do to anything. It chose to be racist. 

But of course, Hsu will never admit that. And sadly, he doesn't have to: foreign workers can't vote, and Taiwanese voters most likely don't see this as a critical issue. Certainly there has not been strong agitation for change despite being aware of how badly most Southeast Asian immigrants are treated, and some even (wrongly) defend such practices. Nobody in Miaoli is going to lose their elected office over this, even though arguably most of them should. 

Obviously, trying to avoid accountability for such actions is a global phenomenon: I could imagine a political suit from just about any country refusing to own up to their own racism (some, including several former US presidents, build entire brands on it). 

What I'm curious about is this: 

When questioned by reporters, Central Epidemic Command Center (CECC) officials said on June 9 that it had "reminded" Miaoli authorities that it could only enforce orders that were in line with the national Level 3 COVID-19 alert.

The CECC did not revoke the order, however, as it had done previously with other local government policies it had not authorized.

I freely admit that I haven't paid much attention to which local government policies the CECC has revoked. (Update: here's one example of where they did just that).

This implies they always had the power to just shut the Miaoli government's racism down, yet chose not to. The Tsai government, sadly, has a track record just as abhorrent as previous administrations on human rights for blue-collar immigrants: a weak spot in an administration that is competent in most other ways. There's a chance they simply don't care enough, or did political calculations on what this would cost them and made a choice. There are a lot of questions there that I simply can't answer (but feel free to leave observations in the comments). 

There are some bright spots, however. The international media, which until recently tended to ignore Taiwanese domestic issues or presented them only in the light of "China tensions" somehow mysteriously being enrisen-ified, took up this issue across several media outlets (including Channel News Asia, which is usually more of a concern troll regarding Taiwan than actual reliable news). 

Locally, there's been some movement too. Not just on the part of human rights groups either. To vent my own rage, every few days I go into Hsu's Facebook page and call him a racist, because he is one (this has zero effect but makes me feel better). Generally, even though sometimes I get lazy and post in English -- I think enough Taiwanese know the word "racist" that it probably doesn't matter -- there are often locals doing the same thing. This issue does seem to have brought more attention to the overall issue of foreign worker treatment in Taiwan.

It's hard to say what happened. I find it hard to believe that the Miaoli government decided to be slightly less racist (without apologizing at all) because it was making Taiwan look bad internationally. International media attention does tend to have an effect nationally, so it's possible that the CECC's public "reminder" came with stronger behind-the-scenes recriminations. But would the KMT-led county government really care what the DPP-led national government had to say? Did getting slammed by human rights groups make a difference? Probably not: this is the KMT, it's not like they care about human rights! 

More likely -- and I am wildly speculating here -- the national KMT apparatus realized it was getting dunked on an international scale, called up their Miaoli people and told them to quit it. 

That possibility carries a lot of implications. Generally, I've concluded that international media exposure is a one way to get the national government to stop dicking around. Overall, while it's good for critical domestic issues to receive international attention for this reason, I find it wise to try to promote a positive image for Taiwan internationally. I have less confidence that it has an effect at more local levels. However, if the international media can (potentially) help create change by getting one of the major parties to rein in their own? Well, that matters.

Racist treatment of foreign blue-collar workers in Taiwan continues

From Pinoy Taiwan News

A week ago, I was mentally preparing to draft a positive post about Taiwan's handling of the current outbreak. The main thesis? That the government had made mistakes, but coverage of those mistakes was devolving into taking potshots: people are frustrated, anxious, possibly out of work (our income has decreased, but we'll pull through) and it's leading to them kicking at Taiwan to a point I felt was unfair.

The shortened quarantine of pilots? A bad move, but few complained about it when there were no outbreaks. The slow vaccine rollout? Come on -- y'all didn't want AZ when it was available, and people like me signed up for self-paid shots because we thought we were saving them from the garbage. That Taiwan is facing Chinese interference and a global vaccine shortage? Not Taiwan's fault. That the government hadn't kept up with evolving data on the emerging variants? Not great, no -- but Taiwan is shut out of the WHO; was this entirely an issue of complacency? The worrying use of data to monitor people in outbreak areas such as Wanhua? Not ideal, but people who don't want to use the QR codes (a level of contact tracing that other countries never even attempted) can still register on pen and paper.

Basically, I was a bit annoyed that, as the rest of the world got an F in its coronavirus response (the US seems to have done a bit of extra credit and might squeak by with a D-), Taiwan was getting kicked because it got an A on the last test but only a B on this one. Like people were ready to turn on an administration that had competently seen us through 16 months of safety -- 16 months made necessary by the fact that (again!) the rest of the world couldn't get its shit together. 

I had intended to say that while some people in the Chinese-speaking public discourse sphere were indeed being constructive and offering ways to do better next time, some were absolutely using this as an opportunity to attack the Tsai administration, CCP-style. Some members of the foreign community were being outright ridiculous in their willingness to buy the bullshit the KMT, CCP and their associated compradores were selling. Although I can't influence local discourse, I was going to state that I would not be a party to this in the foreign community, and that while there are valid criticisms to be leveled at the government, I would not feed the growing toxicity of the discourse in English.

The thing is, I no longer want to write the longer version of that post. I'm angry. 

I can forgive a few mistakes. I can point out where constructive criticism turns toxic. What I cannot forgive is unconscionable racism towards the Southeast Asian immigrant community, which the central government isn't doing enough to combat.

We were all angry when the Miaoli County government forbade foreign blue-collar workers, who are generally from Southeast Asia, from leaving their quarters (most live in cramped factory dormitories or live with the families who employ them as caregivers). We all felt that relaxing restrictions for some foreign workers was completely insufficient.

The move can not be justified on any grounds except discrimination: those workers mix with Taiwanese workers at factories and Taiwanese families in homes, so locking them up while their Taiwanese colleagues and employers are free to move about makes these measures even more cruel and meaningless. The domestic workers are often tasked with running errands which include taking elderly charges out, refilling medication or accompanying them to the doctor. Unable to do this, families would have to do these things themselves -- what purpose did it serve, if other members of the household could still go out?

But now it's not just Miaoli. This is happening in Tainan, in Changhua, and beyond. The central government have handled this issue weakly at best, and have implemented their own restrictions, mostly regarding employee transfers. They have not done nearly enough.

As a result, it hasn't stopped, and with the central government limited in their ability or willingness to shut down the actions of the local governments, I'm not sure how it can be stopped.

I'm not really sure how it is that the government can lay claim to all our data -- including data we weren't asked if we wanted to provide and weren't told was being collected -- but not shut down the completely unacceptable treatment of these workers across the country.

Like a virus, it's spreading. It gets stamped out in one place and breaks out in another. Blame the foreigners. And not just any foreigners, blame the most marginalized foreigners (who happen to also be the majority of foreigners) in the country. If you thought barring foreigners from restaurants and cafes was bad -- and it was -- this is exponentially worse. The former was a form of unfair discrimination. This is outright, blatant, unacceptable and disgusting racism. 

Let me repeat: this is not acceptable. There is no justification. From an epidemic prevention standpoint it doesn't even make sense, because people do not spread diseases on the basis of their national fucking origin. The immigrants who live here interact with Taiwanese and will continue to interact with Taiwanese, because they're still going to work. Forcing them to stay in disease-prone crowded dorms with poor ventilation will only make it worse. 

If you think it is justified, then fuck you.

It's not about race plenty of Taiwanese citizens are from Southeast Asia because they married in and gave up their...no.

 

But COVID is spreading in those communities so it makes sense even though they're still interacting with locals who have freedom of moveme...no.

It is about race, and you know it's about race. 

There's a class element as well, but those factories also have Taiwanese workers who are not locked in, so it is primarily just plain old racism. 

Some companies even try to spin these lockdowns as "helping" the workers, rather than literally jailing them:

                       

In fact, the right move both isn't just to end these racist practices immediately, but to reform the entire blue-collar labor system, top to bottom. It's to proactively prioritize these immigrants on the vaccination list because their living and working conditions increase chances of an outbreak, and to improve those living and working conditions in the long-term. This isn't just for them, but for the country: to prevent further spread, and also ensure the outbreak doesn't shut down vital industries.

What frustrates me -- and why I'm taking it out here -- is that I don't know what to do about it. 

When it was cafes banning foreigners I could contact them privately, and I spent hours doing so, among other actions. Most agreed to change their policy when presented with a reasonable argument and the chance to save face before their businesses got review-bombed. When it's something like trying to wheedle Last Week Tonight into doing an episode about Taiwan, I have a plan for balancing relentlessness with comedy that I hope will work (please sign, by the way). When it's discriminatory Youbike rules, I can write to Taipei City government. 

But this? Yes, we can donate, and should (see the links at the bottom of this post for places where you can do so). We can sign this petition. I suppose I could write to each government to lodge my complaints, but if they're not listening to the CECC, why would they listen to me? So I just don't know what to do except write about it. 

That is incredibly frustrating. I would help occupy the street outside of one of these factories if I thought it would do any good, and if public gatherings were possible. I would write up a letter in Mandarin, if I thought I could influence the discourse, but there are native speakers more eloquent than me with a more local perspective who are better qualified to do this. 

In fact, there is one positive I can think of: there are locals angry about this too. On the social media of politicians promoting these restrictions, the pushback has been local (with a few of us angry foreigners mixed in too). Local friends have been sending me the aforementioned petition so it's getting local attention. Not everyone in Taiwan is as awful as those clowns in Miaoli.

In other words, I feel completely impotent in the face of this issue which angers me so very deeply. It's hard to even write more than a few pieces on it because "Racism Continues To Be Racist" only has so many variations. Your suggestions are welcome. 

I re-wrote Focus Taiwan's crap article on foreign blue-collar workers

I'm sorry, but pro-establishment reporting that refuses to question the legality (let alone the humanity) of what the Miaoli government is doing positively enrages me. Other counties, such as Changhua, are considering similar measures and we must put a stop to it before they can do so.

To that end, I've written the absolute flaming garbage heap that Focus Taiwan put out on this issue and included a few ways you can perhaps make a difference at the end.

HUMAN RIGHTS VIOLATIONS/Over 20 foreign blue-collar workers mistreated for violating Miaoli's dehumanizing stay-at-home order

Taipei, June 8 (CNA) Over 20 foreign blue-collar workers in Miaoli have been questioned and had their details taken by police for being outside after the county government violated their human rights by ordering them to remain indoors due to a surge of COVID-19 infections in the county.

Miaoli issued an order one day earlier forbidding foreign blue-collar workers from going outside, with the exception of traveling to and from work, after four electronic companies in the county that employ foreign workers reported cluster infections. Some lawyers have pointed out that such an order is likely unconstitutional.

This is despite the fact that residents of other outbreak centers, such as the one in Wanhua, were not locked in their homes against their will. Such treatment has only been visited on foreign blue-collar workers, who remain one of the most marginalized groups in Taiwan, due to ongoing issues of abuse and mistreatment 

Despite the fact that Taiwan is supposed to be a democratic nation where human rights are respected, the order also states that workers can only travel to and from work using transport arranged by their employers or labor brokers, and that shopping for necessities must be done by a dormitory manager or designated personnel.

As of Tuesday, 21 migrant workers had been mistreated and had their details taken, including age and resident certificate number, for refusing to be treated like animals, Lin Chien-min (林建民), a section chief at Miaoli County Police Bureau's Foreign Affairs Section, told CNA.

The information provided by the questioned workers will be passed on to the county's Labor and Youth Development Department, Lin said. However, it ought to be passed on to a human rights lawyer.

The 21 migrant workers were from Vietnam, Indonesia, the Philippines and Thailand, according to the department.

Rather than re-examining its undemocratic and likely illegal actions, Tu Jung-hui (涂榮輝), deputy department head, said that the employers or brokers of the 21 workers will receive a warning on this occasion, but the department will start issuing fines of between NT$60,000 (US$2,165) and NT$300,000 based on the Employment Service Act to those who repeatedly fail to keep their migrant workers off the streets. The government who issued this order does not appear to be facing any punishment at this time.

"In accordance with the Employment Service Act, it is the responsibility of the employer or broker to give guidance and manage their workers," Tu said. "The workers are foreigners and may not know the regulations, so their brokers or employers are obligated to inform them."

Perhaps the workers in question were simply aware that they were being singled out for human rights violations despite many cluster infections occurring in Taiwanese communities. On this, Tu apparently did not comment.

A Miaoli-based Filipino factory worker, who declined to be named, had mixed feelings about the order because it makes it difficult to buy groceries and food, but had been told that it was also to protect them from the coronavirus. 

Tu said the department is not targeting migrant workers -- even though they very obviously are doing so -- and is asking for everyone to please just accept that the county government gets to act like a tinpot dictatorship unbecoming of a democracy and frankly embarrassing to the nation.

It is unclear whether the inspiration for this rule came from the way the Chinese Communist Party sealed people in their homes against their will, or their treatment of ethnic minorities. 

"We just want migrant workers to stay put for 14 days, because we want to break the chain of transmission. It is a critical period right now, and if after two weeks the situation improves we may ease up on the regulations," Tu said.

There appears to be no similar attempt to ask Taiwanese citizens to stay put for 14 days, so it's unclear why this "critical period" would affect just one group. One likely explanation is racism.

As of Tuesday, over 240 cases, including 196 migrant workers, linked to cluster infections at tech companies in Miaoli have been confirmed, according to the Central Epidemic Command Center. 

Foreign blue-collar employees are considered to be at higher risk of cluster infection because many are forced to live in crowded dormitories provided by companies. 

Humane and thoughtful to stop the spread among this community is to improve their accommodations, including crowdedness and ventilation, and to put them on the vaccine priority list. These options do not seem to have been considered by either the authoritarian Miaoli government, or the national government. This is because of racism.

In addition to foreign blue-collar worker cluster infections in Miaoli, there have also been allegations of these workers being asked to sign a declaration stating they will bear sole legal responsibility and cover treatment expenses if they are infected with COVID-19.

This is as illegal as sealing them in their dormitories.

In response, Taiwan's Ministry of Labor (MOL) said any such document will not exempt employers or brokers from their management responsibilities and fines.

Paul Su (蘇裕國), deputy head of Workforce Development Agency's Cross-Border Workforce Management Division under the MOL, said migrant workers should report to the 1955 Counseling and Protection Hotline for foreign workers if they have been asked by their employers to sign such a declaration.

Although it's difficult for everyday citizens to do something about the autocratic turn of the Miaoli national government, there are several ways to help. The first is to contact your elected representatives. The second is to sign a petition currently circulating to end this discriminatory and illegal practice. Finally, you can donate to foreign blue-collar worker organizations here, here or here.

'Tis the season: 2020 campaign posters (with extremely biased commentary!)

Since no other blogs are left that do this, I've decided to put up a few that I've collected this year. Although this isn't the most interesting one, I've decided to start with it because I didn't want the KMT to get the headlining photo. It's a typical noise truck on the outskirts of Miaoli, and says "Look to the next generation, alleviate [their] burden" - in line with Tsai's youth-vote focused campaign.




In Beitou (northern Taipei), we have Wang Zhi-bing (Zhibing meaning something like "Aspiring Ice" which is an interesting thing to be called).

Anyway, the poster and candidate are both noteworthy - look at the slogan. She deliberately uses ㄟ to represent 的, a way of showing that what you're writing is meant to be read in Taiwanese. That's rare for a KMT candidate unless they're trying to pander to a Taiwanese-speaking electorate (Ma Ying-jeou would occasionally deliver prepared speeches in Taiwanese, especially on 228, and he was terrible at it.)

You wouldn't think of Beitou necessarily as a Taiwanese-speaking area, but if you walk in the backstreets around Beitou MRT, you'll find that it actually is, at least to some extent. So this is probably a smart campaign move.

Because it could be Taiwanese and not Mandarin, I'm not sure if my translation is correct, but 尚好 means "best" or "first class" - the literal translation then is "first-class election". It's a positive message, and if you look Wang Zhibing up, you'll learn that she has a close friendship with at least one DPP legislator in her district, He Zhiwei, from their time as city councilors, and has even helped campaign for him. They both encouraged each other when they went to register for the legislative race.

Maybe I'm not reading enough into it, but I think that's nice. Maybe her use of Taiwanese is genuine!

Wang and her good buddy He Zhiwei are not running against each other, as they're in different legislative districts. Wang's DPP opponent is Wu Siyao.

That's related to the poster below, with the inspiring message, "I'm here!"




This is "unaffiliated" candidate Li Wanyu.

I don't really know what's up with her party-wise right now, and I thought she might be a pan-blue/unificationist/New Party type from the color of her sign, but no. She's formerly (and then again?) DPP, has close ties to Chen Shui-bian, and apparently joined the Taiwan Action Party Alliance  (一邊一國黨, also known as TAPA) recently, a party closely associated with Chen.

No, I didn't know any of that off the top of my head. I looked her up.

Anyway, Li Wanyu has a...colorful personal history. Two incidents of public drunkenness in her past continue to haunt her image, and apparently the second time around she had to spend 20 days in jail after being convicted of hitting a police officer. There are other bits and bobs of personal gossip going around too, that I won't bother with because I don't care. Apparently in 2014 she was expelled from the DPP for voting for herself in some internal election, but was later allowed to re-enter the party.

So, Li is also running against Wu Siyao, which means she's also in the race against Wang Zhibing above (even though I am pretty certain I took these photos in two very different neighborhoods, I suppose the district is large-ish). There was a bit of a political kerfuffle recently when former president Chen went to a book signing with Li Wanyu, and seemed to be supporting her over DPP candidate Wu.

But then that's hardly surprising - Chen is TAPA, she's TAPA even though she's running as "unaffiliated" (at least that's what her poster says). Who would expect otherwise?

Ugh. So now we turn to...blatant slogan thieves!





This poster in Zhonghe, near Burma Street, features Some Guy, Mr. Generic (that's former New Taipei mayor Eric Chu, which you may have forgotten because he's just that boring), Big Uncle Dirk, Poppin' Fresh (whom I think is actually the candidate here, Chiu Feng-yao, and yes, calling him Poppin' Fresh is super mean and uncalled-for but I'm not sorry), and Hou You-yi, the current New Taipei mayor, who seems to be genuinely kinda popular. Brendan's first comment is that they're positioned in such a way that they look like those Chinese god idols, when there's more than one on an altar.

It seems Chiu is already a city councilor who is now running for the legislature.

I noted that, although I don't like any of these guys, at least two people on this poster appear to be reasonably competent at their jobs. No, the current presidential candidate in the middle is not one of them.

Both of us noted that their slogan isn't exactly original, and isn't even current as of the 2010s. I do understand that English on these signs is often merely decorative and few people who can actually vote will bother to read it, even if they're able to (which, honestly, most people in greater Taipei are).

But still. Don't you even want to try?

Aaaaanyway, the slogan here is "Unite to win the election, this seat is indispensable". Which is about as exciting as Eric Chu.

I still can't figure out who the guy on the far left is. I know Chiu has campaigned with Lin De-fu, but unless that's heavily photohopped to make him look less like a grandpa and to have a full head of shiny hair, it ain't him.

Oh yeah, and I also pointed out when we were gazing in awe at how this poster manages to be terrible and boring at the same time, that they are all men. While I'm willing to criticize the DPP for not doing enough to promote female visibility in the party, it would be impossible for them to make a sign like this without at least one woman. That is - the president.

In other words, I think this poster could use some improvements.


 




Here's Wang Zhibing again, this time posing with Han Kuo-yu (ugh, maybe I don't think she's so okay after all) with a whole 'let's win the boxing match' theme going on. Cute.

Time for a palate-cleanser. 

We're back at the DPP, this time with Da'an/Wenshan legislative candidate, Hsieh Pei-fen. Since Empty Suit Chiang Nai-hsin decided to retire (despite his campaign posters as recently as a few years ago still using photos of him in his 40s), this seat is up for grabs. KMT rising star and whiny tantrum-thrower Lin Yi-hua is running for the KMT, and the DPP is putting up Hsieh, who at age 32 - so the DPP really is trying to run a few younger candidates - has graduated from Harvard Law and NTU and worked in international affairs ever since, with an impressive string of credentials. 


I'm not biased, of course. 

She'll probably lose because this is Da'an, but it will give her exposure. I'm just pleased the DPP is bothering to run a real candidate. It shows they think this race is worth fighting for. The other guy is Wang Minsheng, a city councilor whose office is in that building. 

Back to the KMT. 

This vaguely interests me because it shows the KMT thinks Ma Ying-jeou still has star power, despite everyone hating him and even KMT voters heckling him at a Han rally. After learning the hard way what Taiwanese think about the 1992 Consensus, it's interesting as well that they give it such a prominent place on this poster, which has all the KMT symbolism just crammed in. We've got:

- Only men
- Many shades of blue
- Two prominent KMT "white sun on a blue sky" symbols, one on the ROC flag and the other on Han's Taiwanese Political Candidate/Taiwanese Grandpa vest (the DPP's fashion choices this year are way better, I have to say)
- The word "KMT" on two articles of clothing
- A reference to the 1992 consensus
- FISTS! (Except for Ma, who probably can't make a fist). Also, arm-crossing which I think they think is aggressive and business-y but just comes across as weird and defensive.
- A signal that they still think they are the party of a strong economy (as though we haven't figured out that, to the extent that's true - which it isn't really - it's because China helps them)

Also get a load of the "We Shall Return" logo on Ma's shirt. LOL.

The slogan here is "1992 Consensus, Fight for the economy". From trying to re-group after 2016 and perhaps rethink the way they approached voters, they seem to be trying to roar back into power by taking a hard right turn back to their old-school platforms. 

The candidate here is Lai Shi-bao (Shih-pao? My Romanization is all over the place today), who seems to be trying to look younger with the hoodie and all. He's actually 68 years old, and very old-school KMT (minority leader in the legislature...and more. Basically super establishment).

Apparently this sign has appeared in more than one place, and there's a bit of a public debate going on about whether it's even a good idea to campaign on promoting the 1992 Consensus. Is it conspiracy-mongering tinfoil hattism to suggest that perhaps the CCP is directing the KMT to campaign this way - whether blatantly or tacitly - because it is just that tone-deaf?

In any case, apparently in another area where this poster appeared, DPP opponent Ruan Zhaoxiong put up a sign directly beneath it saying "the 1992 Consensus is One Country Two Systems" (a phrase which is even more unpopular in Taiwan). 

Here's a campaign poster on a bus that also includes Ma Ying-jeou (who apparently can make a half-hearted fist). 






He's with Lin Jin-jie  - and no, I'm not even bothering to try and standardize my Romanization. Lin is a candidate in New Taipei (Tucheng and Sanxia). He doesn't seem that interesting except that Terry Gou, who I suppose is a Big Man in the Tucheng area, where there is a big and rather ugly industrial park, and they don't seem to get along. Apparently people are not optimistic about his chances, and Gou has said "he won't be elected".

That photo is heavily photoshopped - the real Lin Jin-jie looks quite a bit older.

The slogan is "support the blue army to win, only then will the country have peace of mind" (it sounds better, though not less boring, in Mandarin).

The irony of that is staggering, seeing as it's the "blue army" that is routinely accused of working with China to undermine the country. Anyway, "an ding" (安定）is also a way of referring to a kind of sedative, though I suspect that usage is very rare. Somehow, "support the blue army to win, only then will the nation be heavily tranquilized" sounds more accurate, though.





This is Lin Yi-hua - as with other politicians, photoshopped to look younger than she is - on a banner outside my favorite soy milk place on Fuxing Road. Lin is running against Hsieh Pei-fen in Da'an and Wenhua, and she pretends to be ill for political gain.

That's a shame; this Yonghe Soy Milk's breakfast grub (also, late night grub) is good and they're open 24 hours. The distance and the weird font mean I can't really read the slogan but it has to do with business and education - a platform-based sign. One could do worse.

Next to her, also put up by Yonghe Soy Milk, is a banner for the Congress Party Alliance (國會政黨聯盟). I don't know a lot about them except that they merged with the Minkuotang earlier this year. The Minkuotang has a weird religious component, is basically unificationist, and is pan-blue, so we can assume the Congress Party Alliance is too (apparently the chairman, Wujue Miaotian, is also a cultish religious figure and is the chairman of the newly-merged single party).

They strike me as creepy, and I'm not sure what's up with Yonghe Soy Milk in that they put up both a standard KMT banner (which I guess I can ignore) alongside the weird cult people banner. 

This is a poster in a rural part of Miaoli Country for Chu Ying-hao, an unaffiliated candidate running against a KMT incumbent (Miaoli is super blue). I don't know if there's a DPP candidate campaigning as well, but they seem to be making a real effort to get whatever minority votes there are in Miaoli to come out for President Tsai, so maybe. 

Nobody seems to know much about Chu, as he's a political newcomer. His main platform seems to be "more funding for Miaoli!" which will probably appeal to voters there - remember Miaoli is once the county that went broke thanks in part to simply not having enough money, but mostly due to previous financial mismanagement by the KMTers they keep electing for some reason. 

(I think part of the reason is that Miaoli is heavily Hakka and Hakka voters tend to vote KMT, often though not always out of some deep-seated dislike for the old Hoklo chauvinism of the DPP, which many refuse to believe is waning. I'm not sure it matters, even, that Tsai is part Hakka.) 





In fact, I spent the whole weekend in Miaoli and took as many campaign poster photos as I could.

At one point we got a little turned around up in the mountains and ended up in the small Indigenous village of Da'an. Candidates here campaign heavily on their Indigenous heritage - this poster above for Wu Li-hua references the "dreams of the Indigenous people" and the full autumn moon (not only is Mid-Autumn Festival important to Taiwanese with ancestry from China, but a fair number of Indigenous festivals take place around that time as well.)



This one - with the ultra-boring slogan "To Serve The People" - is for May Chin (Gao Jin Su Mei or Ciwas Ali), a famous actress-cum-politician with Atayal (and Manchu) heritage. You may know her from Ang Lee's The Wedding Banquet. She's a member of the highly-partisan Non-Partisan Solidarity Union. On the good side, she's a strong advocate of Indigenous rights. On the other hand, she's also a unificationist.




Running for re-election to the legislature is Lin Hsin-yi. No, not the former Vice Premier under Chen Shui-bian (I had to check too - in any case, the Indigenous population also tends to vote blue despite the KMT not caring one whit about them). This Lin Hsin-yi is not affiliated with a party and has criticized both the DPP and KMT sharply for not caring about Indigenous rights. I'm not sure why he's campaigning in Miaoli as he seems to be more closely associated with Fuxing township in Taoyuan, and at least used to be KMT? Not sure.

His slogan is "Hold fast to faith, hold fast to fulfilling your dreams". The first part is pretty standard, as Indigenous Taiwanese also tend to be Christian.

Anecdotally, I feel like even just ten years ago, it was common for whatever KMTer wanted to win to just show up and shake some hands in Indigenous areas, and then once elected proceed to do nothing at all for them. So it's interesting to me that now, it seems to win in an Indigenous area, Indigenous candidates lean heavily on their heritage. 




There's not a lot to say about this absolutely huge and yet utterly boring poster for the DPP. The guy on the left is Luo Gui-xing (who is almost certainly Hakka - if you are a Luo from Miaoli, that's a dead giveaway). I can't see who the guy on the right is.

I can't find much about Mr. Luo, except that he was previously elected to the Miaoli County Council. Not sure how I feel about the square hair, though.

This is a good chance for me to opine on the DPP's slogan, however.

In Chinese, I like it. In English - yawn.

The Chinese is an adorable and lovely pun - "we want to win" sounds just like "We want Ying [the nickname of Tsai Ing-wen, who actively campaigns as 'Little Ying']". In English, "Let's Win" is pretty uninspired, though at least it's not stolen like 'Yes We Can'.

The good news is that I doubt Taiwanese voters care, even if they can read it. The blandness probably doesn't matter. 

Then there's this guy:






Oh, Lin Yu-fang, how I hate you so.

I really hate this guy. He was defeated in 2016 by rock star and Sexy Legislator Freddy Lim, after a dirty and hateful campaign making fun of Freddy's hair (saying that men with long hair are 'abnormal') and putting up legitimately scary pro-death penalty posters near elementary schools, which said things like "Freddy Lim will let murderers walk free" (Freddy is against capital punishment, like a sensible sexy person.)

I know I don't have a leg to stand on being all indignant about making fun of Freddy's sexy, sexy hair, seeing as earlier in this post I called a guy Poppin' Fresh. But I'm still not sorry. Anyway, I'm a blogger, not someone working on campaign messaging.

Anyway, he might win his seat back, which sucks. Freddy's got a shot at re-election, but it seems at least one major temple in their very temple-heavy district  - Qingshan Gong or the Green Mountain Temple - has decided to endorse Lin Yu-fang. I thought at first that allowing him to come pray at the head of the festival parade was just something the temple allowed candidates to do, but the two giant posters on either side of the temple point to more active support. 

I can't read the first poster as the photo got cut off, but the second one has him posing in front of a little cartoon boring place. I think the message is, Make Wanhua Boring Again! 

In truth, the message is "finish the MRT, push urban renewal". Seeing as the KMT's version of "urban renewal" is "tear down things that are interesting without giving adequate compensation to current residents, and build things that suck", I suspect Make Wanhua Boring Again is the more accurate phrase.

Gross. 

Here's Sincere (and Sexy) Freddy Lim's noise truck rolling down Zhongxiao Road so you don't have to think about Lin Yu-fang anymore. 




Though to be honest, they've sort of toned down the rocker look and hidden his hair for this campaign. He looks just like a normal guy here, but I am sure if re-elected he will once again morph into Sexy Legislator Freddy Lim.

In contrast to Lin Yu-fang's ads, which look like 1980s commercials for liver pills and real estate, Freddy's ad is bright, fresh and has clean lines and clear messaging.

Again, not that I'm biased or anything.